發(fā)布時(shí)間：2018-08-04 10:11

【摘要】：在后工業(yè)社會(huì)環(huán)境中，將生產(chǎn)目的轉(zhuǎn)化成設(shè)計(jì)思想的綜合性意識(shí)，對(duì)設(shè)計(jì)的影響在廣度和深度上表現(xiàn)得較現(xiàn)代主義設(shè)計(jì)更加明顯。它在繼承現(xiàn)代主義承認(rèn)“機(jī)器美學(xué)”的基礎(chǔ)上，以人們文化生活的物質(zhì)和精神需要為目的，以生產(chǎn)與設(shè)計(jì)的相互交合為內(nèi)容，將設(shè)計(jì)發(fā)展得更加深入人心。 在后現(xiàn)代主義影響下,陶瓷設(shè)計(jì)也顯示出文脈主義、隱喻主義，以及采用新型材料為媒介的裝飾主義等特征，完成了現(xiàn)代主義所沒有完成的設(shè)計(jì)使命，那就是它在設(shè)計(jì)實(shí)踐中比較全面地貫徹了符合人對(duì)生活多樣化需要的訴求，即，它從情感上滿足了普遍存在的大眾化要求。 陶瓷設(shè)計(jì)的理想藍(lán)圖是不斷采用新技術(shù)成果，并歷史文化與現(xiàn)實(shí)文化緊密結(jié)合的人文主義精神，，將設(shè)計(jì)的方法論和設(shè)計(jì)實(shí)踐結(jié)合起來，充分反映人們普遍發(fā)展與不斷增長(zhǎng)的對(duì)物質(zhì)和精神生活需要的謀求。
[Abstract]:In the environment of post-industrial society, the comprehensive consciousness of transforming the purpose of production into the idea of design, the influence on design is more obvious in breadth and depth than that in modern design. On the basis of inheriting modernism's recognition of "machine aesthetics", aiming at the material and spiritual needs of people's cultural life, and taking the intersection of production and design as the content, it develops the design more deeply into the people's mind. Under the influence of postmodernism, ceramic design also shows the characteristics of contextualism, metaphorism and decorationism using new materials as the medium, thus accomplishing the design mission that modernism has not completed. That is, in the design practice, it has fully carried out the demand for the diversification of human life, that is, it meets the popular demand of universal existence from the emotional point of view. The ideal blueprint of ceramic design is the humanism spirit which adopts the new technical achievement unceasingly, and the history culture and the reality culture closely unifies, unifies the design methodology and the design practice. Fully reflects the general development of people and the growing pursuit of material and spiritual needs.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J527

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