發(fā)布時(shí)間：2024-05-25 01:58

　　米歇爾·法柏(1960~)生于荷蘭,是當(dāng)代英語(yǔ)文壇著名的小說(shuō)家、詩(shī)人。其長(zhǎng)篇小說(shuō)《絳紅雪白的花瓣》出版于2002年,故事背景設(shè)于19世紀(jì)70年代的倫敦,敘事方式從當(dāng)代視角反觀維多利亞社會(huì),該類(lèi)型的小說(shuō)被稱(chēng)為“新維多利亞小說(shuō)”。新維多利亞小說(shuō)已成為當(dāng)代英語(yǔ)文學(xué)的一個(gè)重要流派并受到評(píng)論界越來(lái)越多的關(guān)注。本研究采用解構(gòu)主義的視角,以米勒的重復(fù)理論作為指導(dǎo)框架,以文本細(xì)讀的方法,通過(guò)文本結(jié)構(gòu)中“柏拉圖式重復(fù)”和“尼采式重復(fù)”這兩條相互交織的線索,探索小說(shuō)中詞句、意象、讖謠的重復(fù)以及反復(fù)出現(xiàn)的事件和場(chǎng)景對(duì)于人物形象塑造和情節(jié)發(fā)展的重要作用,同時(shí)引入新批評(píng)派復(fù)義理論,通過(guò)對(duì)文本的開(kāi)放闡釋以及敘事中出現(xiàn)的一系列相似情節(jié)對(duì)每種解讀的反復(fù)驗(yàn)證探索新維多利亞小說(shuō)中可能存在的更多重復(fù)方式。小說(shuō)中的人物疊加了希臘神話(huà)、童話(huà)和經(jīng)典維多利亞小說(shuō)的多重原型,并通過(guò)二元對(duì)立的消解打造出更為復(fù)雜的人物和情節(jié),以此體現(xiàn)新維多利亞小說(shuō)對(duì)傳統(tǒng)維多利亞小說(shuō)的繼承和突破。小說(shuō)在主題上還與現(xiàn)代主義小說(shuō)相契合,通過(guò)揭示維多利亞人對(duì)現(xiàn)實(shí)的無(wú)奈和對(duì)未來(lái)的無(wú)限困惑折射出當(dāng)代人同樣面臨的生存困境和文化焦慮,體現(xiàn)出強(qiáng)烈的現(xiàn)實(shí)意義。

【文章頁(yè)數(shù)】：75 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ABSTRACT
摘要
Chapter One: Introduction
    1.1 An Introduction to Neo-Victorian Novel
    1.2 A Brief Introduction to Michel Faber and His Main Works
Chapter Two: Literature Review
    2.1 Overseas Research on Neo-Victorian Novel
    2.2 Domestic Research on Neo-Victorian Novel
    2.3 Current Studies on The Crimson Petal and the White
Chapter Three: Theoretical Framework
    3.1 Deconstruction
    3.2 J. Hillis Miller’s Theory of Repetition
Chapter Four: Textual Repetition and its Deconstruction in The Crimson Petal and the White
    4.1 Repetition of Verbal Elements
        4.1.1 Repetitive Words
        4.1.2 Repetitive Images
        4.1.3 Repetitive Auguries
    4.2 Repetition of Events and Scenes
        4.2.1 Repetitive Scenes
        4.2.2 Incidental Overtones
        4.2.3 Cyclic Movements
    4.3 Repetition Embedded in Ambiguity
        4.3.1 Different Interpretations of the Opening Part
        4.3.2 Possible Endings for Heroines
        4.3.3 Examples from Other Neo-Victorian Novels
Chapter Five: Intertextual Repetition and its Deconstruction in The Crimson Petal and the White
    5.1 Archetypal Repetition
        5.1.1 Archetypes in Greek Mythology
        5.1.2 Archetypes in Fairy Tales
        5.1.3 Archetype in Classic Novels
    5.2 Deconstruction in Characterization
        5.2.1 Decomposition of Angel/Demon Dichotomy
        5.2.2 Decomposition of Hero/Villain Dichotomy
        5.2.3 Decomposition of Male/Female Dichotomy
        5.2.4 Decomposition of Spirit/Material Dichotomy
    5.3 Thematic Reinforcement
        5.3.1 Parental Absence and Traumatic Childhood
        5.3.2 Defleshed Bodies and Captive Souls
        5.3.3 Futile Efforts and Uncertain Destiny
Chapter Six: Conclusion
    6.1 Main Findings of the Study
    6.2 Limitations and Implications
BIBLIOGRAPHY
ACKNOWLEDGEMENTS
PUBLISHED PAPERS



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