風(fēng)景入詩(shī)—約翰·克萊爾的自然書寫
發(fā)布時(shí)間：2024-05-18 04:27
約翰克萊爾(1793-1864),英國(guó)浪漫主義時(shí)期一位農(nóng)民詩(shī)人。他的一生是不受重視的,貧困的,但在有生之年,他寫下了大量自然詩(shī)歌,觀察和記錄了各種田間勞作,鳥獸蟲魚,季節(jié)流轉(zhuǎn),自然界的一草一木都是他熱愛和歌頌的對(duì)象。他的自然詩(shī)歌體現(xiàn)出與自然前所未有的親密,以及他對(duì)自然真摯深沉的愛。國(guó)內(nèi)外不乏關(guān)于他自然書寫的研究,然而鮮有從審美視角系統(tǒng)地分析其自然書寫。本文旨在描述風(fēng)景入詩(shī)的審美過(guò)程是如何在克萊爾自然書寫中體現(xiàn)的。出于這種立論,本文試圖將克萊爾的自然書寫置于三個(gè)維度加以分析,這三個(gè)維度分別是田園詩(shī),“詩(shī)如畫”與自然審美哲學(xué)。18、19世紀(jì)風(fēng)景如畫的概念風(fēng)靡歐洲,人們對(duì)于自然的認(rèn)識(shí)終于沖破中世紀(jì)的禁錮,開始從審美的角度欣賞自然。正在此時(shí),由于克萊爾生于自然,長(zhǎng)于自然的天然聯(lián)結(jié),促就了克萊爾風(fēng)景入詩(shī)的天地人合。通過(guò)與傳統(tǒng)田園詩(shī)異同比較得出,克萊爾繼承了阿卡狄亞式故鄉(xiāng),維吉爾黃金時(shí)代,以及農(nóng)諭詩(shī)的概念。文章還揭示了克萊爾對(duì)田園詩(shī)的創(chuàng)新,即其身份認(rèn)同的獨(dú)特性,對(duì)自然親密與平等的愛,以及對(duì)自然現(xiàn)象中張力的真實(shí)描述和語(yǔ)言上直接,清晰,鮮活的敘述性手法。“詩(shī)如畫”概念,自賀拉斯以降倍受眾多詩(shī)人追捧,其...
【文章頁(yè)數(shù)】：72 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgement
Abstract
摘要
Chapter One INTRODUCTION
1.1 INTRODUCTION OF JOHN CLARE
1.2 LITERATURE REVIEW
1.2.1 Literature Review Abroad
1.2.2 Literature Review at Home
1.3 STRUCTURE OF THE THESIS
Chapter Two NATURE AND LANDSCAPE IN CLARE
2.1 THE POSITION OF NATURE IN WESTERN WORLD
2.2 THE CONCEPTION OF LANDSCAPE
2.2.1 The Definition of Landscape
2.2.2 The Popularity of Landscape in Britain
2.3 NATURE WRITING AND CLARE
2.3.1 The Definition of Nature Writing
2.3.2 The Beginning of Nature Writing of Clare
Chapter Three PASTORAL POETRY
3.1 THE PASTORAL POETRY TRADITION
3.2 THE INHERITANCE AND CREATION IN JOHN CLARE
3.2.1 Inheritance
3.2.2 Creation
Chapter Four UT PICTURA POESIS
4.1 THE TRADITION OF UT PICTURA POESIS
4.2 CLARE AND UT PICTURA POESIS
4.2.1 Poetry as a Painting in Mind
4.2.2 Clare as a Painter in Poetry
Chapter Five NATURE AESTHETIC PHILOSOPHY OF CLARE
5.1 EXTERNAL COGNITION OF NATURE
5.1.1 The Definition of External Cognition of Nature
5.1.2 The Regularization and Rigidification of Nature
5.2 INNER AESTHETIC OF NATURE
5.2.1 The Turning of Landscape Into Poetry
5.2.2 The Inner Aesthetic Mechanism
Chapter Six CONCLUSION
Works Cited
Appendices 攻讀碩士學(xué)位期間的學(xué)術(shù)活動(dòng)及成果情況
本文編號(hào)：3976450
【文章頁(yè)數(shù)】：72 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgement
Abstract
摘要
Chapter One INTRODUCTION
1.1 INTRODUCTION OF JOHN CLARE
1.2 LITERATURE REVIEW
1.2.1 Literature Review Abroad
1.2.2 Literature Review at Home
1.3 STRUCTURE OF THE THESIS
Chapter Two NATURE AND LANDSCAPE IN CLARE
2.1 THE POSITION OF NATURE IN WESTERN WORLD
2.2 THE CONCEPTION OF LANDSCAPE
2.2.1 The Definition of Landscape
2.2.2 The Popularity of Landscape in Britain
2.3 NATURE WRITING AND CLARE
2.3.1 The Definition of Nature Writing
2.3.2 The Beginning of Nature Writing of Clare
Chapter Three PASTORAL POETRY
3.1 THE PASTORAL POETRY TRADITION
3.2 THE INHERITANCE AND CREATION IN JOHN CLARE
3.2.1 Inheritance
3.2.2 Creation
Chapter Four UT PICTURA POESIS
4.1 THE TRADITION OF UT PICTURA POESIS
4.2 CLARE AND UT PICTURA POESIS
4.2.1 Poetry as a Painting in Mind
4.2.2 Clare as a Painter in Poetry
Chapter Five NATURE AESTHETIC PHILOSOPHY OF CLARE
5.1 EXTERNAL COGNITION OF NATURE
5.1.1 The Definition of External Cognition of Nature
5.1.2 The Regularization and Rigidification of Nature
5.2 INNER AESTHETIC OF NATURE
5.2.1 The Turning of Landscape Into Poetry
5.2.2 The Inner Aesthetic Mechanism
Chapter Six CONCLUSION
Works Cited
Appendices 攻讀碩士學(xué)位期間的學(xué)術(shù)活動(dòng)及成果情況
本文編號(hào)：3976450
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