文天祥詩歌用韻研究
發(fā)布時間：2019-02-28 15:05
【摘要】：文天祥,南宋末期吉州廬陵人。本文以點校和輯佚本的《文天祥全集》作為主要依據(jù),詳盡考察其中收錄的962首詩歌作品。通過分析,確定每首詩的韻腳字及其音韻地位,概括文天祥詩歌用韻的韻例,并以《廣韻》音系為參照進行歷時比較,以期概括出文天祥詩歌用韻的特點和詩歌中體現(xiàn)的南宋末期吉安地區(qū)時代語音特點。全文包括四個章節(jié)。第一章簡要介紹詩人生平履歷,概括詩人作品極具個人特色的詩體形式,甄別語料版本,確定特殊韻腳字,歸納韻例格式以及關(guān)于詩律相關(guān)問題的說明。第二章全面統(tǒng)計文天祥詩歌的韻系,依據(jù)文天祥詩歌用韻的具體情況,將其分為六組,以韻腳字為原點,以數(shù)據(jù)為支撐,按照近體詩和古體詩的不同,逐一分析,根據(jù)數(shù)據(jù)比例,推斷各韻部同用、獨用實際情形。第三章著重分析文天祥詩歌的特殊用韻現(xiàn)象,從陰聲韻、陽聲韻、入聲韻、上去通押和濁上變?nèi)ニ姆矫嬷鹨徽撌?聯(lián)系唐宋時期通語演變的實際情況,反觀現(xiàn)代吉安方言的實際語音特點,分析文天祥詩歌用韻的特點和出現(xiàn)該特點的原因。第四部分詳列韻譜,依攝按韻分條輯錄,系聯(lián)文天祥詩歌的全部韻腳字。在文天祥的詩歌用韻中,具體有以下突出的語音特征:1、陰聲韻:流攝非唇音字與遇攝通押,流攝和效攝通押,止攝和遇攝通押,反映出贛方言的語音特征;齊祭韻己經(jīng)完全從蟹攝分離出來,率先向止攝轉(zhuǎn)化;“涯”字分別歸入支、佳、麻三個韻,符合當時通語的實際語音。2、陽聲韻:江攝和宕攝合流;[m]韻尾逐漸向[n]韻尾轉(zhuǎn)變;曾攝和梗攝合流,曾梗攝和臻攝混押;曾梗攝和江宕攝混押,體現(xiàn)江西方言的語音現(xiàn)象。3、入聲韻尾逐漸脫落,[p][t][k]尾的入聲韻混押,但同時又呈現(xiàn)著某種規(guī)律性。4、上聲韻和去聲韻相押;全濁上聲部分變?yōu)槿ヂ?部分保持不變,濁上變?nèi)ヌ幱谧兓?并沒有完成最后的演變。
[Abstract]:Wen Tianxiang, Jizhou Luling people at the end of the Southern Song Dynasty. On the basis of the full works of Wen Tianxiang, this paper makes a detailed investigation of 962 poems included in the anthology. Through the analysis, the author determines the rhyme character of each poem and its phonological status, generalizes the rhyme example of Wen Tianxiang's poetry, and makes a diachronic comparison with the phonological system of "Guangyun". In order to summarize the characteristics of Wen Tianxiang poetry rhyme and poetry reflected in the end of the Southern Song Dynasty Ji'an era phonetics characteristics. The full text consists of four chapters. The first chapter briefly introduces the poet's life history, summarizes the poetic style of the poet's works with individual characteristics, discriminates the corpus edition, determines the special rhyming footer, sums up the rhyme form and explains the problems related to the poetic law. The second chapter comprehensively statistics the rhyme system of Wen Tianxiang's poetry, according to the specific situation of Wen Tianxiang's poetry, divides it into six groups, taking rhyme foot character as the origin, taking the data as the support, according to the difference between the modern style poem and the ancient style poem, analyzes one by one. According to the proportion of data, we infer that each rhyme is used in the same way, but only in the actual situation. The third chapter focuses on analyzing the special rhyme phenomenon of Wen Tianxiang's poems, from four aspects: Yin rhyme, Yang rhyme, entry rhyme, up-to-down and turbid change, one by one, in connection with the actual situation of the evolution of common language in Tang and Song dynasties. In contrast to the actual phonological characteristics of the modern Ji'an dialect, this paper analyzes the rhyming features of Wen Tianxiang's poems and the reasons for their emergence. The fourth part of the detailed rhyme spectrum, according to the rhyme according to the collection, linked to Wen Tianxiang poetry all rhyme foot characters. In Wen Tianxiang's poetic rhyme, there are the following prominent phonological features: 1) Yin rhyme: flow of non-lip characters and encounter, flow and effect, stop and encounter, reflecting the phonetics characteristics of Gan dialect; 1) Yin rhyme: the phonetics of Gan dialect are reflected in the phonetics of Gan dialect; Qiyi rhyme has been completely separated from the crab, taking the lead in the transformation to stop; "Ya" is classified into three rhymes: branch, Jia, Ma, in line with the actual phonetics of the common language at that time. 2, Yang rhyme: Jianggu and Dagu confluence; [M] the rhyme tail gradually changes to the [n] ending, the Zeng picture and the infarction flow, the past picture and the mixed motion; (2) the end of the rhyme is gradually changed to the [n] end; The mixture of Zeng Qiu and Jiang Dang reflects the phonological phenomenon of Jiangxi dialect. 3, the ending of the entrance rhyme gradually falls off and the [p] [t] [k] end of the entrance rhyme mixes, but at the same time shows some regularity. 4, the upper rhyme and the dephonic rhyme are joined together; The whole turbid part of the sound becomes desorbed, the part remains unchanged, the turbid change is in the process of change, and the final evolution has not been completed.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22
