明代文人儀式劇研究
發(fā)布時間：2019-05-08 20:51
【摘要】：文人儀式劇是指文人或直接或間接地為某種儀式所創(chuàng)作的戲劇作品。一般認為,戲劇產(chǎn)生于上古的祭祀禮儀活動中。后世戲劇雖逐漸向世俗化、商業(yè)化方向發(fā)展,但與宗教祭祀、民間儀式一直保持著密切的聯(lián)系。文人的參與增強了戲劇的文學性,提高了戲劇的藝術(shù)品味,推進其一步步走向成熟。元代,一般認為是中國戲劇發(fā)展的興盛期。這一時期,雖然城市中勾欄瓦肆的商業(yè)性演出非�；钴S,但農(nóng)村的神廟演劇也同樣興盛。尚且不談民間大量的祭祀性戲劇演出,即使最著名的元代劇作家關(guān)漢卿的《單刀會》、《西蜀夢》也被部分學者認為是為迎神賽社民間祭祀儀式創(chuàng)作而成。明代是中國戲劇發(fā)展史上的一個重要時期,主要表現(xiàn)在:一方面,大量文人尤其是上層文人(包括皇家成員)參與戲劇創(chuàng)作;另一方面,戲劇與民眾生活的聯(lián)系進一步加強,家班大量出現(xiàn),廳堂演出非常普遍。大量文人儀式劇的出現(xiàn),便是這兩方面結(jié)合的集中體現(xiàn)。本文便選擇明代文人儀式劇,這一戲劇史上重要時期的重要內(nèi)容進行分析、探討。文章共分為四部分:第一部分:首先對“文人儀式劇”的概念做了界定,結(jié)合明代參與戲劇創(chuàng)作者身份的特點,指出本文所涉及的文人是社會經(jīng)濟地位比較高的上層文人。其次,綜述了文人儀式劇的研究狀況:無論是對明代文人劇、明代儀式劇還是對有關(guān)文人儀式劇內(nèi)容劇作的研究,研究雖有所涉及但不成體系、只集中于某一個點上。最后,對文人儀式劇進行溯源,探討文人儀式劇的源流。第二部分:按照表現(xiàn)儀式的不同把文人儀式劇作品分為:慶壽類、應(yīng)時節(jié)類、捷報類、宴會類、誕育類、伉儷類六類,針對每一類作品,按照界定內(nèi)涵、總結(jié)特征的思路進行了整理和評價。并對儀式性相對弱的文人儀式劇亞類型進行了界定與分析。第三部分:分析文人儀式劇的藝術(shù)特色,概括為:注重舞臺藝術(shù)、儀式性強故事性弱,曲辭、賓白典雅三方面。第四部分:著重探討明代文人儀式劇在中國戲劇史上的價值和意義。文人儀式劇是中國戲劇史上的一個獨特發(fā)展階段,是上層文人參與、主導(dǎo)戲劇和戲劇藝術(shù)走近民眾生活的結(jié)果,它既體現(xiàn)了戲劇與宗教之間的密切聯(lián)系,也體現(xiàn)了戲劇與民眾生活的密切聯(lián)系。文人儀式劇的出現(xiàn)證明戲劇與宗教、儀式的密切相關(guān),佐證了中國戲劇來源于上古祭祀,與祭祀儀式有著天然的密切的聯(lián)系�？傊�,文人儀式劇是從文人角度對儀式戲劇的關(guān)照,是文學性、儀式性的結(jié)合,這是其獨具特色的地方。
[Abstract]:Literati ritual drama refers to the dramatic works created by literati or directly or indirectly for a certain ceremony. It is generally believed that drama came into being in ancient ritual activities. Although later dramas have gradually developed in the direction of secularization and commercialization, they have been closely related to religious sacrifices and folk rituals. The participation of literati enhances the literariness of drama, improves the artistic taste of drama, and promotes its maturity step by step. The Yuan Dynasty is generally regarded as the prosperous period of the development of Chinese drama. During this period, although the commercial performances of Goulan Wasu in the city were very active, the temple plays in the countryside also flourished. Even though Guan Hanqing, the most famous playwright of Yuan Dynasty, "single knife meeting", "Xishu Dream" is considered by some scholars to be created for the folk sacrifice ceremony of welcoming God Competition Society, even the most famous Yuan Dynasty playwright Guan Hanqing's "single knife meeting" is not to be talked about a large number of folk sacrifice theatrical performances. Ming Dynasty is an important period in the history of the development of Chinese drama, which is mainly manifested in: on the one hand, a large number of literati, especially the upper literati (including royal members), participated in drama creation; On the other hand, the connection between drama and people's life has been further strengthened, a large number of family classes have appeared, and hall performances are very common. The emergence of a large number of literati ritual dramas is the concentrated embodiment of the combination of these two aspects. This paper analyzes and discusses the important content of Ming Dynasty literati ritual drama, which is an important period in the history of drama. The article is divided into four parts: the first part: first of all, the concept of "literati ritual drama" is defined, combined with the Ming Dynasty involved in the characteristics of drama creators, pointed out that the literati involved in this paper is a relatively high socio-economic status of upper-class literati. Secondly, it summarizes the research status of literati ritual drama: whether it is the Ming Dynasty literati drama, the Ming Dynasty ritual drama or the relevant literati ritual drama content drama research, although the research is involved but not systematic, only focused on a certain point. Finally, the author traces back to the origin of the literati ritual drama and probes into the origin and development of the literati ritual drama. The second part: according to the different expression ceremony, the literati ritual drama works are divided into six categories: birthday celebration, season, newspaper, banquet, birth and couple. For each kind of work, according to the definition connotation, The train of thought of summing up the characteristics is sorted out and evaluated. The subtypes of literati ritual plays with relatively weak rituals are defined and analyzed. The third part: analysis of the artistic characteristics of literati ritual drama, summarized as: pay attention to stage art, ritual strong story weak, qu ci, Binbai elegant three aspects. The fourth part focuses on the value and significance of Ming Dynasty literati ritual drama in the history of Chinese drama. Literati ritual drama is a unique stage of development in the history of Chinese drama. It is the result of the participation of the upper class literati, leading the drama and drama art to come close to the lives of the people. It embodies the close relationship between drama and religion. It also reflects the close relationship between drama and people's life. The appearance of literati ritual drama proves that drama is closely related to religion and ritual, and proves that Chinese drama originates from ancient sacrifice and has a natural close relationship with sacrifice ceremony. In a word, the literati ritual drama is the consideration of the ritual drama from the literati point of view, and it is the combination of literariness and ritual, which is its unique place.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.37
