新疆土爾扈特蒙古族傳統(tǒng)袍服圖案藝術(shù)研究
發(fā)布時間：2019-05-19 23:55
【摘要】：土爾扈特蒙古族是一群具有頑強(qiáng)堅韌的民族精神,寄托著美好生活,帶著吉祥美好的愿望居住在新疆這片古老而神奇的土地。他們總是將生活和藝術(shù)做出最完美的演繹,伴隨著悠揚(yáng)的琴聲土爾扈特蒙古人將具有歷史淵源、文化底蘊(yùn)、民間特色、吉祥期盼的圖案通過寓意與美術(shù)的形式結(jié)合起來,表達(dá)他們內(nèi)心對美的感知,在長期的演化發(fā)展中形成了頗具民族特色的圖案范式,沿用至今凝聚成悠久的袍服文化。袍服上的圖案隨著歷史的變遷,民族的融合,以其獨特的地理風(fēng)貌,民族的生活習(xí)性形成了獨具特色的民族服飾范式,袍服圖案傳遞著他們民族的文化、信仰、審美,精神。居住在新疆地區(qū)的土爾扈特蒙古人歷經(jīng)世事滄桑變化,在生產(chǎn)生活中逐漸形成自身的服飾圖案范式,精美華麗的服飾圖案蘊(yùn)藏著草原民族淳樸本真的性格、熱情積極的精神追求,表達(dá)著新疆土爾扈特蒙古人的情感思維,記錄其悠遠(yuǎn)的情感歷程。袍服圖案已經(jīng)成為民間有形的文化遺產(chǎn),如同一本史詩、一種標(biāo)記、一種無聲的語言刻錄著民族的精神,顯現(xiàn)了民族的審美精神所在。新疆土爾扈特蒙古族特殊的歷史發(fā)展過程決定了袍服上的圖案的特殊性,而這樣的個性也決定了其民族性。本文選擇具有典型性的新疆土爾扈特蒙古族的兩個地區(qū)的袍服圖案,對巴音郭楞蒙古自治州、和布克賽爾縣進(jìn)行實地考察,圖像資料獲取頗豐,重點對袍服圖案的裝飾藝術(shù)特征進(jìn)行分析;并對新疆不同地區(qū)土爾扈特蒙古族,不同年齡、不同身份的服飾圖案進(jìn)行梳理、比較,對所受的文化進(jìn)行解讀,以及淺析本民族所受周邊多元文化因素的影響。第一部分緒論,闡述新疆土爾扈特蒙古族袍服圖案的研究背景、研究目的、研究意義及研究方法。第二部分闡述了新疆土爾扈特蒙古族袍服的文化背景,分布狀況、穿戴特征及精神內(nèi)涵。第三部分分析新疆土爾扈特蒙古族袍服圖案的表達(dá)方式、構(gòu)成形式、色彩表達(dá)。第四部分將考察所得的土爾扈特蒙古族袍服圖案按巴州地區(qū)和和布克賽爾縣進(jìn)行匯總,并對同一地區(qū)不同年齡身份的袍服圖案,用圖表法將圖案使用頻度、裝飾色彩、各地區(qū)進(jìn)行比較分析,并解讀其文化內(nèi)涵。第五部分用圖表法將圖案使用頻度、裝飾色彩、各地區(qū)進(jìn)行比較分析,第六部分分別從"哈木爾紋"、"云紋"、"犄角紋"對其進(jìn)行比較分析土爾扈特蒙古族袍服圖案文化的多元性特征。第七部分新疆土爾扈特蒙古族傳統(tǒng)袍服圖案的傳承與運用。
[Abstract]:Tuerhute Mongolian is a group with tenacious and tenacious national spirit, with a good life, with auspicious and beautiful wishes to live in Xinjiang, this ancient and magical land. They always make the most perfect interpretation of life and art. With the melodious piano sound, the Mongolian people will have historical origin, cultural heritage, folk characteristics, auspicious looking forward to the pattern through the form of moral and art. Expressing their inner perception of beauty has formed a pattern paradigm with national characteristics in the long-term evolution and development, which has been condensed into a long robe culture. With the change of history and the fusion of nation, the pattern of robe has formed a unique national dress paradigm with its unique geographical style and features, and the robe pattern conveys their national culture, belief, aesthetics and spirit. The Tuerhute Mongolians living in Xinjiang have undergone the vicissitudes of the world and gradually formed their own clothing pattern paradigm in production and life. The exquisite and gorgeous dress patterns contain the simple and true character of the prairie nation. The enthusiastic and positive spiritual pursuit expresses the emotional thinking of the Mongolian people in Tuerhute, Xinjiang, and records their long emotional course. Robe patterns have become a tangible cultural heritage of the folk, like an epic, a mark, a silent language burning the spirit of the nation, showing the aesthetic spirit of the nation. The special historical development process of the Mongolian nationality in Tuerhute, Xinjiang, determines the particularity of the pattern on the robe, and this personality also determines its nationality. In this paper, two typical robes patterns of Tuerhute Mongolian nationality in Xinjiang are selected, and the field investigation of Bayingol Mongolian Autonomous Prefecture and Buksaire County is carried out, and the image data are obtained quite a lot. Focus on the analysis of the decorative artistic characteristics of robe patterns; It also combs and compares the dress patterns of Tuerhute Mongolians, different ages and different identities in different areas of Xinjiang, interprets the culture, and analyzes the influence of the surrounding multicultural factors on the nationality. The first part is the introduction, which expounds the research background, research purpose, research significance and research method of the Mongolian robe pattern in Tuerhute, Xinjiang. The second part expounds the cultural background, distribution, wearing characteristics and spiritual connotation of Mongolian robes in Tuerhute, Xinjiang. The third part analyzes the expression mode, composition form and color expression of Mongolian robe pattern in Tuerhute, Xinjiang. In the fourth part, the Mongolian robe patterns obtained from the investigation will be summarized according to Bazhou area and Buksaire County, and the robe patterns with different age status in the same area will be used in the chart method to use frequency and decorative color. Each region carries on the comparative analysis, and interprets its cultural connotation. The fifth part uses the chart method to use the pattern frequency, the decoration color, each region carries on the comparative analysis, the sixth part separately from "Hamur grain", "moire", The pluralistic characteristics of Tuerhute Mongolian robe pattern culture are compared and analyzed in the Corner pattern. The seventh part is the inheritance and application of Mongolian traditional robe patterns in Tuerhute, Xinjiang.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J523.5
