發(fā)布時間：2018-05-20 16:54

  本文選題：姜在熙小說 + 朝鮮族農(nóng)村�。� 參考：《中央民族大學(xué)》2017年碩士論文

【摘要】：姜在熙在1953年出生于遼寧省鐵嶺縣。1981年發(fā)表短篇小說《大力士》初登文壇,之后陸續(xù)發(fā)表了中、短篇小說50余篇。他的作品在朝鮮族文壇也受到了廣泛的認(rèn)可,曾獲得《黑龍江新聞》"金達(dá)萊文學(xué)獎",《遼寧朝鮮文報(bào)》"鴨綠江文學(xué)獎",在外同胞文學(xué)獎,《遼東文學(xué)》"沈陽朝鮮族企業(yè)家協(xié)會文學(xué)獎",虎龍杯文學(xué)獎,《民族文學(xué)》母語創(chuàng)作優(yōu)秀獎等多項(xiàng)殊榮。特別是小說《終點(diǎn)站》還獲得了 1999年韓國第一屆在外同胞文學(xué)獎。20世紀(jì)70年代中期,遼寧地區(qū)的朝鮮族文學(xué)處于萌芽狀態(tài)。遼寧省的朝鮮族文學(xué)和中國的其他地區(qū)一樣都經(jīng)歷了"文化大革命"的十年動亂時期,處于衰退的狀態(tài)。文化大革命結(jié)束后,遼寧省的朝鮮族文學(xué)才迎來了新春。遼寧省的朝鮮族文學(xué)在20世紀(jì)80年代中期開始進(jìn)入成熟期,很多作家開始在省內(nèi)外的刊物中嶄露頭角。姜在熙作為遼寧朝鮮族文壇的代表作家,以遼寧為舞臺,通過描寫朝鮮族農(nóng)民的生活及其變化,關(guān)注朝鮮族農(nóng)民的命運(yùn)和出路問題。姜在熙小說在地域的特殊性、主題意識的獨(dú)創(chuàng)性、藝術(shù)手法的成熟性等方面,可以說他不僅在遼寧朝鮮族文壇,甚至于在整個朝鮮族文壇都享有重要的位置。另外,在朝鮮族文壇,比較集中于對老一代作家以及延邊地區(qū)作家的研究,對新一代作家以及遼寧地區(qū)作家的研究比較少。為了朝鮮族文壇的持續(xù)性發(fā)展,我認(rèn)為加強(qiáng)對引領(lǐng)未來的新一代作家的作品以及各地域文學(xué)的關(guān)注,并且全面、系統(tǒng)地對此進(jìn)行研究是現(xiàn)在面臨的重要的課題。因此,對于姜在熙小說的研究具有重要的現(xiàn)實(shí)意義。姜在熙的中、短篇小說集《呆子們的宴席》于2013年在遼寧民族出版社出版。這本小說集中收錄了姜在熙中、短篇小說31篇,時間上來說,收錄了 1980年代到2000年代的作品。有關(guān)姜在熙小說的研究基本上處于空白狀態(tài),僅有1-2篇評論。由此,有關(guān)姜在熙小說的研究情況存在以下問題。有關(guān)姜在熙小說的研究成果只涉及了 1980年代的作品,幾乎沒有有關(guān)1990年代以后作品的研究。而且,現(xiàn)有的研究只是對其某一部作品的簡單評價,現(xiàn)如今對姜在熙小說的系統(tǒng)化研究還處于空白階段。因此,本論文以《呆子們的宴席》為主要研究對象,對姜在熙小說進(jìn)行全面、系統(tǒng)、客觀的研究,從而填補(bǔ)對姜在熙小說系統(tǒng)性研究的空白。本論文主要采用社會歷史批評方法進(jìn)行分析,共分為四章進(jìn)行論述。第一章為緒論,敘述了研究目的、研究現(xiàn)狀、研究方法以及論文構(gòu)成。第二章研究了姜在熙小說的題材-主題特征。這部分主要把姜在熙小說的主題分為四個部分,分別是建國后朝鮮族生活的反思,改革開放中朝鮮族社會問題的審視及批判,市場經(jīng)濟(jì)中朝鮮族農(nóng)民劣根性的批判及其憂患意識,中韓建交后在韓朝鮮族生活與命運(yùn)的審視及批判。建國后朝鮮族生活的反思部分,主要以建國后為小說的背景,以文化大革命為主要題材。姜在熙的《姐姐》、《下雨的秋夜》、《福地》、《遙遠(yuǎn)的地方》等作品以文化大革命時期為背景,揭露、批判了文化大革命的荒謬性和其引發(fā)的人生悲劇。另外,系列小說《那年冬天》真實(shí)地描述了左傾思想蔓延的年代人們的生活面貌。改革開放中朝鮮族社會問題的審視及批判部分,主要以改革開放為時代背景。其中,以孝為主題的《朦朧的滿月》、《終點(diǎn)站》等作品描述了在當(dāng)今社會興起的人格修養(yǎng)的降低以及倫理道德的墮落等社會問題;《某天早晨》批判了官僚主義作風(fēng),并且啟示用暴力與其對抗只會害人害己;《相逢·離別》等作品描述了去韓國打工導(dǎo)致家庭破裂的社會問題;《秋天》表現(xiàn)了為了出外工作,不得不離開家鄉(xiāng),與家人分離的悲痛心情;《奶奶》深入奶奶的內(nèi)心世界,描述了在物質(zhì)主義盛行的社會中人們內(nèi)心的孤獨(dú)與苦痛。姜在熙以改革開放以后在朝鮮族社會中蔓延的各種社會問題為主題,真實(shí)地反映了朝鮮族的生活面貌以及精神狀態(tài)。市場經(jīng)濟(jì)中朝鮮族農(nóng)民劣根性的批判及其憂患意識部分,主要以市場經(jīng)濟(jì)中的農(nóng)村為背景,通過《酒醉的村莊》、《村莊》等作品批判了朝鮮族農(nóng)民墮落的生活面貌;通過《赤裸裸的夏天》、《脫谷》等作品批判了嫉妒、無知、虛榮、享樂、過度消費(fèi)等朝鮮族的劣根性。中韓建交后在韓朝鮮族生活與命運(yùn)的審視及批判部分,主要以中韓建交后的韓國為背景,通過《呆子們的宴席》、《尋找昨天的捉迷藏》、《酒殤》、《1998仙府洞的夏天》、《冬眠》等作品描述了在韓朝鮮族墮落、悲慘的生活面貌。第三章主要通過作品的分析,研究姜在熙小說的創(chuàng)作特征。姜在熙從1980年代開始就一直深切地關(guān)注著朝鮮族社會,尖銳地揭露朝鮮族人民的思想意識,并且深刻地批判蔓延于朝鮮族社會的社會問題。另外,姜在熙以主題的新穎性在遼寧朝鮮族文壇嶄露頭角,并且運(yùn)用恰當(dāng)?shù)臄⑹鲆暯呛投鄻拥臄⑹鍪址ㄕ鎸?shí)地描述了朝鮮族的現(xiàn)實(shí)生活和命運(yùn),體現(xiàn)了強(qiáng)烈的批判意識和憂患意識。第一,主題的新穎性。以孝為主題的《朦朧的滿月》,以批判朝鮮族傳統(tǒng)的農(nóng)耕意識為主題的《農(nóng)夫歌》,以批判朝鮮族嫉妒、無知為主題的《大道》等作品都體現(xiàn)了姜在熙小說主題的新穎性。第二,深刻的批判意識和憂患意識。姜在熙的多數(shù)作品都顯現(xiàn)出了對朝鮮族現(xiàn)實(shí)生活的反省和批判,并且具有強(qiáng)烈的憂患意識。第三,敘述視角的恰當(dāng)性。《坡路》、《遙遠(yuǎn)的地方》、《下雨的秋夜》等作品以第一人稱視角直接描述了主人公們在文化大革命時期所承受的痛苦。這種視角的選擇更真實(shí)地表現(xiàn)文化大革命時期的荒謬性�！栋职植辉凇贰ⅰ督K點(diǎn)站》、《即使這個山崗那個山崗都已翻過》、《呆子們的宴席》、《尋找昨天的捉迷藏》等作品以第三人稱視角更加明確地刻畫了主人公形象和作品的主題。第四,敘述手法的多樣性。姜在熙深思朝鮮族的現(xiàn)實(shí)生活和命運(yùn),以現(xiàn)實(shí)主義方法真實(shí)地描述朝鮮族的生活面貌。在朝鮮族小說還沒有脫離理想化,普遍以完美結(jié)局結(jié)束時,姜在熙已經(jīng)開始運(yùn)用現(xiàn)實(shí)主義方法,真實(shí)地描述人們的喜怒哀樂。另外,姜在熙還運(yùn)用諷刺和對比等手法生動刻畫人物形象,豐富了小說內(nèi)容,凸顯主題。第四章為結(jié)論,對論文的內(nèi)容進(jìn)行整理、概括,并且歸納所得觀點(diǎn)�？傮w來說,姜在熙以小說主題的深刻性、真實(shí)性、創(chuàng)新性,現(xiàn)實(shí)主義細(xì)節(jié)描寫的真實(shí)性和生動性,敘述視角的恰當(dāng)性,敘述手法的多樣性,強(qiáng)烈的批判意識和憂患意識等特點(diǎn),在遼寧朝鮮語文壇,甚至整個朝鮮族小說文壇上擁有了自己的一席之地。
