發(fā)布時(shí)間：2018-08-14 16:43

【摘要】：傳統(tǒng)手工藝是人民群眾在漫長的歷史發(fā)展過程中創(chuàng)造出來的智慧成果，是民族傳統(tǒng)文化的重要組成部分，具有突出的文化價(jià)值和經(jīng)濟(jì)價(jià)值。近年來，隨著全球化趨勢(shì)的加強(qiáng)和現(xiàn)代化進(jìn)程的加快，許多技藝瀕臨滅絕，加之過度開發(fā)、隨意濫用現(xiàn)象泛濫，傳統(tǒng)手工藝面臨著嚴(yán)峻的生存危機(jī)。傳統(tǒng)手工藝不斷消失，其所蘊(yùn)含的民族精神以及所體現(xiàn)民族個(gè)性也會(huì)隨之消失。因此，對(duì)傳統(tǒng)手工藝進(jìn)行保護(hù)已成為相關(guān)國際組織、各國政府和學(xué)術(shù)界所關(guān)注的、迫切需要解決的問題。 在我國，保護(hù)傳統(tǒng)手工藝的立法比較零散，，且多是行政法規(guī)和規(guī)章，民事保護(hù)尤其是知識(shí)產(chǎn)權(quán)保護(hù)基本缺位，2011年2月通過的《中華人民共和國非物質(zhì)文化遺產(chǎn)法》對(duì)其知識(shí)產(chǎn)權(quán)保護(hù)也只做了銜接性規(guī)定。在此背景下，本文選擇傳統(tǒng)手工藝知識(shí)產(chǎn)權(quán)保護(hù)為研究主題，參考國外立法，并結(jié)合我國實(shí)際情況，對(duì)如何有效保護(hù)傳統(tǒng)手工藝知識(shí)產(chǎn)權(quán)提出一些淺薄意見，以期對(duì)我國立法和司法實(shí)踐有所裨益。同時(shí)，也希望通過對(duì)這一課題的探討，強(qiáng)化我們保護(hù)非物質(zhì)文化遺產(chǎn)的意識(shí)，進(jìn)而保護(hù)和促進(jìn)民族傳統(tǒng)文化和世界文化多樣性的發(fā)展。 通過從理論層面對(duì)傳統(tǒng)手工藝及知識(shí)產(chǎn)權(quán)保護(hù)的基本理論問題進(jìn)行探討，從實(shí)證層面對(duì)國際組織、外國和我國傳統(tǒng)手工藝保護(hù)的現(xiàn)狀與利弊得失進(jìn)行評(píng)析，并在此基礎(chǔ)上提出構(gòu)建我國傳統(tǒng)手工藝知識(shí)產(chǎn)權(quán)保護(hù)的建議：根據(jù)目前的實(shí)際情況，最有效的途徑是運(yùn)用現(xiàn)有的法律資源對(duì)傳統(tǒng)手工藝進(jìn)行保護(hù)，即在現(xiàn)階段將傳統(tǒng)手工藝納入現(xiàn)行知識(shí)產(chǎn)權(quán)體系中，運(yùn)用專利、商標(biāo)、著作權(quán)以及反不正當(dāng)競爭制度進(jìn)行綜合保護(hù)，同時(shí)通過對(duì)現(xiàn)有知識(shí)產(chǎn)權(quán)體系進(jìn)行改造調(diào)整或制度創(chuàng)新，消除對(duì)傳統(tǒng)手工藝保護(hù)不力的因素，塑造一個(gè)有利于傳統(tǒng)手工藝傳承與發(fā)展的法律環(huán)境，待條件成熟后再建立我國傳統(tǒng)手工藝保護(hù)的特殊法。
[Abstract]:The traditional handicraft is the wisdom achievement created by the people in the long historical development process. It is an important part of the national traditional culture and has outstanding cultural value and economic value. In recent years, with the trend of globalization and the acceleration of the modernization process, many skills are on the verge of extinction, coupled with excessive development, indiscriminate abuse, traditional handicrafts are facing a severe survival crisis. With the disappearance of traditional handicraft, the national spirit and national personality will disappear. Therefore, the protection of traditional handicrafts has become an urgent problem to be solved by relevant international organizations, governments and academia. In China, legislation to protect traditional handicrafts is fragmented, and mostly administrative laws and regulations. Civil protection, especially intellectual property protection, is basically absent. The Law of the people's Republic of China on Intangible Cultural Heritage passed in February 2011 only provides for the protection of intellectual property rights. Under this background, this article chooses the traditional handicraft intellectual property protection as the research topic, consults the foreign legislation, and combines the actual situation of our country, puts forward some shallow opinions on how to effectively protect the traditional handicraft intellectual property right. In order to benefit our legislation and judicial practice. At the same time, we also hope to strengthen our consciousness of protecting intangible cultural heritage through the discussion of this subject, and then to protect and promote the development of national traditional culture and the cultural diversity of the world. This paper discusses the basic theoretical issues of traditional handicraft and intellectual property protection from the theoretical level, and evaluates the current situation, advantages and disadvantages of international organizations, foreign countries and China on the protection of traditional handicrafts from the perspective of empirical analysis. On this basis, the author puts forward some suggestions on how to protect the intellectual property rights of traditional handicraft: according to the actual situation, the most effective way is to protect the traditional handicraft by using the existing legal resources. That is, to bring traditional handicraft into the current intellectual property system at the present stage, to use patent, trademark, copyright and anti-unfair competition system for comprehensive protection, and at the same time, to reform and adjust the existing intellectual property system or to innovate the system. To eliminate the factors of weak protection of traditional handicrafts, to create a legal environment conducive to the inheritance and development of traditional handicrafts, and to establish a special law for the protection of traditional handicrafts in our country after the conditions are ripe.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J528;D923.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 華覺明;;傳統(tǒng)工藝的研究、保護(hù)和振興[J];中國文化遺產(chǎn);2004年03期

