發(fā)布時(shí)間：2018-04-14 02:37

  本文選題：《莊子》 + 寓言��； 參考：《華中師范大學(xué)》2010年碩士論文

【摘要】： 《莊子》一書不僅具有哲學(xué)價(jià)值和文學(xué)價(jià)值,而且具有美學(xué)價(jià)值。本文探討了《莊子》寓言的審美研究,從《莊子》寓言的審美特征、審美體驗(yàn)、審美想象和審美啟示這幾個(gè)方面進(jìn)行展開。 主要內(nèi)容為：第一章,筆者從東西方兩個(gè)視域研究《莊子》寓言的審美特征,認(rèn)為東方視域下《莊子》寓言具有自然美(大自然的美；符合自然本性的美)、朦朧美(寓言形象的朦朧美：寓言意境的朦朧美)和真情美這幾個(gè)主要的審美特征,西方視域下《莊子》寓言具有崇高美和悲劇美的審美特征；第二章,筆者認(rèn)為《莊子》寓言的審美體驗(yàn)過程實(shí)質(zhì)就是“體道”的過程。經(jīng)歷了一個(gè)從有意識到無意識,再從無意識到“忘”、最后進(jìn)入到“游”的過程。技藝類寓言主要體現(xiàn)了從有意識到無意識的審美體驗(yàn),除此之外,《莊子》的很多寓言都體現(xiàn)了特殊狀態(tài)下的無意識,可細(xì)分為夢者無意識、醉者無意識、病患者無意識和神人類無意識及動(dòng)物界無意識；第三章,寓言作為莊子行文的主要表達(dá)方式,離不開他那天馬行空的想象,此章考察了《莊子》寓言中的審美想象。第一節(jié)研究了寓言中體現(xiàn)的想象(再創(chuàng)性想象、創(chuàng)造性想象)和聯(lián)想(接近聯(lián)想、類似聯(lián)想及對比聯(lián)想)；第二節(jié)主要研究了審美想象中的一種特殊的方式,即審美通感；最后,筆者在前文研究的基礎(chǔ)之上,進(jìn)行了一個(gè)反思,簡單地概述了《莊子》寓言的審美啟示。這些寓言讓我們明白,我們?nèi)祟愐�尊崇自�?與世界和諧相處。具體地講,就是處理好人與自然、人與社會、人與自身的關(guān)系。除此之外,要善待自己,減法生活,這樣我們就能在一定程度上擺脫和超越苦難,獲得幸福安寧的生活。
[Abstract]:Zhuangzi has not only the value of philosophy and literature, but also the value of aesthetics.This paper probes into the aesthetic research of the fable in Zhuangzi, which is carried out from the following aspects: aesthetic characteristics, aesthetic experience, aesthetic imagination and aesthetic revelation.The main contents are as follows: in the first chapter, the author studies the aesthetic characteristics of "Zhuangzi" fable from the two perspectives of East and West, and thinks that "Zhuangzi" fable has natural beauty (the beauty of nature);In accordance with the natural nature of beauty, hazy beauty (fable image hazy beauty: fable artistic conception of hazy beauty) and the beauty of true feelings, the western perspective of "Zhuangzi" fables have the aesthetic characteristics of sublime beauty and tragic beauty; chapter two,The author thinks that the aesthetic experience process of Zhuangzi fable is the process of "body and Tao".Experienced a process from conscious to unconscious, from unconscious to forgetting, and finally to swimming.The fable of skill mainly embodies the aesthetic experience from conscious to unconscious. In addition, many fables of Zhuangzi reflect the unconscious in a special state, which can be subdivided into dreamer's unconscious and drunk's unconscious.The third chapter, fable as the main way of expressing Zhuangzi's writing, can not do without his imagination. This chapter examines the aesthetic imagination in Zhuangzi's fable.The first section studies the imagination (recreative imagination, creative imagination) and the association (close association, similar association and contrast association) embodied in the fable; the second section mainly studies a special way of aesthetic imagination, that is, aesthetic synaesthesia.On the basis of the previous research, the author makes a reflection on the aesthetic enlightenment of the fables in Zhuangzi.These fables make us understand that we human beings should respect nature and live in harmony with the world.To be specific, it is to handle the relationship between man and nature, between man and society, and between man and himself.In addition, we should treat ourselves well and subtract our lives so that we can get rid of and transcend suffering to a certain extent and achieve a happy and peaceful life.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：I207.7;I01

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 鄭婉秋;中國古代寓言的道德寓意研究[D];西南大學(xué);2012年

2 郭宗勝;《莊子》教育故事中的典型意象研究[D];華東師范大學(xué);2012年

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本文編號：1747374