本文編號：2431909
[Abstract]:Wen Tianxiang, Jizhou Luling people at the end of the Southern Song Dynasty. On the basis of the full works of Wen Tianxiang, this paper makes a detailed investigation of 962 poems included in the anthology. Through the analysis, the author determines the rhyme character of each poem and its phonological status, generalizes the rhyme example of Wen Tianxiang's poetry, and makes a diachronic comparison with the phonological system of "Guangyun". In order to summarize the characteristics of Wen Tianxiang poetry rhyme and poetry reflected in the end of the Southern Song Dynasty Ji'an era phonetics characteristics. The full text consists of four chapters. The first chapter briefly introduces the poet's life history, summarizes the poetic style of the poet's works with individual characteristics, discriminates the corpus edition, determines the special rhyming footer, sums up the rhyme form and explains the problems related to the poetic law. The second chapter comprehensively statistics the rhyme system of Wen Tianxiang's poetry, according to the specific situation of Wen Tianxiang's poetry, divides it into six groups, taking rhyme foot character as the origin, taking the data as the support, according to the difference between the modern style poem and the ancient style poem, analyzes one by one. According to the proportion of data, we infer that each rhyme is used in the same way, but only in the actual situation. The third chapter focuses on analyzing the special rhyme phenomenon of Wen Tianxiang's poems, from four aspects: Yin rhyme, Yang rhyme, entry rhyme, up-to-down and turbid change, one by one, in connection with the actual situation of the evolution of common language in Tang and Song dynasties. In contrast to the actual phonological characteristics of the modern Ji'an dialect, this paper analyzes the rhyming features of Wen Tianxiang's poems and the reasons for their emergence. The fourth part of the detailed rhyme spectrum, according to the rhyme according to the collection, linked to Wen Tianxiang poetry all rhyme foot characters. In Wen Tianxiang's poetic rhyme, there are the following prominent phonological features: 1) Yin rhyme: flow of non-lip characters and encounter, flow and effect, stop and encounter, reflecting the phonetics characteristics of Gan dialect; 1) Yin rhyme: the phonetics of Gan dialect are reflected in the phonetics of Gan dialect; Qiyi rhyme has been completely separated from the crab, taking the lead in the transformation to stop; "Ya" is classified into three rhymes: branch, Jia, Ma, in line with the actual phonetics of the common language at that time. 2, Yang rhyme: Jianggu and Dagu confluence; [M] the rhyme tail gradually changes to the [n] ending, the Zeng picture and the infarction flow, the past picture and the mixed motion; (2) the end of the rhyme is gradually changed to the [n] end; The mixture of Zeng Qiu and Jiang Dang reflects the phonological phenomenon of Jiangxi dialect. 3, the ending of the entrance rhyme gradually falls off and the [p] [t] [k] end of the entrance rhyme mixes, but at the same time shows some regularity. 4, the upper rhyme and the dephonic rhyme are joined together; The whole turbid part of the sound becomes desorbed, the part remains unchanged, the turbid change is in the process of change, and the final evolution has not been completed.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22
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