后殖民視域下也斯小說的“香港書寫”
發(fā)布時間：2019-01-11 18:42
【摘要】：也斯是香港知名的學者型作家,他作品高產(chǎn)而涉獵廣泛,創(chuàng)作涉及小說、詩歌、散文等多個領域。詩人的敏銳觸角賦予也斯感性的創(chuàng)作靈感和靈動的詩化語言,博學多思的精神氣質(zhì)又賦予其文字從容灑脫的美學特征。作為兩屆“香港中文文學雙年文學獎”的獲得者,也斯的作品記錄、呈現(xiàn)香港人以及香港城市的歷史變遷和當下面貌,豐富了讀者的閱讀體驗和文化感知。也斯的小說創(chuàng)作一如其筆名,“也”、“斯”,以兩個無意的虛詞給予讀者無限的文化想象空間;亦或是繼承其父名的“斯”字,表明一種傳承與發(fā)展并駕齊驅(qū)的重像式文化態(tài)度。因此在剖析也斯小說的創(chuàng)作特征時,拘泥于二元對立的理論框架只會陷入自相矛盾、漏洞百出的困境,應以張弛有度的話語模式梳理其文本內(nèi)容,進而拼接也斯小說不“破”不“立”的文化話語空間。也斯的學者身份使其擁有跨藝術、跨文類、跨國界的學思深廣度,更給予他小說包容兼并的創(chuàng)作特征。因此,其小說中包容、多元的文化思考與東西并存的香港書寫為后殖民批評提供了豐富的話題空間。本文將從“他者”、“文化地理”、“第三空間”等后殖民話語的理論角度切入,在后殖民視域中解構也斯小說的敘事手法與文本內(nèi)容,以期在后殖民文化視角下反思也斯筆下的香港文化特征。本文引言部分對也斯的生平與小說創(chuàng)作歷程進行梳理,對其小說作品的研究現(xiàn)狀做分析整理,并對本文的研究方法與思路作簡要介紹;第一章以后殖民話語中的“他者”意象來剖析也斯小說中的具體書寫,主要突出他致力于東西對話、寬厚包容的文化立場和詭譎多變的敘事手法;第二章解讀也斯小說的都市內(nèi)外空間,將都市文化符號化,淡化了的“邊緣”與“中心”,建構以建筑、粵劇、傳媒、色彩、美食為支點的文化地理版圖等,解讀也斯的后殖民文化思考;第三章承接上兩章也斯所建構的后殖民文化思考,并與霍米·巴巴的“第三空間”理論相結合,將研究視野延展到整體的世界華文文學視域之中,在文化空間的遷徙中思考也斯的藝術創(chuàng)作自覺和作為知識分子的文化素養(yǎng)。
[Abstract]:Yas is a famous scholar writer in Hong Kong. His works are prolific and extensive. He writes novels, poems, prose and many other fields. The poet's keen tentacles give him sensual creative inspiration and intelligent poetic language, and the erudite and thoughtful spiritual temperament endows him with the aesthetic features of ease and ease of writing. As the winner of the two "Hong Kong Biennial Chinese Literature Awards", Yates' works record presents the historical changes and present features of the people of Hong Kong and the city of Hong Kong, and enriches the readers' reading experience and cultural perception. Yess's novel creation is like its pseudonym, "also", "Si", with two unintentional function words to give readers unlimited space for cultural imagination; Or inheriting his father's name, the word "Si" shows a cultural attitude of inheritance and development. Therefore, in analyzing the creative characteristics of Yess's novels, the theoretical framework of dualistic opposition will only fall into the dilemma of self-contradiction and inadequacies, and the text content should be combed with Zhang Chi's systematic discourse mode. And then splice the cultural discourse space of Yess's novels. Yath's academic status makes him have a cross-artistic, cross-cultural, cross-national depth of thought, but also gives him the creative characteristics of the inclusive merger of the novel. Therefore, the inclusive, pluralistic cultural thinking and east-west Hong Kong writing in his novels provide rich topic space for postcolonial criticism. From the perspective of "the other", "Cultural Geography", "the third Space" and other post-colonial discourse, this paper attempts to deconstruct the narrative techniques and textual content of Yess's novels in the post-colonial field of view. In order to reflect on the cultural characteristics of Hong Kong in the post-colonial culture perspective. In the preface part of this paper, the author combs the life of Yath and the course of his novel creation, analyzes and arranges the present research situation of his novels, and briefly introduces the research methods and ideas of this paper. In the first chapter, the image of "the other" in the colonial discourse is analyzed to analyze the concrete writing of Yess's novels, which mainly highlights his commitment to the dialogue between the East and the West, his tolerant cultural stand and his fickle narrative techniques. The second chapter interprets the inner and outer space of Yess's novels, symbolizes the urban culture, weakens the "edge" and "center", and constructs a cultural geography with architecture, Cantonese opera, media, color and food as its fulcrum. To interpret Yes' postcolonial culture; The third chapter carries on the postcolonial culture thought constructed in the last two chapters, and combines with Homi Baba's "the third space" theory, and extends the research field to the whole world Chinese literature horizon. In the migration of cultural space, we should think about the consciousness of artistic creation and the cultural accomplishment of intellectuals.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42
