發(fā)布時(shí)間：2018-06-21 22:24

  本文選題：乾州古城 + 旅游演藝��； 參考：《吉首大學(xué)》2014年碩士論文

【摘要】：乾州古城歷史源遠(yuǎn)流長，旅游資源十分豐富，2011年，乾州古城被省文化廳確立為湖南省省級(jí)非物質(zhì)文化遺產(chǎn)園。2012年，經(jīng)全國旅游景區(qū)質(zhì)量等級(jí)評(píng)定委員會(huì)評(píng)定，乾州古城榮膺國家4A級(jí)景區(qū)稱號(hào)。近兩年來，乾州古城每年接待游客300多萬人。乾州古城依托湘西豐富的非物質(zhì)文化遺產(chǎn)資源，重點(diǎn)進(jìn)行非物質(zhì)文化遺產(chǎn)的產(chǎn)業(yè)開發(fā)。2010年，民俗旅游演藝《格朗渡》就是在這樣的背景下推出來的一臺(tái)非物質(zhì)文化遺產(chǎn)演出。以《格朗渡》為標(biāo)志，非物質(zhì)文化遺產(chǎn)資源被開發(fā)利用，開始真正進(jìn)入乾州古城的文化旅游舞臺(tái)，開啟了湘西非物質(zhì)文化遺產(chǎn)傳承的新篇章。演出五年以來，，《格朗渡》運(yùn)轉(zhuǎn)良好，每年接待游客70萬人。作為一臺(tái)新的演藝節(jié)目，它引發(fā)一系列文化資源開發(fā)與旅游融合的問題，也引發(fā)非物質(zhì)文化遺產(chǎn)項(xiàng)目與“非遺”傳承人之間的關(guān)系變化，帶動(dòng)古城社區(qū)文化形象的塑造，引來古城面貌的變化，這樣的變化也必然影響到非物質(zhì)文化遺產(chǎn)的傳承內(nèi)容與途徑的變化，引起傳承人心理、身份、地位、傳承功能等方面的變化。在旅游演藝的語境下，本論文以乾州古城《格朗渡》為研究個(gè)案，通過對(duì)它的演出內(nèi)容、演出人員、演出效果、演出影響等多方面的研究，對(duì)“非遺”保護(hù)的創(chuàng)新性以及旅游演藝是否損害“非遺”保護(hù)這些問題進(jìn)行一些理性的思考，借此引發(fā)對(duì)于旅游資源開發(fā)與文化資源選擇之間互動(dòng)關(guān)系的探討，研究其效應(yīng)，研究帶來的文化產(chǎn)品與文化資源之間的互動(dòng)，研究“非遺”項(xiàng)目與“非遺”傳承人之間的互動(dòng)，研究湘西文化形象與游客認(rèn)知之間的互動(dòng)，探討湘西地區(qū)非物質(zhì)文化遺產(chǎn)保護(hù)與傳承的新途徑。
[Abstract]:The ancient city of Qianzhou has a long history and rich tourist resources. In 2011, the ancient city of Qianzhou was established as the provincial intangible cultural heritage park of Hunan Province by the Department of Culture. In 2012, it was assessed by the National Tourism Scenic spot quality rating Committee. Qianzhou ancient city won the national 4A class scenic spot title. In the past two years, the ancient city of Qianzhou receives more than 3 million tourists every year. Relying on the rich intangible cultural heritage resources of Xiangxi, the ancient city of Qianzhou focuses on the industrial development of intangible cultural heritage. In 2010, folk tourism performance "Grundu" was a non-material cultural heritage performance pushed out under such a background. With Grundu as the symbol, the intangible cultural heritage resources were exploited and utilized, which began to enter the cultural tourism stage of the ancient city of Qianzhou, and opened a new chapter in the inheritance of the intangible cultural heritage in Xiangxi. Over the past five years, Grando has been working well, receiving 700000 visitors a year. As a new acting program, it causes a series of problems of cultural resources development and tourism integration, and also leads to a change in the relationship between the intangible cultural heritage project and the "non-legacy" inheritors, and promotes the shaping of the cultural image of the ancient city community. This kind of change will inevitably affect the content and the way of immaterial cultural heritage, and cause the change of people's psychology, identity, status, heritage function and so on. In the context of tourism performance, this paper takes the ancient city of Qianzhou, Grando, as a case study, through the performance of its content, performance personnel, performance results, performance impact and other aspects of research. This paper makes some rational thinking on the innovation of the protection of "non-posthumous" and whether the tourism performance damages the protection of "non-posthumous", so as to probe into the interactive relationship between the exploitation of tourism resources and the choice of cultural resources, and study its effect. The interaction between cultural products and cultural resources brought by the study, the interaction between "non-legacy" project and "non-legacy" inheritor, and the interaction between cultural image of Xiangxi and tourists' cognition are studied. This paper discusses the new ways of protecting and inheriting the intangible cultural heritage in western Hunan.
【學(xué)位授予單位】：吉首大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：G122

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本文編號(hào)：2050272