成人兒童化現(xiàn)象對(duì)動(dòng)畫角色設(shè)計(jì)的影響研究
發(fā)布時(shí)間：2018-11-27 07:05
【摘要】：近年來，動(dòng)畫電影中出現(xiàn)了一批人小鬼大、表里不一、富有人格魅力的“小人物”類型角色，深受觀眾的喜愛與認(rèn)可。要探究此類角色成功的秘訣，必須透過現(xiàn)象看本質(zhì),在這類角色背后所傳遞出的精神內(nèi)涵，是與其生存的社會(huì)環(huán)境緊密相連的。充當(dāng)影片“代言人”的動(dòng)畫角色作為社會(huì)生活的一面多棱鏡，自然將折射出特定時(shí)代背景下的社會(huì)現(xiàn)象和精神內(nèi)涵，然而時(shí)代觀念的更迭和社會(huì)意識(shí)的嬗變也必將給動(dòng)畫角色設(shè)計(jì)留下深深的烙印。本文是以日益盛行的成人兒童化社會(huì)現(xiàn)象作切入點(diǎn)，從歷史的角度梳理其發(fā)展演變的過程，深入解讀這一現(xiàn)象出現(xiàn)的社會(huì)背景和心理狀態(tài)。文章結(jié)合多重學(xué)科探究當(dāng)代動(dòng)畫電影中角色形象的審美嬗變及設(shè)計(jì)準(zhǔn)則，分別從角色的外形、性格和行為等方面對(duì)此類角色進(jìn)行系統(tǒng)分析。在總結(jié)經(jīng)典案例的同時(shí)剖析飽受詬病的國產(chǎn)角色，提出以人為本的創(chuàng)作理念為觀眾設(shè)計(jì)出合乎時(shí)代面貌的角色形象，將是中國動(dòng)畫角色設(shè)計(jì)今后的發(fā)展方向。
[Abstract]:In recent years, there are a number of characters of "little man" which are big, duplicative and charismatic in animated movies, which are loved and recognized by the audience. In order to explore the secret of the success of this kind of role, we must look at the essence through the phenomenon. The spiritual connotation transferred behind this kind of role is closely related to the social environment in which it exists. As a multi-prism mirror of social life, the animated character of acting as the "spokesman" of the film naturally reflects the social phenomenon and spiritual connotation under the specific background of the times. However, the change of the concept of the times and the evolution of social consciousness will also leave a deep imprint on the animation character design. This paper takes the increasingly popular social phenomenon of adult children as the starting point, combs the process of its development and evolution from the historical point of view, and deeply interprets the social background and psychological state of this phenomenon. This paper explores the aesthetic evolution and design criteria of the character image in contemporary animated movies by combining multiple disciplines, and makes a systematic analysis of the characters from the aspects of their appearance, character and behavior. At the same time of summarizing the classic cases and analyzing the much-criticized domestic characters, the author puts forward the idea of people-oriented creation, which will be the development direction of Chinese animation character design in the future.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954
[Abstract]:In recent years, there are a number of characters of "little man" which are big, duplicative and charismatic in animated movies, which are loved and recognized by the audience. In order to explore the secret of the success of this kind of role, we must look at the essence through the phenomenon. The spiritual connotation transferred behind this kind of role is closely related to the social environment in which it exists. As a multi-prism mirror of social life, the animated character of acting as the "spokesman" of the film naturally reflects the social phenomenon and spiritual connotation under the specific background of the times. However, the change of the concept of the times and the evolution of social consciousness will also leave a deep imprint on the animation character design. This paper takes the increasingly popular social phenomenon of adult children as the starting point, combs the process of its development and evolution from the historical point of view, and deeply interprets the social background and psychological state of this phenomenon. This paper explores the aesthetic evolution and design criteria of the character image in contemporary animated movies by combining multiple disciplines, and makes a systematic analysis of the characters from the aspects of their appearance, character and behavior. At the same time of summarizing the classic cases and analyzing the much-criticized domestic characters, the author puts forward the idea of people-oriented creation, which will be the development direction of Chinese animation character design in the future.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954
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