克里姆特與丁紹光裝飾風(fēng)格繪畫比較研究
發(fā)布時(shí)間：2018-08-06 17:17
【摘要】：藝術(shù)文化沒有國界，全世界各國各民族的文化藝術(shù)都是人類共同擁有的財(cái)富。吸取本國以外的文化藝術(shù)積淀，融合中華五千年的文化精髓到自己的繪畫創(chuàng)作中，形成具有獨(dú)具特色的繪畫藝術(shù)風(fēng)格。奧地利畫家克里姆特和中國畫家丁紹光的繪畫作品，從不同的國度、不同的民族背景下，給人們帶來了既熟悉又陌生、既似曾相識又新鮮的感覺。本文以美術(shù)史學(xué)和比較學(xué)為研究方法，對克里姆特與丁紹光的裝飾繪畫進(jìn)行分析、比較與研究，得出了一些新的研究成果，為我們理解中外文化差異、中西藝術(shù)融合等提供了很好的借鑒和依據(jù)。裝飾繪畫和現(xiàn)代重彩畫對現(xiàn)代喜歡繪畫作品的人們來說并不陌生，在生活中，很多的家庭或賓館里的墻上掛著裝飾繪畫作品，特別是克里姆特和丁紹光的裝飾繪畫，在藝術(shù)上以獨(dú)特的裝飾風(fēng)格而著稱，達(dá)到了很高的境界，已被世界許多收藏家及聯(lián)合國所喜愛和收藏。丁紹光的藝術(shù)具有超時(shí)空的魅力，作品“充滿”韻律的中國傳統(tǒng)的鐵線描與絢麗多彩的西方現(xiàn)代色彩于一體，，融合了不同民族、不同文化的藝術(shù)風(fēng)格�！耙桓Y(jié)合”的藝術(shù)理論觀點(diǎn)，體現(xiàn)出了中華民族傳統(tǒng)文化深厚的沉積，融合了東西方藝術(shù)、現(xiàn)代與古典藝術(shù)、抽象和具象藝術(shù)。吸收了各民族文化藝術(shù)風(fēng)韻精華的“美”，繪出能代表中華民族文化藝術(shù)特征的典型繪畫藝術(shù)，給人一種既親切又神秘的美感，充滿理想光輝的畫面。
[Abstract]:Art and culture have no national boundaries, and the cultures and arts of all nations all over the world are the common wealth of human beings. Drawing on the cultural and artistic accumulation outside our country and integrating the essence of Chinese culture of five thousand years into our own painting, we can form a unique style of painting art. The paintings of Austrian painter Klimt and Chinese painter Ding Shaoguang, from different countries and different ethnic backgrounds, have brought people a feeling of familiarity and strangeness, as well as of deja vu and freshness. This article takes the art history and the comparative study as the research method, carries on the analysis, the comparison and the research to the Klimt and the Ding Shaoguang decorative painting, has obtained some new research results, for us to understand the Chinese and foreign cultural difference, The integration of Chinese and Western art provides a good reference and basis. Decorative painting and modern heavy painting are no strangers to modern people who like painting. In life, decorative paintings are hung on the walls of many families or hotels, especially those of Klimt and Ding Shaoguang. Art is famous for its unique decorative style and has reached a very high level, which has been loved and collected by many collectors and the United Nations all over the world. Ding Shaoguang's art has the charisma of transcendental space and time. The Chinese traditional iron line drawing, which is full of prosody, is integrated with the colorful western modern color, and it combines the artistic styles of different nationalities and different cultures. The artistic theory of "one root and three combination" embodies the deep deposition of the Chinese traditional culture and combines the eastern and western art, modern and classical art, abstract and concrete art. It absorbs the "beauty" of the essence of culture and art of various nationalities, and draws out the typical painting art which can represent the characteristics of Chinese culture and art, which gives people a kind of intimate and mysterious aesthetic feeling and a picture full of ideal brilliance.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J205
本文編號：2168412
[Abstract]:Art and culture have no national boundaries, and the cultures and arts of all nations all over the world are the common wealth of human beings. Drawing on the cultural and artistic accumulation outside our country and integrating the essence of Chinese culture of five thousand years into our own painting, we can form a unique style of painting art. The paintings of Austrian painter Klimt and Chinese painter Ding Shaoguang, from different countries and different ethnic backgrounds, have brought people a feeling of familiarity and strangeness, as well as of deja vu and freshness. This article takes the art history and the comparative study as the research method, carries on the analysis, the comparison and the research to the Klimt and the Ding Shaoguang decorative painting, has obtained some new research results, for us to understand the Chinese and foreign cultural difference, The integration of Chinese and Western art provides a good reference and basis. Decorative painting and modern heavy painting are no strangers to modern people who like painting. In life, decorative paintings are hung on the walls of many families or hotels, especially those of Klimt and Ding Shaoguang. Art is famous for its unique decorative style and has reached a very high level, which has been loved and collected by many collectors and the United Nations all over the world. Ding Shaoguang's art has the charisma of transcendental space and time. The Chinese traditional iron line drawing, which is full of prosody, is integrated with the colorful western modern color, and it combines the artistic styles of different nationalities and different cultures. The artistic theory of "one root and three combination" embodies the deep deposition of the Chinese traditional culture and combines the eastern and western art, modern and classical art, abstract and concrete art. It absorbs the "beauty" of the essence of culture and art of various nationalities, and draws out the typical painting art which can represent the characteristics of Chinese culture and art, which gives people a kind of intimate and mysterious aesthetic feeling and a picture full of ideal brilliance.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J205
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本文編號：2168412
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