發(fā)布時間：2018-05-27 01:27

  本文選題：宋詩 + 拾得　； 參考：《西南大學(xué)》2017年碩士論文

【摘要】：拾得一詞,古已有之,但將其用于詩歌創(chuàng)作或作為一種詩歌現(xiàn)象,直至宋代才真正確立并逐漸發(fā)展。首倡者非歐陽修與蘇軾莫屬,之后的楊萬里與陸游則成為拾得詩歌現(xiàn)象的主要踐行者。本文主要論述“拾得”之意、拾得外在表現(xiàn)途徑之江山之助,以及拾得詩歌的觸發(fā)機(jī)制,并結(jié)合具體詩人作品進(jìn)行細(xì)致分析。具體而言,本文將從以下幾個部分研究宋代拾得詩歌現(xiàn)象。緒論部分主要是厘清學(xué)界對與拾得相關(guān)的詩歌現(xiàn)象的解說,并在此基礎(chǔ)上進(jìn)一步闡明本文的選題意義及論文構(gòu)思。第一部分:從“拾得”字詞含義入手,在此基礎(chǔ)上分析拾得后所接賓語成分的變化。以宋代為界,分為兩段,研究從拾得物到拾得詩的意義演變歷程,進(jìn)而定義宋代拾得詩歌現(xiàn)象。第二部分:本章以江山之助的源流為出發(fā)點(diǎn),深入分析江山之助與拾得間的姻親關(guān)系。分別解讀江山之助與拾得以及登臨與拾得間的關(guān)系;并以陸游和楊萬里的詩歌創(chuàng)作為例,說明江山是如何助詩人拾得詩。另外,本章還進(jìn)一步闡述了,詩人是怎樣驅(qū)遣萬象入詩。第三部分:探討拾得詩歌現(xiàn)象的詩學(xué)意義。首先需要解決詩來自哪里的問題,即“內(nèi)”與“外”;再進(jìn)一步說明拾得詩歌創(chuàng)作的觸發(fā)機(jī)制;最后把詩內(nèi)功夫與詩外功夫作比較,分別論述詩外功夫之一種的拾得,與內(nèi)在功夫之一的資書為詩。當(dāng)資書為詩以一種有效的讀書方式實(shí)現(xiàn)時,讀書與拾得之間有密切的聯(lián)系。讀書是拾得的初級階段,因此,要在詩歌中運(yùn)用并體現(xiàn)拾得詩歌創(chuàng)作理論,就需以讀書為前提與基礎(chǔ)。
[Abstract]:The word "pick up" existed in ancient times, but it was used in poetry creation or as a poetic phenomenon, until the Song Dynasty really established and gradually developed. The first proponents are Ouyang Xiu and Su Shi, and later Yang Wanli and Lu you become the main practitioners of the phenomenon of picking up poetry. This paper mainly discusses the meaning of "picking up", the help of external ways of expression, and the trigger mechanism of picking up poetry, and makes a detailed analysis with the specific works of poets. Specifically, this paper will study the phenomenon of poetry in Song Dynasty from the following parts. The introduction part mainly clarifies the academic circles' explanation of the poetry phenomenon related to the picking up, and further clarifies the significance of the topic and the conception of the thesis on this basis. The first part: starting with the meaning of the word "pickup", this paper analyzes the change of the object component. Taking Song Dynasty as the boundary, it is divided into two sections to study the evolution process of the meaning from picking things up to picking up poems, and then define the phenomenon of picking up poems in Song Dynasty. The second part: based on the origin of Jiangshan aid, this chapter makes a deep analysis of the relationship between Jiangshan aiding and picking up. It explains the relationship between the help and pick-up of Jiangshan and the relationship between boarding and picking up, and takes Lu you and Yang Wanli's poetry creation as an example to explain how Jiangshan helps poets get poems. In addition, this chapter further expounds how poets drive all phenomena into poetry. The third part: discusses the poetic significance of the phenomenon of picking up poetry. First of all, we need to solve the problem of where poetry comes from, that is, "inside" and "outside"; further explain the trigger mechanism of poetry creation; finally, compare the inside and outside poetry kung fu, respectively, discuss one of the outside poetry kung fu. And one of the inner kung fu books for poetry. There is a close relationship between reading and picking up when the book is realized in an effective way. Reading is the primary stage of reading. Therefore, to apply and embody the theory of poetry creation in poetry, it is necessary to take reading as the premise and foundation.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 叢瑞華;;劉勰“江山之助”說的理論價值[J];社會科學(xué)戰(zhàn)線;2007年05期

2 汪春泓;關(guān)于《文心雕龍》“江山之助”的本義[J];文學(xué)評論;2003年03期

3 章尚正;“江山之助”論的拓展與深化[J];綏化師專學(xué)報;1999年01期

4 范軍;中國古代文論中的“江山之助”[J];湖北民族學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);1992年04期

5 吳承學(xué);;江山之助——中國古代文學(xué)地域風(fēng)格論初探[J];文學(xué)評論;1990年02期

，

本文編號：1939808