發(fā)布時(shí)間：2018-06-16 06:40

  本文選題：清末 + 民初��； 參考：《安徽工程大學(xué)》2011年碩士論文

【摘要】：本文主要是對(duì)清末民初時(shí)期的婦女服裝的裝飾工藝進(jìn)行分析研究,對(duì)這一時(shí)期女裝裝飾工藝各要素進(jìn)行分類分析研究,研究的實(shí)物對(duì)象主要是清末民初時(shí)期大多數(shù)婦女日常服裝的裝飾工藝。 本論文所用的實(shí)物研究資料主要來自江南大學(xué)服裝傳習(xí)館、杭州中國(guó)絲綢博物館和東華大學(xué)中國(guó)紡織服飾博物館收集的清末民初時(shí)期女裝實(shí)物。從實(shí)物上能清楚的看到裝飾工藝的細(xì)節(jié)特征。其他補(bǔ)充參考資料有月份牌上圖片和文字解說等。 從服裝裝飾工藝不同要素入手,將女裝裝飾工藝詳細(xì)分為工藝材料要素、顏色搭配要素、圖案要素、外觀結(jié)構(gòu)要素、工藝技法和對(duì)現(xiàn)代服裝裝飾設(shè)計(jì)的啟發(fā)運(yùn)用等六個(gè)方面。運(yùn)用基本的服裝裝飾工藝原理對(duì)清末民初時(shí)期女裝裝飾工藝進(jìn)行綜合性分析,理論和圖片相結(jié)合分類分析清末民初時(shí)期女裝裝飾工藝技法。 清末民初時(shí)期女裝裝飾工藝技法精湛細(xì)膩,其中主要運(yùn)用的是鑲、滾、拼貼等傳統(tǒng)手工藝,在本論文實(shí)物研究資料中,最常見的是鑲、滾、拼貼之間的反復(fù)綜合的運(yùn)用在同一件服裝的領(lǐng)圈、領(lǐng)片、門禁、袖口、底擺等部位裝飾。 現(xiàn)代服裝裝飾設(shè)計(jì)和結(jié)構(gòu)裝飾設(shè)計(jì)受到清末民初時(shí)期女裝裝飾工藝的啟發(fā)比較明顯,結(jié)合現(xiàn)代服裝裝飾設(shè)計(jì)的觀念和流行趨勢(shì),把傳統(tǒng)工藝的鑲、滾、嵌、蕩等工藝技法發(fā)揚(yáng)光大的運(yùn)用在現(xiàn)代服裝的裝飾設(shè)計(jì)中,而且把清末民初時(shí)期純粹性的裝飾工藝與現(xiàn)代服裝的結(jié)構(gòu)性裝飾設(shè)計(jì)靈活的結(jié)合起來。
[Abstract]:This paper mainly analyzes and studies the decorative technology of women's clothing in the late Qing Dynasty and the early Republic of China. The object of this study is the decorative technology of most women's daily clothing in the late Qing Dynasty and early Republic of China. The materials used in this paper are mainly collected from Jiangnan University Garment Museum Hangzhou China Silk Museum and Donghua University China Textile and Apparel Museum in the late Qing Dynasty and early Republic of China. The detailed features of the decorative process can be clearly seen from the object. Other supplementary references include pictures and text explanations on the monthly sign. Starting with the different factors of clothing decoration technology, this paper divides the women's dress decoration technology into six aspects in detail: material element, collocation factor, pattern element, appearance structure element, craft technique and enlightening application to modern dress decoration design. This paper makes a comprehensive analysis of the women's dress decoration technology in the late Qing Dynasty and the early Republic of China by using the basic clothing decoration technology principle, and combines the theory with the picture classification to analyze the women's dress decoration technology technique in the late Qing Dynasty and the early Republic of China period. In the period of late Qing Dynasty and early Republic of China, the techniques of women's dress decoration were exquisite and exquisite, in which the traditional handicrafts such as veneering, rolling, collage and so on were mainly used. In this paper, the most common materials in this paper are veneering, rolling, and so on. Collage between repeated and comprehensive use in the same garment collar, entrance guard, cuff, bottom pendulum and other parts decoration. The modern dress decoration design and the structure decoration design are inspired by the women's dress decoration technology in the late Qing Dynasty and the early Republic of China. Combined with the concept and the popular trend of the modern clothing decoration design, the traditional technology is embedded, rolled and embedded. Dang and other technical techniques are widely used in the decoration design of modern clothing, and the pure decorative process of the late Qing Dynasty and the beginning of the Republic of China is combined flexibly with the structural decoration design of modern clothing.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：TS941.2

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本文編號(hào)：2025754