發(fā)布時(shí)間：2018-10-24 19:21

【摘要】：農(nóng)業(yè)勞動(dòng)生產(chǎn)率的不斷提高是由傳統(tǒng)手工業(yè)向近代大工業(yè)過渡的基本動(dòng)力。相比而言,由國(guó)內(nèi)農(nóng)業(yè)勞動(dòng)生產(chǎn)率的不斷提高帶動(dòng)傳統(tǒng)手工業(yè)向近代大工業(yè)過渡的一般過程只在英國(guó)獲得典型地體現(xiàn),日本和中國(guó)都屬于非西方的現(xiàn)代化后發(fā)國(guó)家,其由傳統(tǒng)手工業(yè)向近代大工業(yè)的過渡表現(xiàn)出與英國(guó)大不相同的情形。英、日、中三國(guó)由傳統(tǒng)手工業(yè)向近代大工業(yè)發(fā)展的過程之所以會(huì)產(chǎn)生如此巨大的差別,表現(xiàn)為完全不同的三種模式,與三國(guó)農(nóng)業(yè)勞動(dòng)生產(chǎn)率的狀況有著直接的關(guān)系。
[Abstract]:The continuous improvement of agricultural labor productivity is the basic motive force for the transition from traditional handicraft industry to modern big industry. In contrast, the general process of the transition from traditional handicraft industry to modern big industry driven by the continuous improvement of domestic agricultural labor productivity is typically reflected in Britain. Japan and China are both non-Western countries with a modern and latecomer country. Its transition from traditional handicraft industry to modern big industry shows a very different situation from Britain. The process of developing from traditional handicraft industry to modern big industry in Britain, Japan and China resulted in such great difference, which was manifested in three completely different models, which had a direct relationship with the situation of agricultural labor productivity of the three countries.
【作者單位】： 中國(guó)社會(huì)科學(xué)院近代史研究所;
【分類號(hào)】：K107

【相似文獻(xiàn)】

相關(guān)期刊論文 前6條

1 錢詠;;“老手藝”的“再設(shè)計(jì)”——?jiǎng)?chuàng)意設(shè)計(jì)與浙西南傳統(tǒng)手工產(chǎn)業(yè)對(duì)接研究[J];數(shù)位時(shí)尚(新視覺藝術(shù));2013年02期

2 廖R，

本文編號(hào)：2292314