2 宋紅松;傳統(tǒng)知識(shí)與知識(shí)產(chǎn)權(quán)[J];電子知識(shí)產(chǎn)權(quán);2003年03期

3 張旭波;蔡萍;;協(xié)會(huì)在傳統(tǒng)知識(shí)保護(hù)中的特殊作用[J];中國發(fā)明與專利;2006年08期

4 華鷹;;傳統(tǒng)知識(shí)的法律保護(hù)模式選擇及立法建議[J];河北法學(xué);2008年08期

5 孫彩虹;;國外民間文學(xué)藝術(shù)法律保護(hù)實(shí)踐及其啟示[J];河南大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2011年02期

6 張良華;;我國傳統(tǒng)手工藝技能采著作權(quán)法保護(hù)模式初探[J];景德鎮(zhèn)高專學(xué)報(bào);2010年03期

7 徐藝乙;;日本的傳統(tǒng)工藝保護(hù)策略[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版);2008年01期

8 徐藝乙;;中國歷史文化中的傳統(tǒng)手工藝[J];江蘇社會(huì)科學(xué);2011年05期

9 飛龍;國外保護(hù)非物質(zhì)文化遺產(chǎn)的現(xiàn)狀[J];文藝?yán)碚撆c批評(píng);2005年06期

10 李硯祖;;物質(zhì)與非物質(zhì):傳統(tǒng)工藝美術(shù)的保護(hù)與發(fā)展[J];文藝研究;2006年12期

相關(guān)碩士學(xué)位論文 前2條

1 謝蘭;非物質(zhì)文化遺產(chǎn)的知識(shí)產(chǎn)權(quán)保護(hù)研究[D];中國政法大學(xué);2011年

2 李居彩;傳統(tǒng)知識(shí)的知識(shí)產(chǎn)權(quán)保護(hù)[D];中國政法大學(xué);2010年

本文編號(hào)：2183482