羌族口頭藝術的巫術表演方式與特點
發(fā)布時間：2019-03-17 08:18
【摘要】：所謂口頭藝術的"表演方式"是指特定語言生態(tài)環(huán)境及相應實物修飾和場所活動中,由具有一定社會、文化、歷史與美學意義與功能的言語傳播、音樂節(jié)奏和體態(tài)動作綜合運用和表達組成的一套溝通體系。從修飾物、表演場所、參照物與音樂節(jié)奏、體態(tài)動作等幾個方面分析羌族口頭藝術的巫術表演,可以讓我們對其特點的認知和歸納更為客觀具體。
[Abstract]:The so-called "performance style" of oral art refers to the specific language ecological environment and the corresponding physical decoration and place activities, which are transmitted by speech with certain social, cultural, historical and aesthetic significance and function. Music rhythm and body movements integrated use and expression of a set of communication system. The witchcraft performance of oral art of Qiang nationality is analyzed from several aspects, such as decoration, performing place, reference object and music rhythm, body movement and so on, which can make us more objective and concrete in cognition and induction of its characteristics.
【作者單位】： 中國非物質文化遺產研究院羌文化保護與發(fā)展研究中心;
【基金】：四川省哲學社會科學重點研究基地民間文化研究中心項目“羌族口頭藝術的非遺傳承模式與前景”(MJ15-24)
【分類號】：J0
本文編號：2442102
[Abstract]:The so-called "performance style" of oral art refers to the specific language ecological environment and the corresponding physical decoration and place activities, which are transmitted by speech with certain social, cultural, historical and aesthetic significance and function. Music rhythm and body movements integrated use and expression of a set of communication system. The witchcraft performance of oral art of Qiang nationality is analyzed from several aspects, such as decoration, performing place, reference object and music rhythm, body movement and so on, which can make us more objective and concrete in cognition and induction of its characteristics.
【作者單位】： 中國非物質文化遺產研究院羌文化保護與發(fā)展研究中心;
【基金】：四川省哲學社會科學重點研究基地民間文化研究中心項目“羌族口頭藝術的非遺傳承模式與前景”(MJ15-24)
【分類號】：J0
【相似文獻】
相關期刊論文 前1條
1 何巖;;《作為表演的口頭藝術》中譯本出版[J];民族文學研究;2009年02期
相關碩士學位論文 前1條
1 陳靜;當代審美文化中的“口頭程式”現(xiàn)象淺析[D];天津師范大學;2011年
，本文編號：2442102
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