論王任叔二、三十年代鄉(xiāng)土小說(shuō)的轉(zhuǎn)變
發(fā)布時(shí)間：2019-04-02 03:53
【摘要】：在中國(guó)現(xiàn)當(dāng)代文學(xué)史上,王任叔無(wú)疑是一個(gè)全能型的作家,從詩(shī)歌、小說(shuō)到雜文、文學(xué)理論再到歷史研究、翻譯出版等,無(wú)一不涉獵并取得豐碩成果。然而與其豐碩成果形成鮮明對(duì)照的是,對(duì)王任叔的研究卻始終沒(méi)有得到全面而深入地展開(kāi)。在有關(guān)王任叔研究的眾多領(lǐng)域中,雖然有關(guān)王任叔鄉(xiāng)土小說(shuō)的研究目前已有很多成果,但對(duì)其鄉(xiāng)土小說(shuō)的轉(zhuǎn)變研究缺乏應(yīng)有的關(guān)注。因此,本論文試圖以王任叔建國(guó)前的鄉(xiāng)土小說(shuō)轉(zhuǎn)變?yōu)榍腥朦c(diǎn),重點(diǎn)探討其建國(guó)前鄉(xiāng)土小說(shuō)轉(zhuǎn)變的藝術(shù)呈現(xiàn)和意義。本論文除了引言和結(jié)語(yǔ)外,共三章：第一章主要介紹王任叔的生平和鄉(xiāng)土小說(shuō)創(chuàng)作歷程。王任叔的一生是革命的一生,更是創(chuàng)作的一生。王任叔的鄉(xiāng)土小說(shuō)創(chuàng)作開(kāi)始于二十世紀(jì)二十年代,一直持續(xù)到建國(guó)后的五、六十年代。在將近半個(gè)多世紀(jì)的鄉(xiāng)土小說(shuō)創(chuàng)作中,王任叔一直在不斷地進(jìn)行轉(zhuǎn)變與突破,力圖全面而真實(shí)地展現(xiàn)浙江奉化地區(qū)的農(nóng)村狀況。從二十年代抨擊封建制度并深深地同情掙扎在生存線上的鄉(xiāng)村下層人民,到三、四十年代探討農(nóng)村經(jīng)濟(jì)破產(chǎn)的原因以及塑造農(nóng)村地區(qū)各色人物,再到五、六十年代展現(xiàn)中國(guó)農(nóng)村和農(nóng)民風(fēng)貌,王任叔從未停止過(guò)探索的腳步。第二章深入王任叔鄉(xiāng)土小說(shuō)的文本,尋找王任叔鄉(xiāng)土小說(shuō)轉(zhuǎn)變的藝術(shù)呈現(xiàn)。從人物形象塑造方面來(lái)看,二十年代的鄉(xiāng)土小說(shuō)熱衷于塑造貧苦的中下層農(nóng)民形象,特別是赤貧者、光棍黨,而三十年代的鄉(xiāng)土小說(shuō)則是全景式塑造農(nóng)村的各色人物,從下層農(nóng)民到地主再到流寓者。在語(yǔ)言方面,二十年代的鄉(xiāng)土小說(shuō)語(yǔ)言呈現(xiàn)出明顯的詩(shī)化特征,三十年代的鄉(xiāng)土小說(shuō)則更加的偏向口語(yǔ)化。從小說(shuō)風(fēng)格來(lái)看,從二十年代到三十年代經(jīng)歷了由樸質(zhì)自然向隱喻譏諷的轉(zhuǎn)變。第三章探討王任叔鄉(xiāng)土小說(shuō)轉(zhuǎn)變的意義。從王任叔個(gè)人情感來(lái)看,鄉(xiāng)土小說(shuō)轉(zhuǎn)變表達(dá)了其對(duì)鄉(xiāng)土家園的堅(jiān)守；從地域文學(xué)的角度來(lái)看,王任叔的鄉(xiāng)土小說(shuō)轉(zhuǎn)變豐富并且推動(dòng)了浙東鄉(xiāng)土小說(shuō)的發(fā)展,是浙東鄉(xiāng)土小說(shuō)的重要組成部分；從中國(guó)現(xiàn)代鄉(xiāng)土寫(xiě)實(shí)小說(shuō)來(lái)看,王任叔的鄉(xiāng)土小說(shuō)折射了現(xiàn)代鄉(xiāng)土寫(xiě)實(shí)小說(shuō)的發(fā)展歷程。
[Abstract]:In the history of modern and contemporary Chinese literature, Wang Renshu is undoubtedly an all-round writer, from poetry, novels to essays, literary theory to historical studies, translation and publishing, and so on, all of which have been involved in and achieved fruitful results. However, in contrast to its fruitful achievements, the study of Wang Renshu has never been carried out in an all-round and in-depth manner. In many fields about Wang Renshu, although there have been many achievements in the study of Wang Renshu's vernacular novels, the research on the transformation of Wang Renshu's vernacular novels lacks due attention. Therefore, this thesis attempts to explore the artistic presentation and significance of the transformation of Wang Renshu's rural novels before the founding of the people's Republic of China by taking the transition of local novels before the founding of China as the starting point. In addition to the introduction and conclusion, this paper consists of three chapters: the first chapter mainly introduces Wang Renshu's life and the process of local novel creation. Wang Renshu's life is the life of revolution, but also the life of creation. Wang Renshu's local novel creation began in the twenties of the 20th century and lasted until the 1950s and 1960s after the founding of the people's Republic of China. In more than half a century of local novel creation Wang Renshu has been constantly changing and breaking through in an attempt to fully and truly show the rural situation of Fenghua area in Zhejiang Province. From attacking the feudal system in the 1920s and deeply sympathizing with the lower rural people struggling on the survival line, to the 1930s and 1940s to explore the causes of rural economic bankruptcy and to shape various figures in rural areas, and then to five, In the 1960s, Wang Renshu never stopped exploring the countryside and peasants in China. The second chapter goes deep into the text of Wang Renshu's vernacular novel, looking for the artistic presentation of Wang Renshu's local novel transformation. From the aspect of character image shaping, the rural novels of the twenties are keen on shaping the image of the poor middle and lower class peasants, especially the extremely poor, the singles party, and the local novels of the 1930s are all kinds of people who shape the countryside with panoramic style. From the lower peasants to the landlords to the exile. In terms of language, the vernacular novels in the twenties have obvious poetic features, while the vernacular novels in the 1930s are more colloquial. From