[Abstract]:Jiang Zaixi, born in 1953 in Tieling County, Liaoning Province, published the short story "Hercules > first" literary world in.1981, and then published more than 50 short stories in succession. His works have also been widely recognized in the Korean literary world. He has won the Heilongjiang news "golden darling literature award", the Liaoning Korean newspaper > the the Yalu River literature prize. The prize for cell literature, the Liaodong literature, the Shenyang Korean entrepreneur association literature award, the tiger dragon cup literature prize, the national literature and the excellent native language creation award, etc., especially the novel < destination > also won the first 1999 70s.20 century in the mid 70s of the South Korea's foreign compatriot literature, and the Korean literature in Liaoning is in the bud. Korean literature in Ningxia Province, like other parts of China, experienced the period of ten years of unrest in the "Cultural Revolution" and was in a state of decline. After the end of the cultural revolution, the Korean literature in Liaoning was ushered in the new spring. The Korean literature of Liaoning province began to enter the maturity period in the middle of the 1980s, and many writers began to be in the province. As the representative writer of the Korean literary world in the outside world, Jiang Zaixi, as the representative writer of the Korean literary world in Liaoning, takes Liaoning as the stage, and pays attention to the fate and the way out of the Korean farmers by describing the life and changes of the Korean peasants. It can be said that Jiang Zaixi's novels are unique in the region, the originality of the theme consciousness, and the maturity of the artistic techniques. He not only enjoys an important position in the Korean literary world in Liaoning, but also in the literary world of the Korean nationality. In addition, in the Korean literary world, it is more concentrated on the study of the old writers and the writers of the Yanbian region, and the research on the new generation of writers and the writers of the Liaoning region is relatively small. It is an important task to study the works of the new generation of writers in the future and the regional literature, and to make a comprehensive and systematic study of it. Therefore, it is of great practical significance to the study of Jiang Zaixi's novels. In Jiang Zaixi, the short novel, the banquet of the nerds, was published in the Liaoning national publication in 2013. The novel is published. This novel concentrates on Jiang Zaixi and 31 short stories. In time, it included works from 1980s to 2000s. The research on Jiang Zaixi's novels is basically in a blank state and only 1-2 reviews. Therefore, the following questions about the study of Jiang Zaixi's novels. The study of Jiang Zaixi's Novels It only involves the works of the 1980s, and there is little research on the works after the 1990s. Moreover, the existing research is only a simple evaluation of one of its works. Now the systematic study of Jiang Zaixi's novels is still in the blank stage. Therefore, this paper is based on