發(fā)布時(shí)間：2018-08-17 19:57

【摘要】：具有悠久歷史的內(nèi)蒙古皮革工藝是展示草原文化豐富內(nèi)涵的重要載體。它植根于草原人民賴以生存和發(fā)展的狩獵、畜牧經(jīng)濟(jì)，凝聚著草原人民的聰明智慧。千百年來為草原人民的生產(chǎn)、生活服務(wù)，早已成為了草原文化的一種藝術(shù)形式。本文所研究討論的重點(diǎn)即是蒙古族皮革造型藝術(shù)。在內(nèi)蒙古自治區(qū)提出了建設(shè)民族文化大區(qū)的發(fā)展戰(zhàn)略,弘揚(yáng)優(yōu)秀民族文化,挖掘和研究民族傳統(tǒng)藝術(shù),拓展民族特色產(chǎn)業(yè)的新時(shí)代背景下，對(duì)蒙古族的皮革造型藝術(shù)的起源與發(fā)展的研究尤為重要。 論文主要從蒙古族馬烙印的角度對(duì)皮革造型藝術(shù)進(jìn)行梳理，進(jìn)而挖掘皮革造型藝術(shù)的歷史淵源。同時(shí)，在研究皮革造型藝術(shù)的基礎(chǔ)上，對(duì)蒙古族傳統(tǒng)裝飾圖案進(jìn)行探究。蒙古族傳統(tǒng)圖案不僅是蒙古族民間文化的精髓，而且是非物質(zhì)文化遺產(chǎn)的重要組成部分。通過對(duì)皮革造型藝術(shù)的研究，進(jìn)而尋找一種如何能夠更好的把蒙古族的傳統(tǒng)裝飾圖案皮革造型藝術(shù)相結(jié)合的藝術(shù)表現(xiàn)手法。 全文共分五部分，第一部分分析了蒙古族皮革造型藝術(shù)的研究目的和研究現(xiàn)狀，第二部分對(duì)蒙古族皮革造型藝術(shù)的歷史進(jìn)行概述；第三部分對(duì)蒙古族造型藝術(shù)特點(diǎn)加以歸納與闡述。第四部分從蒙古族馬烙印文化的角度對(duì)皮革造型藝術(shù)進(jìn)行梳理；第五部分研究了如何將蒙古族傳統(tǒng)圖案與皮革造型藝術(shù)相結(jié)合進(jìn)行討論。 論文不僅對(duì)皮革造型藝術(shù)的歷史、工藝特點(diǎn)及其文化內(nèi)涵等方面進(jìn)行全面的介紹，而且對(duì)如何把皮革造型藝術(shù)傳承與發(fā)展下去進(jìn)行了概述。總之，在新的時(shí)代背景下，皮革造型藝術(shù)作為蒙古族古老的文化遺產(chǎn)，它的傳承與發(fā)展尤為重要。
[Abstract]:The leather craft of Inner Mongolia with a long history is an important carrier to show the rich connotation of grassland culture. It is rooted in the hunting and pastoral economy on which the grassland people depend for survival and development, and condenses the wisdom of the grassland people. For thousands of years for the production of grassland people, life services, has become an art form of grassland culture. The focus of this paper is the Mongolian leather plastic arts. In the context of the new era in which Inner Mongolia put forward the development strategy of building a large area of ethnic culture, carried forward excellent national culture, excavated and studied traditional national art, and expanded industries with national characteristics, It is very important to study the origin and development of Mongolian leather plastic arts. From the angle of Mongolian horse imprint, this paper combs the leather plastic art, and then excavates the historical origin of the leather molding art. At the same time, on the basis of the study of leather plastic arts, the Mongolian traditional decorative patterns were explored. Mongolian traditional pattern is not only the essence of Mongolian folk culture, but also an important part of intangible cultural heritage. Through the study of leather plastic arts, we can find a better way to combine the traditional decorative patterns of Mongolian leather plastic arts. The paper is divided into five parts. The first part analyzes the research purpose and current situation of Mongolian leather plastic arts. The second part summarizes the history of Mongolian leather plastic arts. The third part summarizes and expounds the characteristics of Mongolian plastic arts. The fourth part combs the leather plastic art from the Mongolian horse brand culture angle; the fifth part studies how to combine the Mongolian traditional pattern and the leather plastic art to carry on the discussion. This paper not only introduces the history, technological characteristics and cultural connotation of leather molding art, but also summarizes how to inherit and develop leather molding art. In short, under the new background, leather plastic arts as an ancient Mongolian cultural heritage, its inheritance and development is particularly important.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J528

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本文編號(hào)：2188731