發(fā)布時(shí)間：2018-06-25 04:04

  本文選題：藝術(shù)影院 + 體驗(yàn)心理　； 參考：《西南交通大學(xué)》2015年碩士論文

【摘要】：隨著經(jīng)濟(jì)文化的快速發(fā)展,影院在人們生活中扮演重要的角色。而我們周邊環(huán)境充斥著濃厚的商業(yè)氣息,國內(nèi)大眾影院主要放映商業(yè)影片與大制作影片,影片質(zhì)量大多數(shù)是追求最大化的利益,缺少實(shí)質(zhì)性的內(nèi)容,挑戰(zhàn)大眾的體驗(yàn)感知。我們?nèi)粘５挠^影活動停留在商業(yè)影院,遺忘藝術(shù)影院的身影,忽略小眾文藝群體對于藝術(shù)電影的需求。藝術(shù)影院是獨(dú)立影院,專門放映文藝電影、小眾電影、先鋒電影、實(shí)驗(yàn)電影,不以營利為主要目的,為特定人群提供觀影的空間�，F(xiàn)階段國內(nèi)的藝術(shù)影院是屈指可數(shù),處于夾縫中生存的狀態(tài),面臨太多的考驗(yàn)與挑戰(zhàn)。但其具有重要的意義,能夠滿足藝術(shù)電影觀眾的觀影需求,使他們接觸到不同思想文化的滋養(yǎng),開啟人類創(chuàng)新思考的能力,并提升民族文化魅力的作用。目前國內(nèi)對于藝術(shù)影院空間設(shè)計(jì)領(lǐng)域的研究,幾乎是處于空白狀態(tài)。筆者對于本課題研究是基于自身對電影的興趣愛好,平時(shí)去影院觀影時(shí)所關(guān)注的現(xiàn)象,從而對藝術(shù)影院設(shè)計(jì)產(chǎn)生研究的想法。受眾者在藝術(shù)影院進(jìn)行觀影的過程是多樣化,影院空間給予主體的體驗(yàn)感受具有多樣性。藝術(shù)影院的受眾人群是知識較高的群體,他們對影院空間的布局、視覺的美觀、情感的表達(dá)有特定的要求�，F(xiàn)今模式化的影院設(shè)計(jì)風(fēng)格愈顯乏味,設(shè)計(jì)處于表層裝飾層面,甚少考慮特定受眾者的體驗(yàn)感受與精神表達(dá),國內(nèi)藝術(shù)影院的設(shè)計(jì)有待提高。設(shè)計(jì)者應(yīng)注重空間表現(xiàn)層面的審美體驗(yàn)和精神層面的情感體驗(yàn)的雙重體驗(yàn)。通過體驗(yàn)心理去分析特定受眾群體對藝術(shù)影院的需求,使影院設(shè)計(jì)與受眾者達(dá)到心理上的互動,使設(shè)計(jì)成為個(gè)體生命的延伸與舒展。本文以體驗(yàn)心理為基點(diǎn)對藝術(shù)影院設(shè)計(jì)進(jìn)行分析,并將體驗(yàn)心理的構(gòu)造體系作為設(shè)計(jì)的依據(jù),為藝術(shù)影院空間帶來獨(dú)特的設(shè)計(jì)理念與具體的設(shè)計(jì)方法。本論文首先對課題研究所涉及的相關(guān)概念進(jìn)行闡述,包括體驗(yàn)心理的概念、產(chǎn)生歷程、發(fā)展軌跡及藝術(shù)影院的界定、特點(diǎn)、發(fā)展命脈、基本內(nèi)容的分析,歸納與總結(jié)出了體驗(yàn)心理特質(zhì)與藝術(shù)影院特質(zhì)的契合關(guān)系。其次分析體驗(yàn)主體的心理構(gòu)造體系,主體體驗(yàn)的心理構(gòu)造每一階段與藝術(shù)影院設(shè)計(jì)的每一表達(dá)層面相呼應(yīng),剖析出體驗(yàn)主體心理構(gòu)造體系與藝術(shù)影院客體之間的關(guān)系,筆者將體驗(yàn)心理學(xué)理論創(chuàng)造性地應(yīng)用于藝術(shù)影院室內(nèi)空間設(shè)計(jì)中,以體驗(yàn)主體心理構(gòu)造體系為起點(diǎn),總結(jié)出了體驗(yàn)心理構(gòu)造體系在藝術(shù)影院客體空間中的運(yùn)用,為藝術(shù)影院的設(shè)計(jì)提供有價(jià)值的啟示與思路。再次通過問卷調(diào)查和實(shí)地調(diào)查等方式,對藝術(shù)影院空問設(shè)計(jì)及體驗(yàn)對象的需求進(jìn)行了調(diào)研,歸納與總結(jié)出受眾群體對藝術(shù)影院的心理需求及藝術(shù)影院設(shè)計(jì)問題進(jìn)行總結(jié)。最后總結(jié)出體驗(yàn)心理學(xué)在藝術(shù)影院中的設(shè)計(jì)策略及原則,為藝術(shù)影院的設(shè)計(jì)提供一定的指導(dǎo)。其中設(shè)計(jì)策略包括強(qiáng)調(diào)主體感知環(huán)節(jié)、分析影院情節(jié)環(huán)節(jié)、整合體驗(yàn)元素環(huán)節(jié)。設(shè)計(jì)原則包括系統(tǒng)整體性原則、主客互動性原則、功能復(fù)合性原則、藝術(shù)立意性原則。并通過對藝術(shù)影院的案例進(jìn)行分析,解讀出藝術(shù)影院的體驗(yàn)特征,歸納與總結(jié)全文的理論研究成果。
[Abstract]:With the rapid development of economy and culture, cinema plays an important role in people's life. And our surrounding environment is filled with a strong commercial atmosphere. The domestic mass cinema is mainly showing commercial films and big production films. The quality of the film is mostly the pursuit of the maximization of the interests, the lack of substantial content, the challenge of the public experience perception. Our daily activities stay in commercial cinemas, forget the figure of the art theater, and ignore the demand for art films by the small group of literary and art theaters. The theaters are independent theaters, specialised in theatrical films, small crowds, vanguard films, and experimental films. The art cinema is a few, in the gap between the survival of the state, facing too many challenges and challenges. But it has an important meaning, can meet the audience's view of the art film needs, make them touch the nourishment of different thoughts and cultures, open the power of human creative thinking, and promote the role of national cultural charm. The research in the space design field of the art cinema is almost in the blank state. The author of this research is based on the interest of the film and the phenomenon that the cinema is concerned about at ordinary times, so as to make a study of the design of the art cinema. The