the "banquet of the nerds" as the main object of study and Jiang Zaixi's novel. A comprehensive, systematic and objective study is carried out to fill in the blank of the systematic research on Jiang Zaixi's novels. This thesis is mainly analyzed by the method of social historical criticism, which is divided into four chapters. The first chapter is the introduction, which describes the purpose of the study, the present situation, the method of research and the composition of the paper. The second chapter studies the novels of Jiang Zaixi. This part mainly divides the theme of Jiang Zaixi's novels into four parts: the reflection on the life of the Korean nationality after the founding of the people's Republic, the examination and criticism of the social problems of the Korean nationality in the reform and opening up, the criticism of the peasants' Inferiority and their suffering consciousness in the market economy, and the trial of the life and fate of the Korean and Korean nationality after the establishment of diplomatic relations between China and Korea. After the founding of the people's Republic of China, the reflection and criticism of the life of the Korean nationality mainly took the background of the novel as the background of the founding of the people's Republic of China and the Cultural Revolution as the main theme. Jiang Zaixi's < sister > < the rain autumn night >, < Fu Di > and the remote place > with the background of the cultural revolution, criticized the absurdity of the cultural revolution and the tragedy of his life. In addition, the series of novels, "the winter of that year", truly described the life of the people in the era of the spread of left leaning thought. The review and criticism of the Korean social problems in the reform and opening up are mainly based on the era of reform and opening up. The decline in personality and the depravity of ethics and other social problems; < one morning > criticism of the bureaucratic style, and the revelation that violence and confrontation will only harm people; "reunion / farewell > and other works describe the social problems that cause family breakdown to work in South Korea;" autumn days "showed that he had to leave his hometown for out of work, The sadness of separation from the family; < granny > to go deep into the inner world of grandma depicts the loneliness and pain of people's heart in a society where materialism is prevalent. Jiang Zaixi, with the theme of the social problems that spread in the Korean society after the reform and opening up, truly reflects the life and spirit of the DPRK. The criticism of the inferiority and suffering consciousness of the Korean peasants in the kisji, mainly based on the countryside in the market economy, criticized the degraded life of the Korean farmers through the works of "drunken villages >" and "village >", and criticized the jealousy, ignorance, vanity, hedonism, excessive consumption and other Korean ethnic groups through the "naked summer" and "Duli >". After the establishment of diplomatic relations between China and South Korea after the establishment of diplomatic relations between China and Korea, China and Korea reviewed and criticized the life and fate of the Koreans, mainly in the context of South Korea after