發(fā)布時(shí)間：2019-04-01 11:34

【摘要】：日本美學(xué)家今道友信基于他自身的審美經(jīng)驗(yàn)和對(duì)東方古典美學(xué)的深刻理解和獨(dú)到領(lǐng)悟,從自然哲學(xué)的角度創(chuàng)造性地提出了"夜晚意識(shí)",并論述了夜晚是藝術(shù)之鄉(xiāng)、夜晚是審美經(jīng)驗(yàn)的故鄉(xiāng)的命題,這與他的"白晝意識(shí)"、"大地"和"季節(jié)"概念一起成為其獨(dú)特的審美范疇。"夜晚意識(shí)"概念的提出,是今道友信對(duì)技術(shù)關(guān)聯(lián)時(shí)代的現(xiàn)代藝術(shù)的反抗,是東方文化中"天人合一"審美意識(shí)的體現(xiàn)。
[Abstract]:Based on his own aesthetic experience and his profound understanding and unique understanding of Oriental classical aesthetics, the Japanese aesthetician has creatively proposed "night consciousness" from the point of view of natural philosophy, and expounded that night is the home of art. Night is the home of aesthetic experience, which, along with his "day consciousness", "earth" and "season" concept, has become its unique aesthetic category. " The concept of "night consciousness" is the resistance of this day's friendship to the modern art in the era of technology connection, and the embodiment of the aesthetic consciousness of "the unity of nature and man" in the eastern culture.
【作者單位】： 許昌學(xué)院美術(shù)學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金項(xiàng)目“戰(zhàn)后日本美學(xué)發(fā)展進(jìn)程研究”(項(xiàng)目號(hào):9BZX067)的階段性成果
【分類號(hào)】：J01

【相似文獻(xiàn)】

相關(guān)期刊論文 前3條

1 鄭龍?jiān)?;論今道友信關(guān)于限定與藝術(shù)之存在問題的現(xiàn)象學(xué)思考[J];文藝評(píng)論;2013年01期

2 李思進(jìn);簡(jiǎn)述第十屆國(guó)際美學(xué)會(huì)議的美學(xué)問題討論[J];文藝?yán)碚撗芯?1985年03期

3 李心峰;超越藝術(shù)與美的對(duì)立——現(xiàn)代藝術(shù)學(xué)對(duì)象論[J];文藝評(píng)論;1992年02期

，

本文編號(hào)：2451521