發(fā)布時(shí)間：2018-06-16 10:36

  本文選題：中國古典元素 + 應(yīng)用��； 參考：《青島理工大學(xué)》2012年碩士論文

【摘要】：伴隨著科學(xué)技術(shù)以及社會經(jīng)濟(jì)的不斷發(fā)展，在國際化交流日益完善的今天，中國在世界上與各國文化上的交流也在逐步地加深、加強(qiáng)，同時(shí)現(xiàn)代室內(nèi)設(shè)計(jì)也面臨著新的挑戰(zhàn)和機(jī)遇。要在滿足人們生活需要的同時(shí)，還要滿足人們心理的需求�，F(xiàn)在在我們國內(nèi)的設(shè)計(jì)界，設(shè)計(jì)師們正以學(xué)習(xí)的態(tài)度不斷吸收著各國不同的文化。在這種情況下國內(nèi)的設(shè)計(jì)師們在不斷地向國際化趨勢和現(xiàn)代的簡約風(fēng)格方面靠攏，一直做的工作就是在同質(zhì)化的領(lǐng)域做設(shè)計(jì)，在國際文化回歸本土化的大形勢之下，室內(nèi)設(shè)計(jì)作為一種設(shè)計(jì)藝術(shù)也一定會迎合這種大的國際化形式。在這種情形的背景之下，讓藝術(shù)設(shè)計(jì)體現(xiàn)出中國特色文化和五千年的傳承底蘊(yùn)，將中國文化的特點(diǎn)與現(xiàn)代的簡約風(fēng)格更好的結(jié)合有著非同一般的涵義。同時(shí)，也是我們中國現(xiàn)如今所有設(shè)計(jì)師們需要共同承擔(dān)的責(zé)任。在當(dāng)代社會，對傳統(tǒng)文化研究的具體運(yùn)用，不僅僅是要復(fù)古，更是需要在我們繼承之前優(yōu)秀傳統(tǒng)的前提之下，再與現(xiàn)代化相結(jié)合不斷地進(jìn)行創(chuàng)新，從而做到內(nèi)容的更加飽滿和更廣闊的發(fā)展。本文所討論的就是如何利用富有現(xiàn)代化的表現(xiàn)手法和方式，與中國傳統(tǒng)的表現(xiàn)特色在室內(nèi)設(shè)計(jì)表現(xiàn)與內(nèi)容上相結(jié)合的問題。 這篇文章，主要是列舉了傳統(tǒng)的中國特色文化和現(xiàn)代的中國特色文化風(fēng)格在作品表現(xiàn)形式、特點(diǎn)以及傳承和發(fā)展上的差異，進(jìn)行研究和分析學(xué)習(xí)。對古今中外不同的空間設(shè)計(jì)進(jìn)行對比，同時(shí)參考一些描繪中國古典藝術(shù)創(chuàng)作手法的著作，擺正態(tài)度，用現(xiàn)代低碳環(huán)保等可持續(xù)發(fā)展的眼光來看待中國古典裝飾的內(nèi)涵以及發(fā)展變化，總結(jié)出了由具象到抽象的中國特色裝飾風(fēng)格的發(fā)展過程，同時(shí)還有裝飾風(fēng)格與實(shí)用性相互轉(zhuǎn)變的規(guī)則、規(guī)律。在文中結(jié)尾時(shí)總結(jié)當(dāng)代的空間設(shè)計(jì)之中融合中國特色文化風(fēng)格是對我們中華五千年文明的繼承和發(fā)展，由此可以看出這一點(diǎn)也是目前我們令中國特色文化面向世界的有效途徑之一。 這篇文章主要研究如何在裝飾領(lǐng)域融入中國的特色文化風(fēng)格，目的在于在現(xiàn)代的空間設(shè)計(jì)之中揉入具有鮮明地中國特色文化風(fēng)格，由此將整個(gè)空間設(shè)計(jì)的文化底蘊(yùn)拔高，進(jìn)而在這一方面刮起席卷全球的中國風(fēng)，以空間設(shè)計(jì)為具體手段，，向世界展示中國。 總之，在當(dāng)前的大環(huán)境下，傳統(tǒng)的空間設(shè)計(jì)是為了滿足當(dāng)代人們的生活需要為前提，那么無論是意在視覺效果還是整體的空間所表達(dá)的內(nèi)涵上，或者是兩者相結(jié)合，都是我們現(xiàn)在應(yīng)當(dāng)不斷摸索與嘗試的。
[Abstract]:With the continuous development of science and technology and social economy, with the development of international exchanges, the cultural exchanges between China and other countries in the world are gradually deepened and strengthened. At the same time, modern interior design also faces new challenges and opportunities. In order to meet the needs of people's lives, but also to meet the psychological needs of people. Now in our domestic design community, designers are learning to absorb different cultures. Under such circumstances, domestic designers are constantly moving closer to the trend of internationalization and the modern minimalist style. They have been doing their work in the field of homogenization and in the general situation of returning international culture to localization. Interior design as a design art will certainly cater to this large international form. Under the background of this kind of situation, let the art design embody the Chinese characteristic culture and the five thousand years inheritance inside information, combine the Chinese culture characteristic with the modern simple style better has the unusual meaning. At the same time, it is also the responsibility of all designers in China today. In contemporary society, the concrete application of traditional culture research is not only to restore the ancient times, but also to innovate continuously with the modernization under the premise of inheriting the excellent tradition before we inherit. In order to achieve a fuller content and broader development. This paper discusses how to combine the interior design performance and the content with the traditional performance characteristics of China by using the modern expression techniques and methods. This article mainly enumerates the traditional Chinese characteristic culture and the modern Chinese characteristic culture style in the work manifestation, the characteristic as well as the inheritance and the development difference, carries on the research and the analysis study. By comparing different space designs between ancient and modern countries and at the same time referring to some works that depict Chinese classical artistic creation techniques, we can straighten out our attitude. With the view of sustainable development, such as modern low-carbon environmental protection, the connotation and development of Chinese classical decoration are viewed, and the development process of decoration style with Chinese characteristics from concrete to abstract is summarized. At the same time, there are decorative style and practical mutual change of the rules, laws. At the end of the article, we conclude that the integration of cultural styles with Chinese characteristics in contemporary space design is the inheritance and development of our Chinese civilization of five thousand years. From this we can see that this is also one of the effective ways for us to make Chinese characteristic culture face the world. This article mainly studies how to integrate the Chinese characteristic culture style into the decoration field, the purpose is to knead the distinctive Chinese characteristic cultural style in the modern space design, thus elevates the whole space design culture inside information. In this respect, the Chinese wind sweeping the world, space design as a specific means to show China to the world. In short, in the current environment, the traditional space design is to meet the needs of contemporary people as the premise, so whether it is intended to visual effects or the overall space expressed in the connotation, or the combination of the two, Are now we should continue to explore and try.
【學(xué)位授予單位】：青島理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：TU238.2

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本文編號：2026370