the establishment of diplomatic relations between China and South Korea, through the banquet of the nerds, the search for yesterday's hide and seek, the wine war, the summer of the <1998 Xian Fu cave, and the hibernation, which described the tragic and tragic life of the Koreans. Through the analysis of the works, the writing features of Jiang Zaixi's novels are studied. Since 1980s, Jiang Zaixi has been deeply concerned about the Korean society, sharply exposes the ideological consciousness of the Korean people, and deeply criticizes the social problems that spread in the Korean society. In addition, Jiang Jae Hee has the novelty of the theme in the Korean literary world of Liaoning. It has come to the fore, and describes the realistic life and fate of the Korean nationality with the appropriate narrative angle and various narrative techniques. It embodies the strong sense of criticism and the consciousness of anxiety. First, the novelty of the theme. The "misty full moon" with the theme of filial piety, the farmer's song, which criticizes the traditional farming consciousness of the Korean nationality, is to be criticized. The Korean nationality's jealousy, ignorance as the theme "road >" and other works all reflect the novelty of the theme of Jiang Zaixi's novels. Second, profound critical consciousness and suffering consciousness. Most of Jiang Zaixi's works show the reflection and criticism of the real life of the Korean nationality, and have a strong sense of anxiety. Third, the appropriateness of the narrative angle of view. < slope road. >, < distant land >, the rain autumn night > and so on, the works of the rain autumn night, and so on directly describe the suffering of the heroes during the cultural revolution in the first person perspective. The choice of this perspective shows the absurdity of the cultural revolution more truthfully. < dad is not in > the terminal >, < even the hill, the hill has gone over, < the banquet of the nerds. The works of searching for yesterday's hide and seek are more clearly depicted in the third person perspective. Fourth, the diversity of narrative techniques. Jiang Zaixi thought deeply about the realistic life and fate of the Korean nationality, and described the life of the Korean people in a realistic way. The Korean novels have not been divorced from reason. At the end of the perfect ending, Jiang Zaixi has begun to use the realistic method to describe people's happiness and sorrow in real terms. In addition, Jiang Zaixi also vividly depicts the character image by means of satire and contrast, enriches the content of the novel and highlights the theme. The fourth chapter is the conclusion, the content of the paper is collated, summarized, and summed up. In general, Jiang Zaixi, with the profundity of the theme of the novel, the authenticity and the vividness of the detail description of the realism, the appropriateness of the narrative angle of view, the diversity of narrative techniques, the strong sense of criticism and the consciousness of anxiety, has been held in the Korean language altar in Liaoning and even in the literary world of the whole Korean nationality. One's own place.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 賈越;小說敘事方式的綜合態(tài)勢[J];浙江學(xué)刊;2001年01期

