《大魚海棠》“言、象、意”的傳播形態(tài)及意義研究
發(fā)布時(shí)間：2019-01-04 21:32
【摘要】：近年我國(guó)有多部動(dòng)畫電影取得了票房口碑雙豐收的好成績(jī),在2016年7月8日上映的《大魚海棠》可謂是一部里程碑式的動(dòng)畫電影,上映首日便打破了國(guó)產(chǎn)動(dòng)畫電影的票房紀(jì)錄�！洞篝~海棠》從構(gòu)思到完成制作耗時(shí)12載,導(dǎo)演用極具夢(mèng)幻般的風(fēng)格講述了少女與大魚之間的浪漫故事,用多種不同的傳統(tǒng)文化符號(hào)構(gòu)建出了一個(gè)架空于現(xiàn)實(shí)的海底世界�！洞篝~海棠》的創(chuàng)作靈感主要來(lái)自與莊子的《逍遙游》,其參考的我國(guó)古代典籍更是多達(dá)到十余本。同時(shí)《大魚海棠》中的世界觀、鏡頭畫面、角色刻畫、場(chǎng)景設(shè)置等多個(gè)方面無(wú)不體現(xiàn)出我國(guó)傳統(tǒng)文化符號(hào)的魅力與內(nèi)涵。本文將“言、象、意”的中國(guó)文化內(nèi)涵作為研究的理論參照,對(duì)《大魚海棠》進(jìn)行探討。以影片中“言”的內(nèi)涵及表達(dá)特征,“象”的自然性與人造性特征的對(duì)照,蘊(yùn)涵的傳統(tǒng)文化之“意”為研究對(duì)象,詣在研究“言、象、意”的傳播形態(tài)及意義。通過(guò)分析《大魚海棠》中的我國(guó)傳統(tǒng)文化符號(hào),探討影片所傳遞出的深刻內(nèi)涵。根據(jù)“言、象、意”的研究脈絡(luò),本文將著重分為以下三個(gè)部分進(jìn)行探討。第一部分,在《大魚海棠》情節(jié)的基礎(chǔ)上,通過(guò)分析分析影片中具有的代表鏡頭以及語(yǔ)言表達(dá),凸顯出“言”的內(nèi)涵及表達(dá)特征;第二部分,對(duì)《大魚海棠》中的我國(guó)傳統(tǒng)文化符號(hào)進(jìn)行了梳理,并分為分三類:自然之“象”,主要包括魚、海棠、水、中國(guó)紅;人造之“象”,主要包括客家土樓、對(duì)聯(lián)、龍與鳳凰;人物之“象”,主要包括椿、湫、靈婆和鼠婆。第三部分,分別從浪漫風(fēng)格、報(bào)恩情節(jié)、“天人合一”的思想、生死輪回觀四個(gè)方面論述了影片中蘊(yùn)涵的傳統(tǒng)文化之“意”�！洞篝~海棠》無(wú)疑為中國(guó)動(dòng)畫電影的創(chuàng)作與發(fā)展提供了寶貴經(jīng)驗(yàn)。本論文從“言、象、意”角度出發(fā)作出的探討,希望對(duì)當(dāng)下的研究做點(diǎn)有益的嘗試。
[Abstract]:In recent years, there have been many animated movies in China that have achieved a good box-office success. The "Big Fish Begonia" released on July 8, 2016, is a landmark animated movie. The opening day of the movie broke the box office record for a domestic animated film. "Big Fish Begonia" took 12 years to complete, and the director told the romantic story between a girl and a big fish in a fantastic style. Using many different traditional cultural symbols to construct a realistic undersea world. The creative inspiration of Big Fish Begonia comes mainly from Zhuangzi's "Happy Tour", and more than ten ancient books of our country are referred to. At the same time, the world outlook, lens picture, character portrayal, scene setting in "Big Fish and Begonia" all embody the charm and connotation of Chinese traditional culture symbol. In this paper, the Chinese cultural connotation of "speech, image and meaning" is taken as the theoretical reference for the study of "Begonia of the Big Fish". Taking the connotation and expressive characteristics of "speech" in the film, the contrast between the natural and artificial characteristics of "elephant" and the "meaning" of traditional culture as the object of study, the paper studies the communication form and significance of "words, images and meanings". By analyzing the Chinese traditional cultural symbols in Begonia, this paper discusses the profound connotation of the film. According to the research context of "speech, image and meaning", this paper will be divided into three parts. In the first part, on the basis of the plot of Big Fish and Begonia, through analyzing the representative lens and language expression in the film, the connotation and expression characteristics of "Yan" are highlighted. In the second part, the traditional cultural symbols in Begonia of Big Fish are sorted out and divided into three categories: natural "elephant", mainly including fish, begonia, water, Chinese red; Artificial "elephant", mainly including Hakka Tulou, couplet, dragon and Phoenix; characters "elephant", mainly including Chun, Qiu, Lingpo and mouse. The third part, from the romantic style, payback plot, "Heaven and Man in one" thought, This paper discusses the "meaning" of the traditional culture contained in the film from four aspects of the view of life and death. "Big Fish Begonia" undoubtedly provides valuable experience for the creation and development of Chinese animated films. This paper, from the point of view of words, images and meanings, hopes to make some useful attempts for the present research.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954
[Abstract]:In recent years, there have been many animated movies in China that have achieved a good box-office success. The "Big Fish Begonia" released on July 8, 2016, is a landmark animated movie. The opening day of the movie broke the box office record for a domestic animated film. "Big Fish Begonia" took 12 years to complete, and the director told the romantic story between a girl and a big fish in a fantastic style. Using many different traditional cultural symbols to construct a realistic undersea world. The creative inspiration of Big Fish Begonia comes mainly from Zhuangzi's "Happy Tour", and more than ten ancient books of our country are referred to. At the same time, the world outlook, lens picture, character portrayal, scene setting in "Big Fish and Begonia" all embody the charm and connotation of Chinese traditional culture symbol. In this paper, the Chinese cultural connotation of "speech, image and meaning" is taken as the theoretical reference for the study of "Begonia of the Big Fish". Taking the connotation and expressive characteristics of "speech" in the film, the contrast between the natural and artificial characteristics of "elephant" and the "meaning" of traditional culture as the object of study, the paper studies the communication form and significance of "words, images and meanings". By analyzing the Chinese traditional cultural symbols in Begonia, this paper discusses the profound connotation of the film. According to the research context of "speech, image and meaning", this paper will be divided into three parts. In the first part, on the basis of the plot of Big Fish and Begonia, through analyzing the representative lens and language expression in the film, the connotation and expression characteristics of "Yan" are highlighted. In the second part, the traditional cultural symbols in Begonia of Big Fish are sorted out and divided into three categories: natural "elephant", mainly including fish, begonia, water, Chinese red; Artificial "elephant", mainly including Hakka Tulou, couplet, dragon and Phoenix; characters "elephant", mainly including Chun, Qiu, Lingpo and mouse. The third part, from the romantic style, payback plot, "Heaven and Man in one" thought, This paper discusses the "meaning" of the traditional culture contained in the film from four aspects of the view of life and death. "Big Fish Begonia" undoubtedly provides valuable experience for the creation and development of Chinese animated films. This paper, from the point of view of words, images and meanings, hopes to make some useful attempts for the present research.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954
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