本文編號：2472211
[Abstract]:Literati ritual drama refers to the dramatic works created by literati or directly or indirectly for a certain ceremony. It is generally believed that drama came into being in ancient ritual activities. Although later dramas have gradually developed in the direction of secularization and commercialization, they have been closely related to religious sacrifices and folk rituals. The participation of literati enhances the literariness of drama, improves the artistic taste of drama, and promotes its maturity step by step. The Yuan Dynasty is generally regarded as the prosperous period of the development of Chinese drama. During this period, although the commercial performances of Goulan Wasu in the city were very active, the temple plays in the countryside also flourished. Even though Guan Hanqing, the most famous playwright of Yuan Dynasty, "single knife meeting", "Xishu Dream" is considered by some scholars to be created for the folk sacrifice ceremony of welcoming God Competition Society, even the most famous Yuan Dynasty playwright Guan Hanqing's "single knife meeting" is not to be talked about a large number of folk sacrifice theatrical performances. Ming Dynasty is an important period in the history of the development of Chinese drama, which is mainly manifested in: on the one hand, a large number of literati, especially the upper literati (including royal members), participated in drama creation; On the other hand, the connection between drama and people's life has been further strengthened, a large number of family classes have appeared, and hall performances are very common. The emergence of a large number of literati ritual dramas is the concentrated embodiment of the combination of these two aspects. This paper analyzes and discusses the important content of Ming Dynasty literati ritual drama, which is an important period in the history of drama. The article is divided into four parts: the first part: first of all, the concept of "literati ritual drama" is defined, combined with the Ming Dynasty involved in the characteristics of drama creators, pointed out that the literati involved in this paper is a relatively high socio-economic status of upper-class literati. Secondly, it summarizes the research status of literati ritual drama: whether it is the Ming Dynasty literati drama, the Ming Dynasty ritual drama or the relevant literati ritual drama content drama research, although the research is involved but not systematic, only focused on a certain point. Finally, the author traces back to the origin of the literati ritual drama and probes into the origin and development of the literati ritual drama. The second part: according to the different expression ceremony, the literati ritual drama works are divided into six categories: birthday celebration, season, newspaper, banquet, birth and couple. For each kind of work, according to the definition connotation, The train of thought of summing up the characteristics is sorted out and evaluated. The subtypes of literati ritual plays with relatively weak rituals are defined and analyzed. The third part: analysis of the artistic characteristics of literati ritual drama, summarized as: pay attention to stage art, ritual strong story weak, qu ci, Binbai elegant three aspects. The fourth part focuses on the value and significance of Ming Dynasty literati ritual drama in the history of Chinese drama. Literati ritual drama is a unique stage of development in the history of Chinese drama. It is the result of the participation of the upper class literati, leading the drama and drama art to come close to the lives of the people. It embodies the close relationship between drama and religion. It also reflects the close relationship between drama and people's life. The appearance of literati ritual drama proves that drama is closely related to religion and ritual, and proves that Chinese drama originates from ancient sacrifice and has a natural close relationship with sacrifice ceremony. In a word, the literati ritual drama is the consideration of the ritual drama from the literati point of view, and it is the combination of literariness and ritual, which is its unique place.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.37
【參考文獻】
相關(guān)期刊論文 前9條
1 張勇風;梁菁菁;;正統(tǒng)意識與民間信仰對《單刀會》創(chuàng)作的雙重滲透[J];戲劇藝術(shù);2016年04期
2 黃勝江;;中國古代“文人劇作”概念辨析[J];戲劇文學;2014年01期
3 柏岳;;中國民間儀式與儀式劇[J];民間文化論壇;2013年02期
4 李春青;;“文人”身份的歷史生成及其對文論觀念之影響[J];文學評論;2012年03期
5 徐子方;文人劇和南雜劇——明代雜劇藝術(shù)論系列之一[J];東南大學學報(哲學社會科學版);2003年01期
6 俞為民;論明代戲曲的文人化特征(上)[J];東南大學學報(哲學社會科學版);2002年01期
7 徐子方;明代文人劇及其表現(xiàn)特色[J];南京師大學報(社會科學版);2000年01期
8 徐子方;明代文人劇在戲劇和文學史上的地位[J];藝術(shù)百家;1998年01期
9 周安華;;論中國戲劇之起源——中國戲劇起源研討會紀實[J];戲劇藝術(shù);1988年04期
相關(guān)博士學位論文 前1條
1 朱仰東;朱有q裳芯縖D];山東師范大學;2013年
相關(guān)碩士學位論文 前1條
1 朱思靜;《樂府紅珊》劇目的分類編選現(xiàn)象研究[D];集美大學;2013年
，本文編號：2472211
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/hanyuyanwenxuelunwen/2472211.html
