甘肅臨夏穆斯林裝飾藝術(shù)研究
發(fā)布時間：2018-07-25 20:42
【摘要】： 本文定格在甘肅臨夏穆斯林裝飾藝術(shù)研究這一點上,是為了突出臨夏這一以伊斯蘭教為主的地區(qū)在中國伊斯蘭教諸多領(lǐng)域所具有的較高聲譽(yù)和較強(qiáng)代表性。因為這里的穆斯林在宗教修養(yǎng)與世俗生活方面始終保持著較強(qiáng)的民族、宗教和文化意識;他們在伊斯蘭藝術(shù)方面如今仍保留著一些獨具特色的東西,伊斯蘭的建筑及裝飾藝術(shù)在該地區(qū)被發(fā)揮得淋漓盡致。由于受嚴(yán)格的伊斯蘭宗旨及精神的影響,臨夏穆斯林的裝飾藝術(shù)只能體現(xiàn)在建筑物、人體和一些工藝品的修飾上,具有一定的局限性和特殊性;本文在此只能從客觀實際出發(fā),主要從建筑物及人體兩個大的方面來研究臨夏穆斯林的裝飾藝術(shù),同時也把該地區(qū)比較有特色的一些裝飾形式(如磚雕、木雕、石雕、書法畫、風(fēng)景畫、手工藝品等)參插在建筑物及人體裝飾中進(jìn)行研究,因為這樣才能更加全面地了解這些獨具特色的裝飾藝術(shù)及其表現(xiàn)形式;文章將主要論及建筑物裝飾藝術(shù),其中又以清真寺、拱北等宗教建筑和民居等世俗建筑的研究為重點,因為這些建筑物是該地區(qū)具有代表性的一些藝術(shù)品,其中大量運(yùn)用了其它的一些藝術(shù)表現(xiàn)形式,是諸多藝術(shù)表現(xiàn)形式的綜合體,具有較高的研究價值;由于人體裝飾藝術(shù)在該地區(qū)的表現(xiàn)形式及所具有的文化內(nèi)涵沒有建筑物那么豐富,因而在此只能做一些比較簡單的研究,同時盡力從這些裝飾藝術(shù)形式中發(fā)掘一些更有價值的東西;并且通過這些藝術(shù)形式的研究最終總結(jié)出它們所具有的民族、宗教和文化內(nèi)涵;以便揭示出其存在及發(fā)展的原因,從而進(jìn)一步發(fā)揚(yáng)這些特色民族藝術(shù)。
[Abstract]:This paper focuses on the study of Linxia Muslim decorative art in Gansu Province in order to highlight the high reputation and strong representativeness of Linxia, a region dominated by Islam, in many fields of Chinese Islam. Because Muslims here have always maintained a strong sense of nationality, religion and culture in terms of religious accomplishment and secular life; they still retain some unique features in Islamic art. Islamic architecture and decorative art have been brought into full play in the area. Influenced by the strict Islamic tenet and spirit, the decorative art of Linxia Muslims can only be reflected in the decoration of buildings, human bodies and some handicrafts, which has certain limitations and particularities. It mainly studies the decorative art of Linxia Muslims from the two aspects of buildings and human bodies. At the same time, it also makes some special decorative forms (such as brick carving, wood carving, stone carving, calligraphy painting, landscape painting) in this area. Handicrafts, etc.) to be studied in buildings and human decoration, because only in this way can we have a more comprehensive understanding of these unique decorative arts and their forms of expression; the article will mainly deal with the decorative arts of buildings, including mosques, The study of religious buildings and secular buildings such as houses in Gongbei is the focus because these buildings are some of the most representative works of art in the region, in which other forms of artistic expression are used extensively. It is a complex of many forms of artistic expression, and has high research value. Because the forms of expression and cultural connotations of human decorative art in this area are not as rich as those of buildings, we can only do some relatively simple research here. At the same time, try to find something more valuable from these forms of decorative art; and, through the study of these forms of art, finally sum up their national, religious and cultural connotations, in order to reveal the reasons for their existence and development, In order to further develop these characteristics of national art.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J525
本文編號：2145024
[Abstract]:This paper focuses on the study of Linxia Muslim decorative art in Gansu Province in order to highlight the high reputation and strong representativeness of Linxia, a region dominated by Islam, in many fields of Chinese Islam. Because Muslims here have always maintained a strong sense of nationality, religion and culture in terms of religious accomplishment and secular life; they still retain some unique features in Islamic art. Islamic architecture and decorative art have been brought into full play in the area. Influenced by the strict Islamic tenet and spirit, the decorative art of Linxia Muslims can only be reflected in the decoration of buildings, human bodies and some handicrafts, which has certain limitations and particularities. It mainly studies the decorative art of Linxia Muslims from the two aspects of buildings and human bodies. At the same time, it also makes some special decorative forms (such as brick carving, wood carving, stone carving, calligraphy painting, landscape painting) in this area. Handicrafts, etc.) to be studied in buildings and human decoration, because only in this way can we have a more comprehensive understanding of these unique decorative arts and their forms of expression; the article will mainly deal with the decorative arts of buildings, including mosques, The study of religious buildings and secular buildings such as houses in Gongbei is the focus because these buildings are some of the most representative works of art in the region, in which other forms of artistic expression are used extensively. It is a complex of many forms of artistic expression, and has high research value. Because the forms of expression and cultural connotations of human decorative art in this area are not as rich as those of buildings, we can only do some relatively simple research here. At the same time, try to find something more valuable from these forms of decorative art; and, through the study of these forms of art, finally sum up their national, religious and cultural connotations, in order to reveal the reasons for their existence and development, In order to further develop these characteristics of national art.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J525
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前5條
1 張順堯;甘肅伊斯蘭教建筑的演變[D];同濟(jì)大學(xué);2007年
2 張勇;寧夏伊斯蘭教建筑裝飾的藝術(shù)特征[D];中央美術(shù)學(xué)院;2009年
3 楊宇輝;臨夏磚雕藝術(shù)初探[D];西安美術(shù)學(xué)院;2012年
4 程馨;臨夏清真寺磚雕藝術(shù)研究[D];蘇州大學(xué);2012年
5 馬仲炳;臨夏清真寺建筑藝術(shù)探析[D];西北師范大學(xué);2012年
，本文編號：2145024
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