民國時期美術展覽會的歷史流變與演變特征
發(fā)布時間：2018-11-08 18:48
【摘要】：民國時期的美術展覽會是東西方文化交流的結果,它的出現改變了中國傳統(tǒng)的藝術鑒藏方式,是中國美術史上的重大跨越。美術作品公開展示,不僅促進了美術展覽模式的形成,也通過對當時藝術風格、藝術思潮的呈現,進一步影響了畫壇的發(fā)展動向,對于藝術家的社會地位、創(chuàng)作風格的確立也起著較大的作用。美術展覽是西風東漸的產物,它徹底改變了中國藝術的欣賞習慣,建立了面向大眾的美育,也成為西方了解中國美術文化的窗口。 本文以民國時期(1912-1949)的美術展覽活動為研究對象。通過歷史分析研究的方法,在對民國時期美術展覽會的歷史和流變進行橫向梳理的基礎上進一步地從縱向上對其進行分析。本文導論部分首先對此選題相關的概念進行闡釋,以明確研究的對象,正文第一部分根據不同時期美術展覽的具體情況進行分類概括,共分為四個部分,分別為興起和初步發(fā)展階段(1910-1918)、規(guī)模壯大和展覽模式形成階段(1919-1927)、展覽類型多元化階段(1928-1936)、曲折發(fā)展階段(1937-1949)。第二部分將從展覽模式、藝術發(fā)展、文化傳播等多個角度進行展開分析,以呈現民國這一時期美術展覽會的獨特面貌。
[Abstract]:The art exhibition in the period of the Republic of China was the result of the cultural exchange between the East and the West. Its appearance changed the traditional Chinese art collection and was a great leap forward in the history of Chinese art. The public display of art works not only promoted the formation of the art exhibition mode, but also further affected the development trend of the painting world and the social status of the artists through the presentation of the artistic style and the artistic trend of thought at that time. The establishment of creative style also plays a greater role. Art exhibition is the product of the western-style art exhibition, which has completely changed the appreciation habit of Chinese art, established the aesthetic education for the masses, and also became the window for the West to understand the Chinese art culture. This article takes the art exhibition activity of the Republic of China period (1912-1949) as the research object. Through the method of historical analysis and research, this paper analyzes the history and evolution of the art exhibition in the period of the Republic of China on the basis of further longitudinal analysis. The first part of the text is divided into four parts, which are classified and summarized according to the specific situation of the art exhibition in different periods. They are the stage of rising and initial development (1910-1918), the stage of scale expansion and the formation of exhibition mode (1919-1927), the stage of diversification of exhibition types (1928-1936), the stage of tortuous development (1937-1949). The second part will carry on the analysis from the exhibition pattern, the art development, the culture dissemination and so on, in order to present the unique appearance of the art exhibition in the period of the Republic of China.
【學位授予單位】：浙江師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J209.2
本文編號：2319346
[Abstract]:The art exhibition in the period of the Republic of China was the result of the cultural exchange between the East and the West. Its appearance changed the traditional Chinese art collection and was a great leap forward in the history of Chinese art. The public display of art works not only promoted the formation of the art exhibition mode, but also further affected the development trend of the painting world and the social status of the artists through the presentation of the artistic style and the artistic trend of thought at that time. The establishment of creative style also plays a greater role. Art exhibition is the product of the western-style art exhibition, which has completely changed the appreciation habit of Chinese art, established the aesthetic education for the masses, and also became the window for the West to understand the Chinese art culture. This article takes the art exhibition activity of the Republic of China period (1912-1949) as the research object. Through the method of historical analysis and research, this paper analyzes the history and evolution of the art exhibition in the period of the Republic of China on the basis of further longitudinal analysis. The first part of the text is divided into four parts, which are classified and summarized according to the specific situation of the art exhibition in different periods. They are the stage of rising and initial development (1910-1918), the stage of scale expansion and the formation of exhibition mode (1919-1927), the stage of diversification of exhibition types (1928-1936), the stage of tortuous development (1937-1949). The second part will carry on the analysis from the exhibition pattern, the art development, the culture dissemination and so on, in order to present the unique appearance of the art exhibition in the period of the Republic of China.
【學位授予單位】：浙江師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J209.2
【參考文獻】
相關碩士學位論文 前2條
1 盧緩;從第一次全國美術展覽會看民國時期的全國美術展覽機制[D];中央美術學院;2007年
2 文嘉琳;中國近現代美術展覽會研究[D];華南師范大學;2007年
，本文編號：2319346
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