發(fā)布時間：2018-05-26 02:06

  本文選題：第九屆茅盾文學獎 + “中國精神”　； 參考：《曲阜師范大學》2017年碩士論文

【摘要】：“中國精神”是習近平總書記提出的新理論命題,是特定歷史時代條件下文藝發(fā)展的碩果,是馬克思主義文藝思想中國化的產物。習近平總書記在《在文藝工作座談會上的講話》中系統(tǒng)地闡述了文藝與“中國夢”、文藝與時代、文藝與人民、文藝與“中國精神”及黨對文藝領導五個大方面的關系,指出了當前文藝工作的問題,并為新形勢下文藝工作發(fā)展方向做了進一步說明。同時,《講話》又對“中國精神是社會主義文藝的靈魂”這一核心觀點進行了細致地闡發(fā)。第九屆茅盾文學獎評獎在《講話》之后,其勢必貫穿著“中國精神”的思想特質。論文包括緒論和結語共有五個部分。第一部分論述了第九屆茅盾文學獎的指導思想。從“中國精神”的提出及其內涵的剖析中可以看出,“中國精神”是時代和歷史相融合的產物,其對民族精神深沉眷戀、對時代精神無畏彰顯以及真善美統(tǒng)一的內涵無疑構成了第九屆茅獎的評獎基礎。第二部分著重分析第九屆茅盾文學獎條例所呈現(xiàn)的“中國精神”,這是“中國精神”審美內涵的具體體現(xiàn)。通過對文藝創(chuàng)作中堅持“以人民為中心”的歷史淵源,以及文藝與人民辯證關系的論述,論證“中國精神”的核心即是“以人民為中心”的創(chuàng)作導向。而第九屆茅獎是在“中國精神”提出之后而頒發(fā)的國家性文藝獎項,其評獎條例、標準都蘊含著“中國精神”的深刻內涵。第三部分則重點闡釋了獲獎作品的創(chuàng)新精神。這一部分從習近平總書記所強調的“歷史的、人民的、藝術的、美學的”文藝批評觀入手,詳細論述文藝批評的新觀點,以及對獲獎作品所體現(xiàn)的美學內涵進行評析,進而體現(xiàn)文藝書寫“中國精神”的美學品質。本文的創(chuàng)新之處在于,從新的歷史和時代背景下,通過對第九屆茅盾文學評獎條例、標準以及作品的分析和論述,從而體現(xiàn)出“中國精神”的進步性和創(chuàng)新性。“中國精神”作為獨立的概念,是習近平總書記的首創(chuàng),他提出“中國精神是社會主義的靈魂”這一新的歷史命題。在總結歷代領導人文藝思想的基礎上,習近平總書記提出“中國精神”這一飽含著當代中國與傳統(tǒng)中國相結合的主題觀念,為馬克思主義文藝理論在中國的發(fā)展注入新的活力,對引領中國當代文藝理論的新發(fā)展具有極大的理論意義。
[Abstract]:"Chinese Spirit" is a new theoretical proposition put forward by General Secretary Xi Jinping. It is the result of the development of literature and art under certain historical conditions and the product of the Sinicization of Marxist literary and artistic thoughts. In his speech at the Symposium on Literary and Art work, General Secretary Xi Jinping systematically expounded the relations between literature and art and "Chinese Dream", literature and art and the times, literature and art and the people, and between literature and art and the "Chinese spirit" and the Party's leadership in literature and art. This paper points out the problems of the current literature and art work, and further explains the development direction of the literature and art work under the new situation. At the same time, the "Chinese spirit is the soul of socialist literature and art" is explained in detail. After "speech", the ninth Mao Dun Literature Award is bound to run through the ideological characteristics of "Chinese Spirit". The thesis includes five parts: introduction and conclusion. The first part discusses the guiding ideology of the ninth Mao Dun Prize for Literature. From the analysis of the "Chinese spirit" and its connotation, we can see that the "Chinese spirit" is the product of the fusion of the times and the history, and it is deeply attached to the national spirit. The intrepid manifestation of the spirit of the times and the unity of truth, goodness and beauty undoubtedly formed the foundation of the 9th Mao Prize. The second part focuses on the analysis of the "Chinese spirit" presented by the 9th Mao Dun Literature Award, which is the concrete embodiment of the aesthetic connotation of the "Chinese Spirit". By discussing the historical origin of "people as the center" in literary and artistic creation and the dialectical relationship between literature and art and the people, it is demonstrated that the core of "Chinese spirit" is the creative orientation of "people as the center". The 9th Mao Prize is a national literature and art award issued after the "Chinese Spirit" was put forward, and its regulations and standards contain the profound connotation of the "Chinese Spirit". The third part focuses on the innovative spirit of the winning works. This part begins with the view of literary criticism of history, people, art and aesthetics emphasized by General Secretary Xi Jinping, and discusses in detail the new viewpoints of literary criticism, as well as the aesthetic connotation embodied in the award-winning works. And then embody the aesthetic quality of the Chinese spirit in literary and artistic writing. The innovation of this paper is that under the new historical and historical background, through the analysis and discussion of the ninth Mao Dun's literary award regulations, standards and works, this paper embodies the progressive and innovative nature of the Chinese spirit. As an independent concept, "Chinese Spirit" is the first one of General Secretary Xi Jinping. He put forward the new historical proposition that "Chinese spirit is the soul of socialism". On the basis of summing up the literary and artistic thoughts of past leaders, General Secretary Xi Jinping put forward the theme concept of "Chinese Spirit", which is full of the combination of contemporary China and traditional China, and infuses new vitality into the development of Marxist literary theory in China. It is of great theoretical significance to guide the new development of contemporary Chinese literary theory.
【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.7

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