the perspective of novel style, the period from 1920s to 1930s experienced the transition from simple nature to metaphorical irony. The third chapter discusses the significance of the transformation of Wang Renshu's vernacular novels. From the perspective of Wang Renshu's personal feelings, the transformation of local novels expresses his adherence to the homeland of the country; From the point of view of regional literature, Wang Renshu's local novels are rich in transformation and promote the development of the local novels in East Zhejiang, which is an important part of the local novels in East Zhejiang; From the perspective of modern Chinese local realistic novels, Wang Renshu's local novels reflect the development of modern local realistic novels.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42
本文編號(hào)：2452210
[Abstract]:In the history of modern and contemporary Chinese literature, Wang Renshu is undoubtedly an all-round writer, from poetry, novels to essays, literary theory to historical studies, translation and publishing, and so on, all of which have been involved in and achieved fruitful results. However, in contrast to its fruitful achievements, the study of Wang Renshu has never been carried out in an all-round and in-depth manner. In many fields about Wang Renshu, although there have been many achievements in the study of Wang Renshu's vernacular novels, the research on the transformation of Wang Renshu's vernacular novels lacks due attention. Therefore, this thesis attempts to explore the artistic presentation and significance of the transformation of Wang Renshu's rural novels before the founding of the people's Republic of China by taking the transition of local novels before the founding of China as the starting point. In addition to the introduction and conclusion, this paper consists of three chapters: the first chapter mainly introduces Wang Renshu's life and the process of local novel creation. Wang Renshu's life is the life of revolution, but also the life of creation. Wang Renshu's local novel creation began in the twenties of the 20th century and lasted until the 1950s and 1960s after the founding of the people's Republic of China. In more than half a century of local novel creation Wang Renshu has been constantly changing and breaking through in an attempt to fully and truly show the rural situation of Fenghua area in Zhejiang Province. From attacking the feudal system in the 1920s and deeply sympathizing with the lower rural people struggling on the survival line, to the 1930s and 1940s to explore the causes of rural economic bankruptcy and to shape various figures in rural areas, and then to five, In the 1960s, Wang Renshu never stopped exploring the countryside and peasants in China. The second chapter goes deep into the text of Wang Renshu's vernacular novel, looking for the artistic presentation of Wang Renshu's local novel transformation. From the aspect of character image shaping, the rural novels of the twenties are keen on shaping the image of the poor middle and lower class peasants, especially the extremely poor, the singles party, and the local novels of the 1930s are all kinds of people who shape the countryside with panoramic style. From the lower peasants to the landlords to the exile. In terms of language, the vernacular novels in the twenties have obvious poetic features, while the vernacular novels in the 1930s are more colloquial. From the perspective of novel style, the period from 1920s to 1930s experienced the transition from simple nature to metaphorical irony. The third chapter discusses the significance of the transformation of Wang Renshu's vernacular novels. From the perspective of Wang Renshu's personal feelings, the transformation of local novels expresses his adherence to the homeland of the country; From the point of view of regional literature, Wang Renshu's local novels are rich in transformation and promote the development of the local novels in East Zhejiang, which is an important part of the local novels in East Zhejiang; From the perspective of modern Chinese local realistic novels, Wang Renshu's local novels reflect the development of modern local realistic novels.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42
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