發(fā)布時間：2019-05-10 08:27

【摘要】：柳宗元是唐代優(yōu)秀的思想家,文學(xué)家,傳記文學(xué)是其古文創(chuàng)作的重要組成部分。柳宗元傳記文學(xué)研究二十世紀(jì)八十年代以來逐漸成為學(xué)術(shù)界關(guān)注的焦點(diǎn),但是關(guān)于柳宗元傳記文學(xué)敘事的研究可謂是寥若星辰。 傳記作為敘事文學(xué)的一種形式,具有敘事研究的可能和價值。傳記是一種介乎文與史之間的文體,本文主要以西方敘事學(xué)理論為參照,借鑒相關(guān)的一些概念和范疇,結(jié)合中國敘事傳統(tǒng),從四個方面對柳宗元傳記文學(xué)敘事展開論述。 首先,柳宗元傳記文學(xué)的敘事理念。敘事理念是作者在敘事過程中所表現(xiàn)出來的思想和理念,是指導(dǎo)敘事主體完成敘事的原則和目標(biāo)。筆者從“實(shí)錄”和“有益于世”兩個方面對柳宗元傳記文學(xué)的敘事理念展開討論。 其次,柳宗元傳記文學(xué)的敘事主體。敘事主體是敘事文本中的敘述者,敘事主體通過多種方式在敘事文本中表達(dá)自己對文本故事的看法。主要有公開介入和隱性介入兩種方式,每種方式都有自己獨(dú)特的藝術(shù)表現(xiàn)。 再次,柳宗元傳記文學(xué)的敘事視角。敘事視角是故事與敘述者之間的關(guān)系,即敘述故事的角度。筆者從全知敘事和限制敘事兩個方面展開討論。全知敘事表現(xiàn)為對人物生平經(jīng)歷、心理活動和對話的全知,限制敘事則從第一人稱敘事、人物描寫和神秘化手法三個方面來表現(xiàn)。 最后,柳宗元傳記文學(xué)的敘事時間。敘事時間是故事發(fā)生時間在敘事文本中的呈現(xiàn),是對故事發(fā)生時間的變形,筆者從敘事時間的意義、敘事時間順序和敘事時間速度三個個方面,對柳宗元傳記文學(xué)的敘事時間展開論述。
[Abstract]:Liu Zongyuan is an excellent thinker and writer in Tang Dynasty. Biographical literature is an important part of his ancient prose creation. Since 1980s, the study of Liu Zongyuan's biographical literature has gradually become the focus of academic attention, but the research on Liu Zongyuan's biographical literature narration can be described as a star. Biography, as a form of narrative literature, has the possibility and value of narrative research. Biography is a style between text and history. This paper mainly takes the western narratology theory as a reference, draws lessons from some related concepts and categories, unifies the Chinese narrative tradition, and discusses Liu Zongyuan's biographical literature narration from four aspects. First of all, the narrative concept of Liu Zongyuan's biographical literature. Narrative idea is the thought and idea expressed by the author in the process of narration, and it is the principle and goal to guide the narrative subject to complete the narration. The author discusses the narrative concept of Liu Zongyuan's biographical literature from two aspects: "actual record" and "beneficial to the world". Secondly, the narrative subject of Liu Zongyuan's biographical literature. The narrative subject is the narrator in the narrative text, and the narrative subject expresses its views on the text story in many ways. There are two main ways: public intervention and implicit intervention, each of which has its own unique artistic expression. Thirdly, the narrative perspective of Liu Zongyuan's biographical literature. Narrative perspective is the relationship between story and narrator, that is, the angle of narrative story. The author discusses omniscience narration and restricted narration. Omniscience narration is manifested as omniscience of characters' life experience, psychological activities and dialogue, while restricted narration is manifested from three aspects: first person narration, character description and mysticism. Finally, the narrative time of Liu Zongyuan's biographical literature. Narrative time is the presentation of story occurrence time in narrative text, and it is the deformation of story occurrence time. The author from three aspects: the meaning of narrative time, the order of narrative time and the speed of narrative time. This paper discusses the narrative time of Liu Zongyuan's biographical literature.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.5

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本文編號：2473502