2 付曉靜;一篇動人的小說[J];寫作;2003年21期

3 嚴(yán)蓓雯;;繪本小說：一種新的文學(xué)形式[J];外國文學(xué)動態(tài);2007年05期

4 邊勛;;論小說與電影敘事藝術(shù)的要素差異[J];電影文學(xué);2008年12期

5 林舟;;招魂的寫作——對葉彌近年小說的一種讀解[J];當(dāng)代作家評論;2008年03期

6 梁冀;;小說環(huán)境再探究[J];阿壩師范高等�？茖W(xué)校學(xué)報(bào);2010年02期

7 胡功勝;;圖像霸權(quán)時代的小說敘事[J];安徽大學(xué)學(xué)報(bào)(哲學(xué)社會科學(xué)版);2010年05期

8 張冰;;論“耽美”小說的幾個主題[J];文學(xué)評論;2012年05期

9 玉旖旎;;新穎、獨(dú)特、奇妙、精湛——讀《中國小說敘事模式的轉(zhuǎn)變》有感[J];北方文學(xué)(下半月);2012年09期

10 黃昌林;小說敘事:規(guī)定性與隨機(jī)性[J];當(dāng)代文壇;1992年05期

相關(guān)會議論文 前10條

1 肖向明;;民間信仰與中國小說敘事的近代演變[A];中國現(xiàn)代文學(xué)研究會第十屆年會論文摘要匯編[C];2010年

2 趙炎秋;;詩歌敘事與小說敘事(提綱)[A];21世紀(jì)中國現(xiàn)代詩第五屆研討會暨“現(xiàn)代詩創(chuàng)作研究技法”學(xué)術(shù)研討會論文集[C];2009年

3 斯炎偉;;從“重意義的故事”到“重意味的形式”——論新時期以來小說的敘事革命[A];這就是我們的文學(xué)生活——《當(dāng)代文壇》三十年評論精選（上）[C];2012年

4 李洲良;;春秋筆法與中國小說敘事學(xué)[A];遼寧省哲學(xué)社會科學(xué)獲獎成果匯編[2007-2008年度][C];2010年

5 徐德明;;都市視野中的“鄉(xiāng)下人進(jìn)城”小說(論綱)[A];都市文化——文學(xué)學(xué)術(shù)研討會論文集[C];2006年

6 張世君;;中西小說敘事的時空意識[A];東方叢刊（1999年第3輯 總第二十九輯）[C];1999年

7 陳力君;;國家意志的敘事焦慮——解讀“十七年”小說中的“引路人”形象[A];中國當(dāng)代文學(xué)研究·2006卷[C];2006年

8 盧衛(wèi)中;劉玉華;;試析概念轉(zhuǎn)喻在小說敘事和理解中的作用[A];第四屆全國認(rèn)知語言學(xué)研討會論文摘要匯編[C];2006年

