發(fā)布時(shí)間：2019-03-08 21:08

【摘要】：1978年12月23日北島、芒克、黃銳、陸煥興等人創(chuàng)辦的《今天》在文學(xué)史上已成為一個(gè)系統(tǒng)符號(hào),《今天》以其“異質(zhì)性”姿態(tài)開(kāi)辟了新時(shí)期文藝創(chuàng)作的新方向。《今天》作為一個(gè)民間刊物,同時(shí)是一個(gè)文學(xué)藝術(shù)團(tuán)體,其內(nèi)容除了發(fā)行刊物《今天》以外,還包括舉行文學(xué)作品討論會(huì),詩(shī)歌朗誦會(huì),創(chuàng)辦“星星美展”等。論文從《今天》的團(tuán)體性定位出發(fā),一是從詩(shī)歌與繪畫(huà)的“意象”出發(fā)還原《今天》團(tuán)體的精神氣質(zhì)；二是從藝術(shù)本體出發(fā)來(lái)對(duì)《今天》團(tuán)體的藝術(shù)形式進(jìn)行探討,論證其自身的“先鋒性”所在,名副其實(shí)的回歸“史”的定位和“史”的價(jià)值；三是通過(guò)藝術(shù)形式的研究來(lái)探討《今天》和“星星”創(chuàng)作者的創(chuàng)作心理,并由此建構(gòu)《今天》的主體形象。論文安排兩章。第一章：主要是對(duì)《今天》與“星星”兩者的詩(shī)歌與繪畫(huà)藝術(shù)創(chuàng)作進(jìn)行盡可能全面窮盡的意象提取,并將提取的意象做歸納性分類論述,分別是天空意象符號(hào)系列,大地意象符號(hào)系列和歷史文化意象符號(hào)系列。據(jù)此,第一章安排三節(jié)：第一節(jié)“天空”意象系列以“天空”、“太陽(yáng)”以及太陽(yáng)意象群中的“星星”、“月亮”、“黎明”為論述對(duì)象；第二節(jié)“大地”意象系列以“大地”、“海洋”、“波浪”、“船”為論述對(duì)象；第三節(jié)歷史文化意象系列以“圓明園”、“長(zhǎng)城”為論述對(duì)象。通過(guò)意象的論述,探究《今天》與“星星”這些先鋒藝術(shù)家創(chuàng)作中所開(kāi)拓的新空間。在分類論述中,以天空、大地、歷史等意象為切入點(diǎn)的分析闡釋過(guò)程中,基本上都能夠形成一個(gè)縱深式的脈絡(luò)。這個(gè)縱深方向便是藝術(shù)的本體性回歸和個(gè)人的主體性回歸。在每個(gè)典型意象的歸類分析中,可以看到上世紀(jì)《今天》年代群體內(nèi)部的不同層次,以此來(lái)論證其先鋒性、現(xiàn)代性的指向。第二章：探究作品意象背后的主體形象,以此來(lái)進(jìn)一步探討《今天》團(tuán)體的豐富性。從意象呈現(xiàn)深入到主體形象的實(shí)質(zhì)性分析上,從中看到創(chuàng)作者們對(duì)生命體驗(yàn)和生存處境不同層次的觀照和審視。這種不同層次的審視背后又與主體的自覺(jué)程度和現(xiàn)實(shí)的處境所具有的聯(lián)系。與第一章的行文思路和脈絡(luò)相照應(yīng),第二章主要安排三節(jié),第一節(jié)：在共名性和群體性之間,以江河、楊煉等為代表,從共名性主體指向和群體性主體指向兩個(gè)維度進(jìn)行論述：第二節(jié)：在群體性和個(gè)體性之間,以北島、芒克等為代表,從向外尋找自我的指向和向內(nèi)建構(gòu)自我的指向兩個(gè)維度來(lái)探討；第三節(jié)是個(gè)體性主體的確立,以田曉青、多多為代表�！督裉臁返膭�(chuàng)作在中國(guó)當(dāng)代文學(xué)史上具有革命性的意義。本文從整體出發(fā),盡可能地發(fā)掘《今天》所包含的多種元素,在回歸其現(xiàn)場(chǎng)豐富性的同時(shí)闡明它所達(dá)到的文學(xué)藝術(shù)高度。
[Abstract]:On December 23, 1978, Northern Island, Munk, Huang Rui, Lu Huanxing and others founded Today, which has become a systematic symbol in the history of literature. "Today" has opened up a new direction for literary and artistic creation in the new era with its "heterogeneity" attitude. As a folk publication, "Today" is also a literary and artistic organization whose contents are in addition to the publication "Today". It also includes the holding of literary seminars, poetry recitation, the creation of Star Art Exhibition, and so on. The thesis starts from the group orientation of "Today", one is to restore the spiritual temperament of "Today" from the "image" of poetry and painting; Secondly, from the point of view of artistic Noumenon, this paper probes into the artistic form of "Today" group, and demonstrates its own "vanguard", which is worthy of returning to the orientation of "History" and the value of "History". The third is to explore the creative psychology of the creators of "Today" and "Star" through the study of artistic forms, and thus to construct the subjective image of "Today". The thesis consists of two chapters. The first chapter is mainly on the poetry and painting artistic creation of "Today" and "Star" to extract the images as completely as possible, and classify the extracted images as inductive classification, respectively, which are the series of sky image symbols, which are divided into two parts: the sky image symbol series, and the sky image symbol series. Earth image symbol series and historical and cultural image symbol series. According to this, the first chapter arranges three sections: the first section "sky" image series takes "sky", "sun" and "stars", "moon" and "dawn" as the object of discussion in "sky", "sun", "star", "moon" and "dawn" in the sun image group; The second section of the "earth" image series "earth", "ocean", "waves", "boat" as the object of discussion; the third section of the historical and cultural imagery series of "Old Summer Palace", "the Great Wall" as the object of discussion. Through the discussion of images, this paper explores the new space opened up by pioneer artists such as "Today" and "Star". In the discussion of classification, in the process of analyzing and explaining the images such as sky, earth, history and so on, it is possible to form a deep-seated vein. This in-depth direction is the return of the essence of art and the return of individual subjectivity. In the classification and analysis of each typical image, we can see the different levels within the group in the last century (today), so as to prove its vanguard and the direction of modernity. Chapter two: probe into the subject image behind the image of the works, so as to further explore the richness of the group. From the image presentation to the substantive analysis of the main image, we can see that the creators have considered and examined the different levels of life experience and survival situation. The relationship between this different level of examination and the consciousness of the subject and the reality of the situation. The second chapter mainly arranges three sections, the first section: between the commonality and the group, represented by the river, Yang Lian, and so on. From the common subject direction and the group subject pointing to two dimensions: the second section: between the group and the individual, the North Island, Munk and so on as the representative, the second section: between the group and the individual, represented by the North Island, Munk, and so on. It is discussed from two dimensions: looking for the direction of self outward and constructing the direction of self inwardly. The third section is the establishment of the individual subject, represented by Tian Xiaoqing and Duoduo. The creation of "Today" is of revolutionary significance in the history of contemporary Chinese literature. From the whole point of view, this paper explores the various elements contained in "Today" as far as possible, and clarifies the literary and artistic heights it has reached while returning to its field richness.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I206.7-5

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