晚清民國園林建筑裝飾風(fēng)格的變遷與特征
發(fā)布時間：2018-07-23 13:23
【摘要】：晚清民國時期是中國受西方文化影響的開始,基于蘇州私家園林的考察,分析晚清民國園林建筑的裝飾風(fēng)格。研究發(fā)現(xiàn),中西文化融會的結(jié)果使晚清民國園林建筑的材料、色調(diào)、紋樣、家具陳設(shè)和植物布置幾方面發(fā)生了重大變化,產(chǎn)生的視覺效果和藝術(shù)感染力不同于古典園林建筑裝飾,體現(xiàn)在色調(diào)輕松明亮、室內(nèi)裝飾更顯人情味和尊貴、室外裝飾愉悅可親、植物象征以西方式的理性代替東方式的感性等幾方面,鮮明的時代特色和獨特的美學(xué)效果具有很高的借鑒價值。同時可視的園林建筑反映出東西方文化融會的結(jié)果,是研究東西方文化結(jié)合的范例。
[Abstract]:The period of the late Qing Dynasty and the Republic of China was the beginning of the western culture. Based on the investigation of private gardens in Suzhou, the decorative style of the garden architecture in the late Qing Dynasty and the Republic of China was analyzed. It is found that the result of the fusion of Chinese and Western cultures has made great changes in the materials, colors, patterns, furniture furnishings and plant layout of garden architecture in the late Qing Dynasty and the Republic of China. The visual effect and artistic appeal produced are different from the classical garden architecture decoration, reflected in the light and bright tone, the interior decoration is more human and noble, the outdoor decoration is pleasant and amiable, The reason of the plant symbol in the west replaces the sensibility of the eastern way and so on. The distinctive characteristics of the times and the unique aesthetic effect have a high reference value. At the same time, the visual garden architecture reflects the result of the integration of eastern and western cultures, and is an example of the study of the combination of eastern and western cultures.
【作者單位】： 華東理工大學(xué)文化哲學(xué)研究所;中國科學(xué)技術(shù)史學(xué)會建筑史專業(yè)委員會;中國文物學(xué)會古建園林委員會;
【分類號】：TU986
[Abstract]:The period of the late Qing Dynasty and the Republic of China was the beginning of the western culture. Based on the investigation of private gardens in Suzhou, the decorative style of the garden architecture in the late Qing Dynasty and the Republic of China was analyzed. It is found that the result of the fusion of Chinese and Western cultures has made great changes in the materials, colors, patterns, furniture furnishings and plant layout of garden architecture in the late Qing Dynasty and the Republic of China. The visual effect and artistic appeal produced are different from the classical garden architecture decoration, reflected in the light and bright tone, the interior decoration is more human and noble, the outdoor decoration is pleasant and amiable, The reason of the plant symbol in the west replaces the sensibility of the eastern way and so on. The distinctive characteristics of the times and the unique aesthetic effect have a high reference value. At the same time, the visual garden architecture reflects the result of the integration of eastern and western cultures, and is an example of the study of the combination of eastern and western cultures.
【作者單位】： 華東理工大學(xué)文化哲學(xué)研究所;中國科學(xué)技術(shù)史學(xué)會建筑史專業(yè)委員會;中國文物學(xué)會古建園林委員會;
【分類號】：TU986
【共引文獻(xiàn)】
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1 韋志成;語文教改20年的科學(xué)價值[J];江漢大學(xué)學(xué)報(人文科學(xué)版);2003年05期
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