多維角度下衛(wèi)慧小說(shuō)解讀
發(fā)布時(shí)間：2019-05-22 20:37
【摘要】：衛(wèi)慧的創(chuàng)作是中國(guó)當(dāng)代文學(xué)中的另類現(xiàn)象,無(wú)論從文學(xué)內(nèi)部定位探討,還是從文學(xué)外部審視查看,都具有值得界定和深思的地方。從文學(xué)歷史脈絡(luò)看,衛(wèi)慧不是傳統(tǒng)的純文學(xué)創(chuàng)作,對(duì)她的作品批評(píng)不能依據(jù)原有的理論一概而論。九十年代中國(guó)社會(huì)是由傳統(tǒng)社會(huì)與后現(xiàn)代社會(huì)相互作用后的結(jié)果,其表現(xiàn)的都市社會(huì)文化語(yǔ)境,是衛(wèi)慧為代表的一類當(dāng)代文學(xué)書(shū)寫(xiě)的新土壤和新環(huán)境。尤其在都市化快速席卷過(guò)程中,都市文化被消費(fèi)主義文化和后現(xiàn)代主義文化重鑄與改寫(xiě),“衛(wèi)慧現(xiàn)象”在一片暄鬧聲中成為主流文化中的新文化形態(tài)。衛(wèi)慧小說(shuō)的傳播方式,宣揚(yáng)的消費(fèi)習(xí)慣;其文學(xué)的審美價(jià)值,意識(shí)功能已不再純粹停留于文學(xué)本體固有的范圍內(nèi),因而在文壇引發(fā)了異常的反應(yīng)。表面看這一切歸結(jié)到衛(wèi)慧的小說(shuō)為了迎合市場(chǎng),獲得銷售額;實(shí)質(zhì)預(yù)示她沖出當(dāng)代文學(xué)主流意識(shí)形態(tài)走上一種新的轉(zhuǎn)型道路。
[Abstract]:Wei Hui's creation is an alternative phenomenon in contemporary Chinese literature, which is worth defining and pondering both from the internal orientation of literature and from the external examination of literature. From the perspective of literary history, Wei Hui is not a traditional pure literary creation, and her criticism of her works can not be summarized according to the original theory. The Chinese society in the 1990s is the result of the interaction between the traditional society and the postmodern society. The urban social and cultural context is a new soil and environment for the writing of a kind of contemporary literature represented by Wei Hui. Especially in the process of rapid urbanization, urban culture has been remolded and rewritten by consumerism culture and post-modernism culture. "Wei Hui phenomenon" has become a new cultural form in mainstream culture in the sound of greeting. The dissemination mode and consumption habit of Wei Hui's novels, the aesthetic value and consciousness function of Wei Hui's literature are no longer confined to the inherent scope of literary Noumenon, so it has triggered an abnormal reaction in the literary world. On the face of it, it all boils down to Wei Hui's novels in order to cater to the market and obtain sales, which essentially indicates that she is on a new path of transformation out of the mainstream ideology of contemporary literature.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42
，
本文編號(hào)：2483242
[Abstract]:Wei Hui's creation is an alternative phenomenon in contemporary Chinese literature, which is worth defining and pondering both from the internal orientation of literature and from the external examination of literature. From the perspective of literary history, Wei Hui is not a traditional pure literary creation, and her criticism of her works can not be summarized according to the original theory. The Chinese society in the 1990s is the result of the interaction between the traditional society and the postmodern society. The urban social and cultural context is a new soil and environment for the writing of a kind of contemporary literature represented by Wei Hui. Especially in the process of rapid urbanization, urban culture has been remolded and rewritten by consumerism culture and post-modernism culture. "Wei Hui phenomenon" has become a new cultural form in mainstream culture in the sound of greeting. The dissemination mode and consumption habit of Wei Hui's novels, the aesthetic value and consciousness function of Wei Hui's literature are no longer confined to the inherent scope of literary Noumenon, so it has triggered an abnormal reaction in the literary world. On the face of it, it all boils down to Wei Hui's novels in order to cater to the market and obtain sales, which essentially indicates that she is on a new path of transformation out of the mainstream ideology of contemporary literature.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42
，
本文編號(hào)：2483242
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