9 李明彥;;周文小說創(chuàng)作的意識維度[A];周文研究論文集[C];2007年

10 王星虎;;貴州小說敘事的民族民間文化表達(dá)[A];多彩貴州文化及文學(xué)傳承創(chuàng)新研究——2012年貴州省社會科學(xué)學(xué)術(shù)年會第二分會場暨貴州省中國現(xiàn)當(dāng)代文學(xué)學(xué)會2012年學(xué)術(shù)年會論文集[C];2012年

相關(guān)重要報(bào)紙文章 前10條

1 吳子林;消費(fèi)時代的小說創(chuàng)作[N];中國社會科學(xué)院院報(bào);2005年

2 世文;《英美小說敘事理論研究》出版[N];文藝報(bào);2006年

3 張慶國;異軍突起的臨滄小說[N];云南日報(bào);2010年

4 曹蕙;小說的細(xì)節(jié)之美[N];文藝報(bào);2012年

5 作家 墨白　青年評論家 孫青瑜;小說敘事與閱讀的差異性[N];文學(xué)報(bào);2013年

6 本報(bào)記者 金濤;小說敘事，，別丟了“根性”[N];中國藝術(shù)報(bào);2013年

7 傅逸塵;小說的生活質(zhì)感與存在焦慮[N];文藝報(bào);2013年

8 見習(xí)記者 王思齊;袁筱一：小說負(fù)責(zé)質(zhì)疑[N];第一財(cái)經(jīng)日報(bào);2014年

9 楊揚(yáng);“教授小說”與城市生活[N];中華讀書報(bào);2014年

10 ;梅卓小說集《麝香之愛》研討會發(fā)言摘要[N];青海日報(bào);2008年

相關(guān)博士學(xué)位論文 前10條

1 王金勝;“新時期”小說的自我認(rèn)同[D];山東師范大學(xué);2006年

2 陳一軍;農(nóng)民工小說敘事研究[D];蘭州大學(xué);2012年

3 易華;小說敘事動力研究[D];揚(yáng)州大學(xué);2014年

4 崔穎;論十七年小說中的革命理想主義[D];山東大學(xué);2008年

5 金月淑;韓國新小說敘事模式研究[D];延邊大學(xué);2013年

6 尹瑩;小說中的重慶[D];華中師范大學(xué);2009年

7 凌瑤;新時期以來媒介演進(jìn)下的中國軍旅小說敘事研究[D];東北師范大學(xué);2015年

8 帶兄;當(dāng)代蒙古族漢語小說創(chuàng)作研究[D];內(nèi)蒙古大學(xué);2011年

9 張軍府;現(xiàn)代中國知識分子題材小說敘事倫理研究[D];山東師范大學(xué);2011年

10 劉可可;知青小說敘事的演變及其背后[D];吉林大學(xué);2006年

相關(guān)碩士學(xué)位論文 前10條

1 戴璇暉;論張翎小說的家庭倫理敘N奫D];東北師范大學(xué);2015年

2 陸鄒;巴金小說的季節(jié)敘事及文化內(nèi)涵[D];西南大學(xué);2015年

3 潘楹;高中小說教學(xué)的誤區(qū)和出路[D];華中師范大學(xué);2015年

4 孫錦媛;基于高考的高中語文小說閱讀教、學(xué)存在問題及解決方法[D];蘇州大學(xué);2015年

5 胡力尹;互文性與愉悅體驗(yàn)：知情閱聽人對小說改編劇的閱聽經(jīng)驗(yàn)及其影響因素[D];浙江大學(xué);2015年

6 萬鵬;殘雪小說中的“暗夜”書寫[D];浙江師范大學(xué);2015年

7 宋國兵;“90后”小說文本研究[D];溫州大學(xué);2015年

8 盧婷;《密室中的旅行》的元小說策略及其主題意義解讀[D];廣東外語外貿(mào)大學(xué);2015年

9 屈蘭;論張翎小說的女性敘事[D];南昌大學(xué);2015年

10 鮑磊;論《追風(fēng)箏的人》的敘事策略[D];上海交通大學(xué);2013年

本文編號：1915472