發(fā)布時(shí)間：2018-11-26 13:20

【摘要】：西藏紀(jì)錄片是以影像為傳播形態(tài)的視覺(jué)文本,視覺(jué)表征則具有對(duì)這樣的影像符號(hào)、文化進(jìn)行編碼與解碼的功能。將西藏紀(jì)錄片作為研究對(duì)象,通過(guò)對(duì)典型文本《藏北人家》《西藏一年》以及《第三極》的分析,考察西藏紀(jì)錄片影像中占主導(dǎo)地位的表征范式的內(nèi)容與形式,有助于我們理解視覺(jué)符號(hào)是如何通過(guò)動(dòng)態(tài)的視覺(jué)影像的“認(rèn)知提示”,書寫藏族文化,在全球化語(yǔ)境中建構(gòu)出西藏的民族形象的。
[Abstract]:Tibetan documentary film is a visual text with image as its transmission form. Visual representation can encode and decode such image symbols and culture. Taking the Tibetan documentary film as the research object, through the analysis of the typical text, "Northern Tibetan people", "Tibet one year" and "the third Pole", the paper examines the contents and forms of the dominant representation paradigm in Tibetan documentary images. It is helpful for us to understand how the visual symbols write Tibetan culture through the "cognitive cues" of dynamic visual images and construct the Tibetan national image in the context of globalization.
【作者單位】： 北京師范大學(xué);達(dá)州技術(shù)學(xué)院;
，

本文編號(hào)：2358676