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唐代女裝款式演變研究與應(yīng)用

發(fā)布時間:2018-08-07 12:25
【摘要】:服裝作為避寒遮體的事物,在人類早期的蒙昧生活中就已經(jīng)出現(xiàn),它隨著人類社會的進(jìn)步而不斷發(fā)展變化。中華民族的發(fā)展過程中,在各個民族相互影響滲透,同時吸收融合了外來文化的基礎(chǔ)之上,經(jīng)過長時間的生產(chǎn)活動和社會實(shí)踐,產(chǎn)生了中國獨(dú)具特色的服飾文化。幾千年來,中國服飾在吸收新鮮元素的基礎(chǔ)上不斷地改革創(chuàng)新,它的發(fā)展和變化一刻也沒有停止過。在這個漫長坎坷的過程中,作為中國服飾發(fā)展史上的高潮之一,唐代女裝為我們遺留下了寶貴的文化財富。 陜西西安是中國漢唐時期政治、經(jīng)濟(jì)和文化的中心。時至今日,漢唐時期遺留下的豐富歷史遺跡和文化資源仍然是陜西經(jīng)濟(jì)、文化發(fā)展的重要動力和靈感源泉。唐代女裝作為中國漢族傳統(tǒng)女裝的代表,其風(fēng)貌痕跡在日本和服中仍然可以感受到。經(jīng)過日本民族的改革、創(chuàng)新和發(fā)展,和服至今仍保持著強(qiáng)有力的生命力。在世界服飾中占有重要地位,反觀當(dāng)代中國,民族傳統(tǒng)服飾在西方思潮的沖擊下幾近沒落。而西安地區(qū)作為唐代文化的中心,對唐代女裝的繼承和應(yīng)用僅處于研究——復(fù)原——展示的階段,應(yīng)用范圍和設(shè)計思路較為狹窄,服飾款式單一。 本課題以唐代女裝為研究對象,以唐代各個時期的女裝款式為研究主體,從設(shè)計和文化傳播的角度,通過對眾多博物館、唐代墓葬、敦煌莫高窟、絲綢之路和法門寺等地的實(shí)地考察和對《唐史》、《地方志》等文獻(xiàn)資料的研究,收集了類型各異、內(nèi)容多樣,年代分布均勻的研究資料。除此之外還采用了數(shù)理統(tǒng)計、問卷調(diào)查等研究方法增強(qiáng)課題理論依據(jù)。 研究通過將服裝結(jié)構(gòu)劃分為領(lǐng)、袖等基本設(shè)計模塊,分析不同時期唐代服飾的款式和表現(xiàn)手法。并通過實(shí)例的分析和比對,得出服裝款式的演變趨勢以及服飾配件的流行趨勢。通過分析陳述和服、韓服等服裝的發(fā)展歷史,肯定唐代服飾在世界服裝體系中的重要地位和發(fā)展價值。 本課題的重點(diǎn)和創(chuàng)新點(diǎn)在于從設(shè)計藝術(shù)學(xué)和美學(xué)角度分析并總結(jié)了唐代女裝款式的演變過程和原因,豐富了唐代服飾的研究體系。另一方面,本課題通過對漢服運(yùn)動中的唐代服飾,景區(qū)演出服、唐風(fēng)工作服等具體服裝使用項目進(jìn)行的實(shí)際調(diào)查和分析,總結(jié)出當(dāng)下西安地區(qū)唐代元素女裝在實(shí)際使用項目中存在的不足。設(shè)計制作出服裝實(shí)物并在相應(yīng)項目中進(jìn)行實(shí)踐和使用,得出相應(yīng)結(jié)論。引起現(xiàn)代人對它更多的關(guān)注,豐富現(xiàn)代中國服飾的設(shè)計語言。
[Abstract]:Clothing, as a thing to hide from the cold, has appeared in the early ignorance of human life, and it has been developing and changing with the progress of human society. In the course of the development of the Chinese nation, the different nationalities influence each other and absorb the foreign culture. After a long period of production activities and social practice, the unique clothing culture of China is produced. For thousands of years, Chinese clothing has been innovating and innovating on the basis of absorbing fresh elements, and its development and change have never stopped. In this long and bumpy process, as one of the climax in the history of Chinese dress development, women's clothing of Tang Dynasty left us precious cultural wealth. Xi'an, Shaanxi Province, was the center of politics, economy and culture in the Han and Tang dynasties of China. Today, the rich historical relics and cultural resources left over from the Han and Tang dynasties are still the important driving force and inspiration for Shaanxi's economic and cultural development. As the representative of traditional Chinese women's clothing, the style and features of Tang Dynasty women's clothing can still be felt in Japanese kimono. After the reform, innovation and development of the Japanese nation, kimono still maintains a strong vitality. It occupies an important position in the world dress. In contrast to contemporary China, the traditional national dress is almost decaying under the impact of the western trend of thought. As the center of Tang Dynasty culture, the inheritance and application of women's clothing in Xi'an is only in the stage of research, restoration and display, the application scope and design idea is narrow, and the style of dress is single. This topic takes the women's clothing of Tang Dynasty as the research object, takes the women's clothing style of the Tang Dynasty as the main body, from the design and the cultural dissemination angle, through the numerous museums, Tang Dynasty tombs, Dunhuang Mogao Grottoes, The field investigation of the Silk Road and Famen Temple and the study of documents such as the History of the Tang Dynasty and the Local Chronicles collected the research materials of different types, various contents and even distribution of ages. In addition, mathematical statistics, questionnaire survey and other research methods are used to strengthen the theoretical basis of the subject. By dividing the clothing structure into collar, sleeve and other basic design modules, this paper analyzes the style and expression of Tang Dynasty clothing in different periods. Through the analysis and comparison of examples, the evolution trend of clothing style and fashion trend of clothing accessories are obtained. Through the analysis of the development history of clothing such as statement and clothing, the paper affirms the important position and development value of Tang Dynasty clothing in the world clothing system. The emphasis and innovation of this subject lies in the analysis and summary of the evolution process and reasons of women's style in Tang Dynasty from the point of view of design art and aesthetics, which enriches the research system of dress in Tang Dynasty. On the other hand, through the actual investigation and analysis of the specific items of clothing use in Han Dynasty, such as Tang Dynasty clothing, Scenic costumes, Tang style work clothes, etc. Summarized the present Xi'an area Tang Dynasty element women's clothing in the actual use item existence insufficiency. The clothing object is designed and used in the corresponding project, and the corresponding conclusion is drawn. The modern people pay more attention to it and enrich the design language of modern Chinese dress.
【學(xué)位授予單位】:陜西師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J523.5

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 郭華;苑容;;唐女俑的造型藝術(shù)在現(xiàn)代平臺玩具中的應(yīng)用[J];包裝工程;2009年09期

2 包銘新;傳閻立本《步輦圖》與隋唐高腰掩乳女裝[J];東華大學(xué)學(xué)報(自然科學(xué)版);2001年05期

3 孫機(jī);;唐代婦女的服裝與化妝[J];文物;1984年04期

相關(guān)碩士學(xué)位論文 前2條

1 鄭恩姬;唐代女性服飾研究[D];蘇州大學(xué);2009年

2 左毓;論唐代本土與異域服飾文化的融合[D];天津師范大學(xué);2010年



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