本文編號：2407341
[Abstract]:Yas is a famous scholar writer in Hong Kong. His works are prolific and extensive. He writes novels, poems, prose and many other fields. The poet's keen tentacles give him sensual creative inspiration and intelligent poetic language, and the erudite and thoughtful spiritual temperament endows him with the aesthetic features of ease and ease of writing. As the winner of the two "Hong Kong Biennial Chinese Literature Awards", Yates' works record presents the historical changes and present features of the people of Hong Kong and the city of Hong Kong, and enriches the readers' reading experience and cultural perception. Yess's novel creation is like its pseudonym, "also", "Si", with two unintentional function words to give readers unlimited space for cultural imagination; Or inheriting his father's name, the word "Si" shows a cultural attitude of inheritance and development. Therefore, in analyzing the creative characteristics of Yess's novels, the theoretical framework of dualistic opposition will only fall into the dilemma of self-contradiction and inadequacies, and the text content should be combed with Zhang Chi's systematic discourse mode. And then splice the cultural discourse space of Yess's novels. Yath's academic status makes him have a cross-artistic, cross-cultural, cross-national depth of thought, but also gives him the creative characteristics of the inclusive merger of the novel. Therefore, the inclusive, pluralistic cultural thinking and east-west Hong Kong writing in his novels provide rich topic space for postcolonial criticism. From the perspective of "the other", "Cultural Geography", "the third Space" and other post-colonial discourse, this paper attempts to deconstruct the narrative techniques and textual content of Yess's novels in the post-colonial field of view. In order to reflect on the cultural characteristics of Hong Kong in the post-colonial culture perspective. In the preface part of this paper, the author combs the life of Yath and the course of his novel creation, analyzes and arranges the present research situation of his novels, and briefly introduces the research methods and ideas of this paper. In the first chapter, the image of "the other" in the colonial discourse is analyzed to analyze the concrete writing of Yess's novels, which mainly highlights his commitment to the dialogue between the East and the West, his tolerant cultural stand and his fickle narrative techniques. The second chapter interprets the inner and outer space of Yess's novels, symbolizes the urban culture, weakens the "edge" and "center", and constructs a cultural geography with architecture, Cantonese opera, media, color and food as its fulcrum. To interpret Yes' postcolonial culture; The third chapter carries on the postcolonial culture thought constructed in the last two chapters, and combines with Homi Baba's "the third space" theory, and extends the research field to the whole world Chinese literature horizon. In the migration of cultural space, we should think about the consciousness of artistic creation and the cultural accomplishment of intellectuals.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42
【參考文獻】
相關期刊論文 前10條
1 蔡天星;;后殖民理論在海峽兩岸的翻譯出版——以薩義德著作為例·[J];出版科學;2015年03期
2 凌逾;;后現(xiàn)代文學與戲劇的跨界整合[J];漢語言文學研究;2015年01期
3 趙稀方;;從后殖民理論到華語語系文學[J];北方論叢;2015年02期
4 楊晗旭;;香港本土意識中的后殖民主義——滯礙香港人國家認同建構的文化內(nèi)因探析[J];港澳研究;2014年03期
5 凌逾;;開拓中西游牧與跨界敘事的也斯[J];漢語言文學研究;2014年01期
6 賈穎妮;;法國電影與香港體驗——評也斯的另類“故事新編”《愛美麗在屯門》[J];湛江師范學院學報;2013年04期
7 凌逾;;味覺地理學的后現(xiàn)代敘事[J];華文文學;2013年02期
8 鄧圓也;;想象中的后殖民面孔:香港“混血兒”身體景觀[J];文藝研究;2012年12期
9 趙稀方;;從“食物”和“愛情”看后殖民——重讀也斯的《后殖民食物與愛情》[J];常州工學院學報(社科版);2008年06期
10 高繼海;;薩義德作為知識分子的理論和實踐[J];當代外國文學;2008年04期
相關碩士學位論文 前2條
1 宋巧文;也斯小說研究[D];福建師范大學;2012年
2 胡小鳳;論也斯小說香港流行文化的敘事[D];暨南大學;2011年
，本文編號：2407341
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/hanyuyanwenxuelunwen/2407341.html
