發(fā)布時間：2018-07-02 11:27

  本文選題：《解救吾先生》 + 接受美學(xué)��； 參考：《電影文學(xué)》2017年09期

【摘要】：接受美學(xué)是21世紀(jì)商業(yè)電影創(chuàng)作的重要理論,甚至成為衡量一部商業(yè)電影是否成功的標(biāo)尺。在電影的市場經(jīng)濟面前,諸多以觀眾為主體、為核心的商業(yè)電影應(yīng)運而生,觀眾的審美需求和審美能力才是電影創(chuàng)作的審美標(biāo)準(zhǔn)。影片《解救吾先生》取材于真實的犯罪案件,很容易被拍成嚴(yán)肅的警匪正劇,可在導(dǎo)演丁晟的凌厲剪輯和快節(jié)奏敘事風(fēng)格下,該片成為近年來難得的商業(yè)佳片,真正做到了在接受美學(xué)的規(guī)范下最大限度地滿足了觀眾的審美期待。
[Abstract]:Reception aesthetics is an important theory of commercial film creation in the 21st century, and even a yardstick to judge the success of a commercial film. In the face of the film market economy, many commercial films with audience as the main body and as the core emerge as the times require. The aesthetic demand and the aesthetic ability of the audience are the aesthetic standards of film creation. The film "Mr. Save me" is based on a real crime case and is easily filmed as a serious police and bandit drama. But under the fierce editing and fast-paced narrative style of director Ding Sheng, the film has become a rare commercial film in recent years. It can satisfy the audience's aesthetic expectation to the maximum extent under the standard of reception aesthetics.
【作者單位】： 大連工業(yè)大學(xué)藝術(shù)設(shè)計學(xué)院;
【分類號】：J905
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本文編號：2089969