audience's view of the cinema is diversified and the cinema is empty. The audience of the subject is diverse. The audience of the art theater is a higher knowledge group. They have specific requirements for the layout of the theater, the beauty of the vision, and the expression of the emotion. The more the style of the modern theater design is tedious, the design is at the surface decoration level, and the experience of the particular audience is seldom considered. With the expression of spirit, the design of the domestic art cinema needs to be improved. The designer should pay attention to the double experience of the aesthetic experience of the spatial expression level and the emotional experience of the spiritual level. Through the experience psychology, it analyzes the needs of the particular audience group to the art theater, and makes the theater design and the audience reach the psychological interaction, so that the design becomes the individual. This article analyzes the design of the art cinema based on the experience psychology, and takes the structural system of experience psychology as the basis of the design, and brings unique design ideas and specific design methods for the art theater space. This paper first expounds the related concepts involved in the research, including the experience. The concept, the course of production, the development track and the definition of the art cinema, the characteristics, the development of the lifeline, the analysis of the basic content, summed up and summed up the relationship between the psychological characteristics of the experience and the characteristics of the art cinema. Secondly, it analyses the psychological structure system of the experience subject, each stage of the psychological structure of the subject experience and every table of the design of the art cinema. The relationship between the psychological structure system of the experiential subject and the object of the art cinema is analyzed. The author creatively applies the experiential psychology theory to the interior space design of the art theater, and summarizes the application of the experiential psychological structure system in the object space of the art cinema with the starting point of experiencing the psychological structure of the subject. In order to provide valuable inspiration and ideas for the design of the art cinema. Through the questionnaire survey and the field investigation, this paper makes a survey of the needs of the design and experience object of the art cinema, summarizes and summarizes the psychological needs of the audience and the design of the art cinema. Finally, the experience is summed up. The design strategies and principles of Science in the art cinema provide some guidance for the design of the art cinema. The design strategy includes the emphasis on the subject perception link, the analysis of the theaters' plot links and the integration of the experience elements. The design principles include the system integrity principle, the principle of the interactivity of the subject and the guest, the principle of function compound and the principle of artistic conception. By analyzing the cases of art cinema, this paper interprets the experience characteristics of art cinema, summarizes and summarizes the theoretical research results of the full text.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU242.2

【引證文獻(xiàn)】

相關(guān)會議論文 前1條

1 孫延;劉卉;;建筑情感空間與色彩空間的同構(gòu)關(guān)系淺析[A];色彩科學(xué)應(yīng)用與發(fā)展——中國科協(xié)2005年學(xué)術(shù)年會論文集[C];2005年

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本文編號：2064481