發(fā)布時間：2018-06-23 00:18

  本文選題：落腔 + 源流��； 參考：《鄭州大學(xué)》2017年碩士論文

【摘要】：落腔,是一種地方小戲,主要流行于豫北農(nóng)村,在人民群眾中頗受歡迎,于2011年評為國務(wù)院公布的國家級非物質(zhì)文化遺產(chǎn)之一。本論文對落腔的源流、劇本文本及班社組織進(jìn)行綜合考察,在史料與民間藝人的記憶中梳理落腔的發(fā)展脈絡(luò),思考落腔的生存機制和傳承意義。落腔是在民間曲藝蓮花落的基礎(chǔ)上形成的,這已得到了多方的共識,但其產(chǎn)生時間卻眾說紛紜。第一種說法認(rèn)為落腔已有三百年的歷史,于清嘉慶年間出現(xiàn),道光年間在豫北地區(qū)流行。第二種說法認(rèn)為落腔產(chǎn)生于清咸豐年間。第三種認(rèn)為落腔產(chǎn)生于同治三年。這三種說法不斷得到討論,經(jīng)過比較落腔與蓮花落及武安落子,并通過查閱各種史料,本論文認(rèn)為落腔出現(xiàn)于嘉慶末年,在本地說唱藝術(shù)“彩扮蓮花落”的基礎(chǔ)上,受武安落子的影響形成,與山西上黨落子同一來源,在后來的發(fā)展中又形成自己鮮明的地域特色�？陬^傳承使落腔文本形成程式性的表述方式和結(jié)構(gòu)方式,為落腔劇本文本的創(chuàng)作、傳承和表演中的即興創(chuàng)作提供了創(chuàng)作語匯和范型。程式性的敘事單元、敘事類型和表演模式,表現(xiàn)了豫北地區(qū)社會的地方性知識和民眾對于鄉(xiāng)村歷史的集體記憶,體現(xiàn)出了地方文化的傳統(tǒng)意義,這也是促進(jìn)落腔在地區(qū)內(nèi)穩(wěn)定傳承的重要原因。落腔班社肩負(fù)著傳承和發(fā)展落腔的職責(zé)和使命,班社組織以職業(yè)劇團(tuán)、半職業(yè)劇團(tuán)、村落組織三種形式的實踐推動落腔的發(fā)展。職業(yè)劇團(tuán)引領(lǐng)落腔的發(fā)展方向,半職業(yè)劇團(tuán)是優(yōu)秀藝人脫穎而出的途徑,而村落組織則是培養(yǎng)群眾基礎(chǔ)的最好方式。落腔活躍于廟會節(jié)慶、人生儀禮等各種場合,是鄉(xiāng)民的一項娛樂活動,也是一筆豐厚的精神遺產(chǎn),但是近年的發(fā)展也遇到了挑戰(zhàn)。落腔的傳承需要政府和劇團(tuán)自身的共同努力,只有緊隨時代,在繼承中創(chuàng)新,落腔才能得到更長遠(yuǎn)的發(fā)展。
[Abstract]:Falling cavity is a kind of local drama, mainly popular in rural areas of northern Henan, popular among the people, in 2011 as one of the national intangible cultural heritage announced by the State Council. This paper makes a comprehensive investigation of the origin, script text and ban-society organization, combs the development context of the falling cavity in the memory of historical materials and folk artists, and considers the survival mechanism and inheritance significance of the falling cavity. The cavities are formed on the basis of folk art lotus flower, which has been agreed by many parties, but the time of its formation is different. The first is that the cavities have a history of 300 years, which appeared in the Qing Dynasty and became popular in the Northern Henan Province during the Daoguang period. The second view is that the cavities came into being during the Xianfeng period of Qing Dynasty. The third is that the cavities came into being in three years of Tongzhi. These three kinds of theories have been discussed continuously. By comparing the falling cavity with the lotus flower and Wu an Luozi, and by referring to various historical materials, this paper thinks that the falling cavity appeared in the late years of Jiaqing, and based on the local rap art of "playing the lotus flower fall". Influenced by Wu'an Luozi, it came from the same source as Shanxi Shangdang Luozi, and formed its own distinct regional characteristics in the later development. Oral transmission forms the formative expression and structure of the text, which provides the creative vocabulary and paradigm for the creation, inheritance and improvisation of the script. The programmed narrative units, narrative types and performance models represent the local knowledge and collective memory of the rural history of the people in the northern part of Henan, and reflect the traditional significance of the local culture. This is also an important reason to promote the stable transmission of cavities in the region. The cavernous banners are responsible for inheriting and developing the cavities. The bankas organize to promote the development of the cavities by the practice of professional troupes, semi-professional troupes and village organizations. The professional troupe leads the development direction of the cast, the semi-professional troupe is the way for the outstanding artists to stand out, and the village organization is the best way to cultivate the mass foundation. Living in temple festivals, life rituals and other occasions, it is a rural people's entertainment activities, but also a rich spiritual heritage, but in recent years, the development has met challenges. The inheritance of the falling cavity needs the joint efforts of the government and the troupe itself. Only by following the times and innovating in the inheritance can the fallout get a longer term development.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J825

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1 劉影;落腔調(diào)查與研究[D];鄭州大學(xué);2017年

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本文編號：2054869