發(fā)布時間：2018-05-24 09:27

  本文選題：話本小說 + 男性氣質��； 參考：《青海社會科學》2017年03期

【摘要】：文、武是中國古代男性氣質的核心,是男性氣質的重要體現(xiàn)。宋明話本小說中的男性氣質書寫呈現(xiàn)出了明顯的偏重性、階段性,實為一個持續(xù)構建的動態(tài)過程,與不同階段的文化形態(tài)有著千絲萬縷的因果關聯(lián);而女性氣質書寫乃至女性形象塑造則更進一步地受制于男性意愿,在相當程度上實為基于某種男性需求而對當時的男性氣質、男性形象所做的有益補充,是為男性意愿下的進一步"被書寫"。受制于文化形態(tài)的男性氣質書寫、男性形象塑造與進一步受制于男性需求的女性氣質書寫、女性形象塑造彼此搭配進而構成了這一時期文本表現(xiàn)中具有代表性的兩性關系模式,并在兩性關系的構建上體現(xiàn)出了這一時期的文化選擇與男性意愿。
[Abstract]:Wen, Wu is the core of Chinese ancient masculinity and an important embodiment of masculinity. The masculinity writing in Song Ming's novels shows an obvious emphasis on the stage, which is a dynamic process of continuous construction, and has a inextricable causal relationship with the cultural forms of different stages. On the other hand, the writing of female temperament and even the shaping of female image are further restricted by the male will, and to a certain extent, it is a beneficial supplement to the masculine temperament and male image at that time based on certain male needs. Is for the male will to further "be written". Constrained by the cultural form of male temperament writing, male image shaping and further constrained by male needs of female temperament writing, female image shaping each other collocation, thus constituting a representative gender relations in the text of this period. And in the construction of gender relations, this period reflects the cultural choice and male will.
【作者單位】： 陜西師范大學文學院;中國礦業(yè)大學銀川學院中文系;
【分類號】：I207.41
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本文編號：1928539