本文編號：2481178
[Abstract]:Tuerhute Mongolian is a group with tenacious and tenacious national spirit, with a good life, with auspicious and beautiful wishes to live in Xinjiang, this ancient and magical land. They always make the most perfect interpretation of life and art. With the melodious piano sound, the Mongolian people will have historical origin, cultural heritage, folk characteristics, auspicious looking forward to the pattern through the form of moral and art. Expressing their inner perception of beauty has formed a pattern paradigm with national characteristics in the long-term evolution and development, which has been condensed into a long robe culture. With the change of history and the fusion of nation, the pattern of robe has formed a unique national dress paradigm with its unique geographical style and features, and the robe pattern conveys their national culture, belief, aesthetics and spirit. The Tuerhute Mongolians living in Xinjiang have undergone the vicissitudes of the world and gradually formed their own clothing pattern paradigm in production and life. The exquisite and gorgeous dress patterns contain the simple and true character of the prairie nation. The enthusiastic and positive spiritual pursuit expresses the emotional thinking of the Mongolian people in Tuerhute, Xinjiang, and records their long emotional course. Robe patterns have become a tangible cultural heritage of the folk, like an epic, a mark, a silent language burning the spirit of the nation, showing the aesthetic spirit of the nation. The special historical development process of the Mongolian nationality in Tuerhute, Xinjiang, determines the particularity of the pattern on the robe, and this personality also determines its nationality. In this paper, two typical robes patterns of Tuerhute Mongolian nationality in Xinjiang are selected, and the field investigation of Bayingol Mongolian Autonomous Prefecture and Buksaire County is carried out, and the image data are obtained quite a lot. Focus on the analysis of the decorative artistic characteristics of robe patterns; It also combs and compares the dress patterns of Tuerhute Mongolians, different ages and different identities in different areas of Xinjiang, interprets the culture, and analyzes the influence of the surrounding multicultural factors on the nationality. The first part is the introduction, which expounds the research background, research purpose, research significance and research method of the Mongolian robe pattern in Tuerhute, Xinjiang. The second part expounds the cultural background, distribution, wearing characteristics and spiritual connotation of Mongolian robes in Tuerhute, Xinjiang. The third part analyzes the expression mode, composition form and color expression of Mongolian robe pattern in Tuerhute, Xinjiang. In the fourth part, the Mongolian robe patterns obtained from the investigation will be summarized according to Bazhou area and Buksaire County, and the robe patterns with different age status in the same area will be used in the chart method to use frequency and decorative color. Each region carries on the comparative analysis, and interprets its cultural connotation. The fifth part uses the chart method to use the pattern frequency, the decoration color, each region carries on the comparative analysis, the sixth part separately from "Hamur grain", "moire", The pluralistic characteristics of Tuerhute Mongolian robe pattern culture are compared and analyzed in the Corner pattern. The seventh part is the inheritance and application of Mongolian traditional robe patterns in Tuerhute, Xinjiang.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J523.5
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 蘇暢;蒙古族傳統(tǒng)服飾紋樣在旅游工藝品設(shè)計中的應(yīng)用研究[D];內(nèi)蒙古工業(yè)大學(xué);2018年
，本文編號：2481178
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