發(fā)布時間：2018-05-19 13:30

  本文選題：《極花》 + 鄉(xiāng)村敘事�。� 參考：《重慶郵電大學學報(社會科學版)》2017年05期

【摘要】：賈平凹作品《極花》是一個具有空間向度的敘事文本。作家在婦女被拐的表層敘事下面繪制了當下農(nóng)村生態(tài)破壞、民生凋敝、文化失范等現(xiàn)實圖景,構(gòu)建起經(jīng)濟結(jié)構(gòu)和政治文化相互交織的鄉(xiāng)村社會空間形態(tài)�！稑O花》以胡蝶身體作為敘事話語,將其身心的摧殘、撕裂、修復敘述成傳統(tǒng)權(quán)力和現(xiàn)代法則對女性身體的深入干預和深度觀照,以此實現(xiàn)精神哲學的理性反思。同時通過交織、分割、反復等方式,將極花、血蔥、石頭、星象等敘事意象與故事演繹混合推進,營構(gòu)出"水墨"與"現(xiàn)實"兼具的"水墨空間",擴大了傳統(tǒng)意象的內(nèi)涵和容量,將小說推向了形而上層面,也讓《極花》的空間建構(gòu)成為作家藝術(shù)探索的新標識。
[Abstract]:Jia Pingao is a narrative text with spatial dimension. Under the superficial narrative of the abduction of women, the writer paints a realistic picture of the current rural ecological destruction, the desolation of the people's livelihood, and the loss of cultural norms. This paper constructs a rural social space form in which economic structure and political culture are intertwined. Taking the body of Hu Die as narrative discourse, it destroys and tears its body and mind. The restoration and narration of the traditional power and the modern law have deeply interfered with the female body and realized the rational reflection of the spiritual philosophy. At the same time, by interweaving, dividing, repeating, and so on, the narrative images, such as flower, blood, stone, star and so on, are mixed with the interpretation of the story. The combination of "ink painting" and "reality" expands the connotation and capacity of the traditional image, pushes the novel to the metaphysical level, and makes the space construction of "polar flower" become a new symbol of the writer's artistic exploration.
【作者單位】： 貴州師范學院文學院;
【基金】：貴州省教育廳高校人文社會科學規(guī)劃項目:道家美學典范性問題研究(13GH018)
【分類號】：I207.42
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本文編號：1910286