發(fā)布時(shí)間：2018-05-22 16:59

  本文選題：李健吾 + 張力��； 參考：《中國(guó)礦業(yè)大學(xué)》2017年碩士論文

【摘要】：李健吾是我國(guó)現(xiàn)代著名小說(shuō)家、散文家、戲劇家、翻譯家、文學(xué)批評(píng)家以及法國(guó)文學(xué)研究專(zhuān)家,以二十世紀(jì)三、四十年代所著《咀華集》、《咀華集二集》奠定了其在現(xiàn)代文學(xué)批評(píng)上的重要地位。“京派”批評(píng)作為中國(guó)現(xiàn)代文學(xué)批評(píng)史上一個(gè)重要的流派有其獨(dú)特的學(xué)術(shù)內(nèi)涵,其中實(shí)際批評(píng)“重鎮(zhèn)”李健吾的文學(xué)批評(píng)主張,既有西方批評(píng)的明顯影響,又有中國(guó)詩(shī)學(xué)的根基,在試圖建立綜合穩(wěn)定的批評(píng)范式之外形成了批評(píng)內(nèi)部的左右沖突。李健吾的批評(píng)創(chuàng)作充滿(mǎn)了異質(zhì)類(lèi)的悖論式組合:自由與限制、依據(jù)自我與追尋公平、整體審美與微觀(guān)辨析、藝術(shù)與現(xiàn)實(shí)人生等,這種批評(píng)文本內(nèi)部諸要素之間的悖論式組合在批評(píng)內(nèi)涵和批評(píng)實(shí)踐方法等方面共同促成了多維的審美效果。因此李健吾的文學(xué)評(píng)論既有理性的評(píng)論又有感性的寫(xiě)法,既有細(xì)膩的邏輯分析方法又有驚人的感性直覺(jué)判斷,實(shí)踐方法矛盾性的存在也形成了一種平衡局面,顯示了激活、增長(zhǎng)的文學(xué)批評(píng)精神。在批評(píng)內(nèi)涵與實(shí)踐方法的矛盾張力中,李健吾文學(xué)批評(píng)始終執(zhí)著于“人”的文學(xué)批評(píng)和回歸文學(xué)本體,這有助于文學(xué)批評(píng)者品格的提升,以及構(gòu)建當(dāng)下文學(xué)批評(píng)多元有序的格局。
[Abstract]:Li Jianwu is a famous novelist, essayist, dramatist, translator, literary critic and expert in French literature studies in the third century of the twentieth century. In the 1940s, Ju Hua Ji and Ju Hua Ji II set up its important position in modern literary criticism. As an important school in the history of Chinese modern literary criticism, "Beijing School" criticism has its unique academic connotation. Among them, the actual criticism of "important town" Li Jianwu's literary criticism proposition has the obvious influence of western criticism. There is also the foundation of Chinese poetics, which forms the internal conflict of criticism outside the attempt to establish a comprehensive and stable criticism paradigm. Li Jianwu's critical creation is full of paradoxical combinations of heterogeneity: freedom and restriction, self-pursuit of fairness, overall aesthetic and microcosmic discrimination, art and real life, etc. The paradoxical combination of the elements in the critical text has contributed to the multidimensional aesthetic effect in the aspects of criticism connotation and critical practice. Therefore, Li Jianwu's literary comments have both rational comments and perceptual writing methods, exquisite logical analysis methods and astonishing perceptual intuition judgments. The contradictory existence of practical methods also forms a balanced situation, which shows the activation. The growing spirit of literary criticism. In the contradictory tension between the connotation of criticism and the method of practice, Li Jianwu's literary criticism is always devoted to the literary criticism of "man" and returning to the literary body, which is helpful to the promotion of the character of literary critics. And the construction of the current literary criticism of multiple and orderly pattern.
【學(xué)位授予單位】：中國(guó)礦業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I206.6

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 孫書(shū)文;;文學(xué)張力論綱[J];山東師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2007年06期

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本文編號(hào)：1922894