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七言之起與七言體晚興和律化

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  本文關(guān)鍵詞:七言之起與七言體晚興和律化 出處:《清華大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2017年03期  論文類型:期刊論文


  更多相關(guān)文章: 七言句式 七言俗制 鮑照新體 聲律聯(lián)對(duì) 樂府風(fēng)態(tài)


【摘要】:七言體起于七言句式的確定,騷語由于缺乏七言句式的限定不能指為七言體之起。七言起于漢代謠諺、鏡銘、歌訣,亦有文人偶作并賦體七言系辭,但漢樂府五言蔚為正宗,并以文人擬樂府居于雅正,而七言俗制罕作。然七言魏晉不興,非在句句平韻導(dǎo)致意脈不相連屬、不堪敘述抒情,而主要在于俗制不入、句長為難。及南朝宋鮑照七言隔句押韻新造其體,開啟南朝七言之盛,與五言同時(shí)接受聲律規(guī)范,卒成七言律體,但命意、造語猶仍南朝樂府七言,表現(xiàn)為早期七律的重要特點(diǎn),這是因?yàn)槠哐孕麦w形成既晚,不及五言經(jīng)由自漢以來文人擬樂府的長久積累形成文人創(chuàng)制的精工鍛煉。在七言律體的形成過程中,聲律和聯(lián)對(duì)具有關(guān)鍵性的作用。
[Abstract]:The seven-character style begins with the determination of the seven-character sentence pattern, the Sao language can not be referred to as the seven-character style because of the lack of the seven-character sentence type. The seven-character begins from the Han Dynasty ballad proverb, mirror inscription, song formula, and there are literary figures written and the style of the seven-character is written. However, the five words of Han Yuefu are authentic, and the literati imitate Yuefu to live in elegant and upright, while the seven-character vulgar system is rare. However, the seven-character Wei and Jin dynasties do not rise, but not in sentence plain rhyme lead to the meaning pulse is not connected, so it is difficult to describe the lyric feelings. But mainly lies in the vulgar system, sentence long difficult. And the Southern Song Dynasty Baozhao seven-character rhyme rhyme to create its new body, open the Southern Dynasty seven words, and five characters at the same time accept the sound regulation, die into the seven-character legal style, but destiny. The seven characters of Yuefu in the Southern Dynasty are the important characteristics of the early seven laws, which is because of the late formation of the new style of the Seven words. Less than five words through the long accumulation of literati Yuefu since the Han Dynasty to form the literati to create the fine workmanship exercise. In the formation of the seven-character style, the tone and the United play a key role.
【作者單位】: 貴州師范大學(xué)文學(xué)院;
【基金】:國家社會(huì)科學(xué)基金一般項(xiàng)目“中國古代詩法理論的現(xiàn)代闡釋”(12BZW013)
【分類號(hào)】:I207.22
【正文快照】: 一、七言之起 七言之起,眾說紛紜。第一是認(rèn)為源于《詩》語,這是西晉摯虞的說法,與三言、五言、六言一樣,七言也被摯虞追溯到《詩》,“七言者,‘交交黃鳥止于!畬偈且,于俳諧倡樂世用之”,(1)所舉《詩·秦風(fēng)·黃鳥》語,一般斷句作“交交黃鳥,止于!,所以視若七言不當(dāng),

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