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愛情懸疑微電影《以愛為名》的類型化嘗試與突破

發(fā)布時(shí)間:2018-07-02 22:15

  本文選題:愛情 + 懸疑; 參考:《上海師范大學(xué)》2017年碩士論文


【摘要】:陽(yáng)光的背后總有陰影,愛與占有往往相隔一線,控制不好便是毀滅。愛情懸疑微電影《以愛為名》講述的正是這樣一段搖擺在美好的愛情與瘋狂的占有欲之間的感情故事。廣告公司的普通職員文哲因?yàn)橐淮我馔舛忮肆嗣利惖钠矫婺L啬咀?本是一段浪漫的都市愛情佳話,卻在木子以愛為名的種種控制之下走到盡頭。事過境遷,一個(gè)神秘快遞重新勾起了文哲對(duì)這段往事的痛苦回憶,他渾然不知的卻是,愛到癲狂的木子其實(shí)依然如同幽靈一般神秘地蟄伏在他已然看似平靜的生活里,持續(xù)監(jiān)控和占有著他,從未離開過。本文將對(duì)愛情懸疑片這一類型的電影作出相關(guān)的概念界定及劇作特征分析,對(duì)近年來(lái)愛情懸疑類電影的類型化發(fā)展進(jìn)行簡(jiǎn)單梳理,在此基礎(chǔ)上詳細(xì)解讀《以愛為名》這部被定位為愛情懸疑片的微電影是如何通過內(nèi)在風(fēng)格的塑造(劇本及人物設(shè)置)和外在鏡頭語(yǔ)言的呈現(xiàn)(角色、攝像機(jī)運(yùn)動(dòng)、燈光、場(chǎng)景與道具、聲音)這兩大部分對(duì)類型化元素進(jìn)行把握和跳出類型桎梏的部分突破設(shè)想,以期為希望嘗試同類型風(fēng)格電影的后來(lái)拍攝者提供可供參考的劇本創(chuàng)作及拍攝技巧方面的經(jīng)驗(yàn)。
[Abstract]:There is always a shadow behind the sun. Love and possession are often separated from each other, and failure to control is destruction. In the name of Love, the love suspense movie tells the story of a relationship between a beautiful love and a crazy possessiveness. The ordinary clerk of the advertising company, Wen Zhe, met a beautiful graphic model, wooden, by accident. It was a romantic urban love story, but it came to an end under the control of wood in the name of love. Over time, a mysterious express rekindled the painful recollection of the past. What he did not know was that the wooden man who loved to be crazy was still, like a ghost, lurking mysteriously in his already seemingly calm life. He was constantly monitored and possessed and never left. This article will make the related concept definition and the drama characteristic analysis to the love suspense film this kind of movie, carries on the simple comb to the love suspense category movie type development in recent years, On this basis, the detailed interpretation of "in the name of Love", which is defined as a love suspense film, is made through the shaping of the inner style (script and character setting) and the presentation of the external lens language (character, camera movement, lighting, etc.). Scenes and props, sounds) these two parts of the type of elements to grasp and out of the shackles of the type of part of the breakthrough, In order to provide a reference for future filmmakers who want to try similar style films, experience in screenwriting and shooting techniques.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 劉星;;中國(guó)懸疑驚悚片的本土化特色[J];四川理工學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2016年04期

2 趙衛(wèi)防;;《天機(jī)·富春山居圖》:從類型到敘事的缺失[J];當(dāng)代電影;2013年08期

3 饒曙光;;類型經(jīng)驗(yàn)(策略)與中國(guó)電影發(fā)展戰(zhàn)略[J];當(dāng)代電影;2008年05期

相關(guān)碩士學(xué)位論文 前1條

1 李立;電影表演:情緒、情感的藝術(shù)[D];重慶大學(xué);2011年

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本文編號(hào):2091084

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