發(fā)布時(shí)間：2018-06-16 12:15

  本文選題：新中式 + 室內(nèi)裝飾��； 參考：《西北大學(xué)》2013年碩士論文

【摘要】：新中式風(fēng)格是室內(nèi)裝飾的一種類型,這種類型由中國(guó)傳統(tǒng)中式風(fēng)格和西方簡(jiǎn)約主義風(fēng)格設(shè)計(jì)的經(jīng)過(guò)長(zhǎng)期的交融磨合形成的一種具有民族特性的設(shè)計(jì)風(fēng)格。新中式風(fēng)格的產(chǎn)生是現(xiàn)代人們生活需求使然。它的理論研究也已經(jīng)少量的出現(xiàn),分別從新中式裝飾的色彩,家具,飾品,陳設(shè)等角度進(jìn)行了細(xì)致的分析研究。本文從新中式風(fēng)格產(chǎn)生與流行的文化條件入手,在精神上探討它的本質(zhì),即中式文化與當(dāng)代設(shè)計(jì)精神是如何融合統(tǒng)一。然后對(duì)基于新中式風(fēng)格精神下的對(duì)該裝飾風(fēng)格中所使用的材質(zhì),色彩和出現(xiàn)的圖案經(jīng)行細(xì)致的分析與探討總結(jié),同時(shí)會(huì)列舉一些成功的設(shè)計(jì)案例經(jīng)行理論與實(shí)踐的結(jié)合。以確保研究的系統(tǒng)性和全面性。 本文在新中式的文化精神研究中得出了“融合”、“和”這些字眼,縱觀中華民族每段的發(fā)展歷程無(wú)一不是漫長(zhǎng)“融合”的民族史,在室內(nèi)裝飾上同樣接受外來(lái)的文化與思想,融入中國(guó)人的生存理念。在這種新中式精神的基礎(chǔ)上,室內(nèi)的一切裝飾要素,色彩,材料等都是傳統(tǒng)精神符號(hào)與當(dāng)今新型材質(zhì)精神的融合,表現(xiàn)的結(jié)果就是新中式裝飾風(fēng)格。本文不但探討了新中式裝飾風(fēng)格的文化精神和表現(xiàn)內(nèi)容,同時(shí)研究總結(jié)出實(shí)現(xiàn)新中式風(fēng)格設(shè)計(jì)的途徑那就是實(shí)現(xiàn)“新”與“舊”的融合,不是機(jī)械地將中國(guó)元素堆砌,而是在設(shè)計(jì)者諳熟新中式風(fēng)格文化精神下,對(duì)民族元素提取再設(shè)計(jì)的。
[Abstract]:New Chinese style is a type of interior decoration, which is a kind of design style with national characteristics, which is designed by Chinese traditional Chinese style and Western minimalist style. The emergence of the new Chinese style is the result of the needs of modern people. Its theoretical research has also appeared a small amount, respectively from the new Chinese decoration color, furniture, jewelry, furnishings and other angles of detailed analysis and research. Starting from the cultural conditions of the emergence and popularity of new Chinese style, this paper discusses its essence in spirit, that is, how Chinese culture and contemporary design spirit merge and unify. Based on the spirit of the new Chinese style, the paper makes a detailed analysis and discussion on the materials, colors and patterns used in the decoration style, and at the same time enumerates some successful design cases combining the theory and practice. To ensure that the research is systematic and comprehensive. In this paper, we draw the words "fusion", "and" these words in the study of the new Chinese cultural spirit. Throughout the development of every section of the Chinese nation, there is a long national history of "fusion", and we also accept foreign cultures and ideas in interior decoration. Blend into the Chinese concept of survival. On the basis of this new Chinese spirit, all the decoration elements, colors and materials in the interior are the fusion of the traditional spiritual symbols and the new material spirit, the result of which is the new Chinese decoration style. This paper not only discusses the cultural spirit and content of the new Chinese style of decoration, but also concludes that the way to realize the design of the new Chinese style is to realize the fusion of "new" and "old", not to pile up Chinese elements mechanically. But in the designer familiar with the spirit of new Chinese style culture, the extraction of national elements re-design.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU238.2

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本文編號(hào)：2026621