論徽派馬頭墻在現(xiàn)代建筑中的應(yīng)用
發(fā)布時(shí)間：2018-10-14 11:07
【摘要】：隨著我國(guó)改革開(kāi)放的持續(xù)推進(jìn),城市建設(shè)現(xiàn)代化、國(guó)際化化進(jìn)程也不斷加速,在現(xiàn)代建筑領(lǐng)域出現(xiàn)了一些盲目西化的不良現(xiàn)象,很多現(xiàn)代建筑缺少地方文化特色,地域特點(diǎn)不鮮明,大量傳統(tǒng)建筑中的精華正在流失。中國(guó)的建筑設(shè)計(jì)師們要在與西方建筑文化對(duì)抗競(jìng)爭(zhēng)中堅(jiān)守自己的陣地,深刻研究和發(fā)掘我國(guó)傳統(tǒng)建筑文化的精粹,將其融入到現(xiàn)代建筑當(dāng)中去�；张山ㄖ诮ㄖL(fēng)格上體現(xiàn)出濃厚的地域特征,其建筑裝飾擁有鮮明的符號(hào)印記,是中國(guó)傳統(tǒng)建筑中極具代表性流派之一�；张山ㄖb飾中包含有馬頭墻、粉墻、門(mén)罩與門(mén)樓、隔扇與窗等。馬頭墻就是徽州建筑中最具有代表性的特征之一,它不僅是徽州建筑的基本特征,更是徽州建筑藝術(shù)的典型代表。本文特意選取馬頭墻這樣一種地域特色鮮明,同時(shí)又能夠傳承和發(fā)揚(yáng)中國(guó)傳統(tǒng)文化精髓的建筑元素在現(xiàn)代建筑設(shè)計(jì)中的應(yīng)用作為研究課題。本文在回顧徽州建筑文化發(fā)展的過(guò)程中,著重闡述了馬頭墻的起源和發(fā)展,詳細(xì)介紹了馬頭墻運(yùn)用的多種手法。然后,通過(guò)馬頭墻在現(xiàn)代建筑中的應(yīng)用實(shí)例來(lái)再次闡述馬頭墻在現(xiàn)代建筑中運(yùn)用的手法,強(qiáng)調(diào)我們要在已有的傳統(tǒng)中孕育出新的內(nèi)容,從時(shí)代的特點(diǎn)中找出與歷史的契合點(diǎn),并通過(guò)現(xiàn)代建筑予以表達(dá),以實(shí)現(xiàn)徽派馬頭墻在現(xiàn)代建筑中的傳承和應(yīng)用,并借此為探求中國(guó)傳統(tǒng)建筑文化、地域建筑文化如何更好的融入現(xiàn)代建筑設(shè)計(jì)提供一些新的想法和思路。
[Abstract]:With the continuous development of China's reform and opening up, the modernization of urban construction and the process of internationalization have been accelerated, and some blind westernization phenomena have appeared in the field of modern architecture. Many modern buildings lack local cultural characteristics. Regional characteristics are not clear, a large number of traditional architecture in the essence is losing. Chinese architectural designers should stick to their own position in the competition with western architectural culture, deeply study and explore the essence of Chinese traditional architectural culture, and integrate it into modern architecture. Huizhou architecture embodies strong regional characteristics in architectural style, and its architectural decoration has a distinctive symbol mark, which is one of the most representative schools in Chinese traditional architecture. Huizhou architectural decoration includes horse head wall, powder wall, door cover and gate building, partition and window, etc. The horse head wall is one of the most representative features in Huizhou architecture. It is not only the basic characteristic of Huizhou architecture, but also the typical representative of Huizhou architectural art. This article specially selects the horse head wall such one kind of region characteristic bright, simultaneously can inherit and develop the Chinese traditional culture essence architectural element in the modern architectural design application as the research topic. In the course of reviewing the development of Huizhou architectural culture, this paper emphatically expounds the origin and development of the horse head wall, and introduces in detail various methods of using the horse head wall. Then, through the application of the horse head wall in the modern architecture, it is expounded that the horse head wall is used in the modern architecture again. It is emphasized that we should give birth to the new content in the existing tradition, and find out the consonant point with history from the characteristics of the times. And through the expression of modern architecture, in order to realize the inheritance and application of Huizhou horse head wall in modern architecture, and in order to explore the Chinese traditional architectural culture, How to better integrate regional architectural culture into modern architectural design provides some new ideas and ideas.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU-86
本文編號(hào)：2270271
[Abstract]:With the continuous development of China's reform and opening up, the modernization of urban construction and the process of internationalization have been accelerated, and some blind westernization phenomena have appeared in the field of modern architecture. Many modern buildings lack local cultural characteristics. Regional characteristics are not clear, a large number of traditional architecture in the essence is losing. Chinese architectural designers should stick to their own position in the competition with western architectural culture, deeply study and explore the essence of Chinese traditional architectural culture, and integrate it into modern architecture. Huizhou architecture embodies strong regional characteristics in architectural style, and its architectural decoration has a distinctive symbol mark, which is one of the most representative schools in Chinese traditional architecture. Huizhou architectural decoration includes horse head wall, powder wall, door cover and gate building, partition and window, etc. The horse head wall is one of the most representative features in Huizhou architecture. It is not only the basic characteristic of Huizhou architecture, but also the typical representative of Huizhou architectural art. This article specially selects the horse head wall such one kind of region characteristic bright, simultaneously can inherit and develop the Chinese traditional culture essence architectural element in the modern architectural design application as the research topic. In the course of reviewing the development of Huizhou architectural culture, this paper emphatically expounds the origin and development of the horse head wall, and introduces in detail various methods of using the horse head wall. Then, through the application of the horse head wall in the modern architecture, it is expounded that the horse head wall is used in the modern architecture again. It is emphasized that we should give birth to the new content in the existing tradition, and find out the consonant point with history from the characteristics of the times. And through the expression of modern architecture, in order to realize the inheritance and application of Huizhou horse head wall in modern architecture, and in order to explore the Chinese traditional architectural culture, How to better integrate regional architectural culture into modern architectural design provides some new ideas and ideas.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU-86
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前3條
1 李穎;會(huì)所建筑及其“個(gè)性化”設(shè)計(jì)策略初探[D];昆明理工大學(xué);2014年
2 李畫(huà);徽州傳統(tǒng)民居裝飾元素在現(xiàn)代室內(nèi)設(shè)計(jì)中的運(yùn)用[D];安徽建筑大學(xué);2014年
3 吳敏;徽州民居裝飾藝術(shù)特征研究及其在現(xiàn)代城市住宅中的應(yīng)用[D];合肥工業(yè)大學(xué);2009年
，本文編號(hào)：2270271
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