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金代國朝文派研究

發(fā)布時間:2019-02-22 11:15
【摘要】:“國朝文派”是金代文學(xué)的核心和元代文學(xué)發(fā)展的基礎(chǔ)。它的出現(xiàn)標(biāo)志著金代文學(xué)以獨(dú)立的姿態(tài)出現(xiàn)在中國文學(xué)史上。本文從元好問重申的“國朝文派”的概念入手,將金代文學(xué)還原重置于從宋金對峙至蒙古崛起的文學(xué)生態(tài)之下,以文學(xué)自身發(fā)展的規(guī)律為經(jīng),以北方少數(shù)民族政權(quán)統(tǒng)治下的文化特征為緯,探求“國朝文派”的形成發(fā)展規(guī)律和文學(xué)價值。第一部分,首先對“國朝文派”的概念及內(nèi)涵進(jìn)行了界定,其所反映的金代大民族觀和文學(xué)獨(dú)立意識尤其值得重視!皣呐伞辈⒉皇且粋傳統(tǒng)意義上的文學(xué)流派的稱謂,它是由金代人自覺提出的,具有存史意義的文學(xué)稱謂。它是金人對于本朝文學(xué)發(fā)展規(guī)律和特征的自我總結(jié)。它以傳統(tǒng)的詩文作品為對象,以土生土長的金朝人為主體,以儒家文統(tǒng)為規(guī)范,結(jié)合北方區(qū)域文化,形成了金代詩文特有風(fēng)骨和神韻。簡言之,“國朝文派”就是金代詩文區(qū)別于其它朝代的文學(xué)特色的統(tǒng)稱。其次,對“國朝文派”的創(chuàng)作主體及其特征進(jìn)行了概括和總結(jié)!皣呐伞钡膭(chuàng)作主體是金朝土生土長,本土培養(yǎng)的,科舉進(jìn)士出身為主,具有較高文化藝術(shù)修養(yǎng)的高級知識分子。他們以漢族為主,也有少數(shù)其他民族的杰出作家。他們都與傳統(tǒng)的漢文化保持著深刻的聯(lián)系,其中家學(xué)淵源成為主要的途徑之一。與宋朝的文人地位相比,女真政權(quán)下金朝漢族文人的政治地位明顯下降,但他們卻擔(dān)負(fù)起了發(fā)展金代文學(xué)的重任。金末詩人元好問將其稱為“國朝文派”。第二部分對“國朝文派”的發(fā)展演變進(jìn)行了研究。主要以金代“國朝文派”文學(xué)觀念的萌發(fā)、成熟,新變和最終確立為核心,按照時間順序,從各個時期的文學(xué)生態(tài)、文學(xué)特征、代表作家入手,研究總結(jié)“國朝文派”發(fā)展演變的規(guī)律。第三部分主要從金代少數(shù)民族政權(quán)下的特殊文化的角度進(jìn)行研究。金代是少數(shù)民族建立的政權(quán),其特殊的文化生態(tài)對文學(xué)產(chǎn)生重要的影響。少數(shù)民族的文化習(xí)俗、科舉制度、宗教觀念等都是影響金代文學(xué)品格的重要因素?傊,“國朝文派”是金代文學(xué)的特稱,是金人對文學(xué)獨(dú)立性的自覺追求。通過研究“國朝文派”的形成發(fā)展過程,我們發(fā)現(xiàn)文學(xué)總是處于一個如何繼承前代文學(xué)遺產(chǎn),以及結(jié)合自身時代特色尋求文學(xué)上的突破的過程。不同時代文學(xué)品格的不同,既是時代特征賦予的,又是文人們積極探索追求的結(jié)果!皣呐伞弊鳛榻鸫膶W(xué)的重要組成部分,上承北宋,下啟蒙元,具有重要的意義和研究價值。
[Abstract]:The style of the Guo Dynasty is the core of the literature of Jin Dynasty and the foundation of the development of literature of Yuan Dynasty. Its appearance marks the independent appearance of Jin Dynasty literature in the history of Chinese literature. This article starts with the concept of "GuoChao School", which is reiterated by Yuan Hao-wen, restores the literature of Jin Dynasty to the literary ecology from the confrontation of Song and Jin dynasties to the rise of Mongolia, and takes the law of literature's own development as its classics. Taking the cultural characteristics under the rule of the northern minority political power as the weft, this paper explores the formation and development law and literary value of the literary school of the National Dynasty. In the first part, we define the concept and connotation of "GuoChao School", which reflects the great national view and literary independence consciousness of Jin Dynasty. "the literary school of the Guo Dynasty" is not a term of the literary school in the traditional sense, it is put forward by the people of Jin Dynasty consciously, has the historical significance literature appellation. It is the Jin Dynasty literature development law and characteristics of self-summary. It takes the traditional poetry and prose works as the object, takes the native Jin Dynasty people as the main body, takes the Confucian literary system as the norm, unifies the northern region culture, has formed the Jin Dynasty poetry unique strength and the charm. In short, the style of the Guo Dynasty is the general term of the literary features of the Jin Dynasty and the other dynasties. Secondly, the author generalizes and summarizes the creative subject and characteristics of Guo-Chao School. The main body of the creation of the literary school of the National Dynasty is the senior intellectual who was born and bred locally in the Jin Dynasty, mainly from the imperial examination scholars, with higher cultural and artistic accomplishment. They are mainly Han nationality, but also have a few outstanding writers of other nationalities. They are deeply connected with the traditional Chinese culture, among which the family origin is one of the main ways. Compared with the status of the literati in the Song Dynasty, the political status of the Han literati in the Jin Dynasty was obviously decreased under the Nuzhen regime, but they took on the important task of developing the literature of the Jin Dynasty. Yuan Hao-wen, the poet of the late Jin Dynasty, called it "the style of the National Dynasty". In the second part, the author studies the development and evolution of the style of Guo Dynasty. Mainly taking the germination, maturity, new change and final establishment of the literary ideas of the "National Dynasty" in the Jin Dynasty as the core, starting from the literary ecology and characteristics of each period, according to the time order, it represents the writers. This paper studies and summarizes the law of the development and evolution of the style of the Guo Dynasty. The third part mainly carries on the research from the special culture angle under the Jin Dynasty minority regime. Jin Dynasty is a political power established by ethnic minorities, and its special cultural ecology has an important influence on literature. The cultural customs, imperial examination system and religious concepts of ethnic minorities are the important factors affecting the literary character of Jin Dynasty. In a word, the style of the Guo Dynasty is the special name of the literature of Jin Dynasty, and it is the conscious pursuit of the literary independence of the Jin people. Through the study of the formation and development of the "GuoChao Literary School", we find that literature is always in a process of how to inherit the literary heritage of the previous generation and how to seek a breakthrough in literature in combination with its own characteristics of the times. The difference of literary character in different times is not only endowed by the characteristics of the times, but also the result of the literati's active exploration and pursuit. As an important part of the literature of the Jin Dynasty, the style of the Guo Dynasty is of great significance and research value to the Northern Song Dynasty and the Lower Enlightenment Yuan Dynasty.
【學(xué)位授予單位】:山西大學(xué)
【學(xué)位級別】:博士
【學(xué)位授予年份】:2017
【分類號】:I206.2

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