發(fā)布時間：2018-06-26 19:57

  本文選題：關(guān)中 + 馬勺臉譜　； 參考：《湖北工業(yè)大學(xué)》2017年碩士論文

【摘要】：中國民間美術(shù)博大精深,在世界范圍內(nèi)享有盛譽。關(guān)中馬勺臉譜就是其中的代表�，F(xiàn)代馬勺臉譜自上世紀(jì)八十年代在陜西寶雞地區(qū)誕生以來,已經(jīng)歷了三十多個年頭。這期間,馬勺臉譜得到廣泛的傳播和長遠(yuǎn)的發(fā)展,在以寶雞為西段渭南為東端的陜西關(guān)中地區(qū)產(chǎn)生了眾多的馬勺民間藝人和手工作坊,甚至在全國許多地方都可以見到出售的馬勺工藝品。關(guān)中馬勺臉譜在繼承古老社火和蚩尤馬勺的基礎(chǔ)上,以其獨特的造型、夸張的線條、大膽的用色充分表現(xiàn)出陜西寶雞地區(qū)先民的豐富想象力和不凡的智慧,深受當(dāng)?shù)乩习傩盏钠毡橄矏�。本文作者通過親身在馬勺臉譜誕生地的調(diào)研,將結(jié)果分類整理、加工完善記錄在這篇論文之中。全文共六部分:第一部分是緒論,介紹了研究背景、意義、和現(xiàn)狀;第二部分是馬勺概述,介紹了馬勺的產(chǎn)生淵源、題材、制作工藝等;第三部分是馬勺的藝術(shù)特征,從造型、臉型、色彩、紋樣等多個方面全面總結(jié)了關(guān)中馬勺臉譜的特點;第四部分是馬勺臉譜的文化內(nèi)涵,在對民間老藝術(shù)家們的訪談記錄基礎(chǔ)上整理并總結(jié)了馬勺臉譜中的陰陽五行、傳統(tǒng)價值觀、傳統(tǒng)宗教觀、傳統(tǒng)文學(xué)、傳統(tǒng)戲劇。第五部分是馬勺臉譜的現(xiàn)代設(shè)計應(yīng)用,以裝飾設(shè)計和景觀設(shè)計為例詮釋了現(xiàn)代設(shè)計理念和傳統(tǒng)馬勺臉譜元素相結(jié)合的新設(shè)計風(fēng)格;第六部分為結(jié)語,總結(jié)全文。本論文的研究意義在于兩點:第一,做了一次比較全面地單獨對馬勺臉譜進(jìn)行藝術(shù)特征總結(jié);第二,對馬勺臉譜的文化內(nèi)涵做了深入的發(fā)掘。相較于之前研究者的成果,本文沒有太多地涉及社火內(nèi)容,并著重討論了馬勺臉譜中反映的傳統(tǒng)文化內(nèi)涵,這些都反映在上述的兩點之中。
[Abstract]:Chinese folk art is extensive and profound, and enjoys a high reputation in the world. Guanzhong horse spoon face is one of the representatives. Modern horse-scoop face has experienced more than 30 years since it was born in Baoji area of Shaanxi province in 1980's. During this period, Masao face was widely spread and developed for a long time. In Shaanxi Guanzhong, where Baoji was the western end of Weinan, numerous folk artists and handmade workshops were produced. Even in many parts of the country can see the sale of horse-spoon crafts. On the basis of inheriting the ancient society fire and Chiyou horse scoop, the face of Guanzhong horse scoop shows the rich imagination and extraordinary wisdom of the ancestors in Baoji area of Shaanxi province with its unique shape, exaggerated lines and bold colors. It is popular with the local people. The author classifies the results and records them in this paper through personal investigation in the birthplace of Facebook. The first part is an introduction, which introduces the background, significance, and current situation of the research. The second part is an overview of the origin, subject matter and production process of the horse spoon. The third part is the artistic characteristics of the horse spoon, from the modeling, Face shape, color, pattern and other aspects of the overall summary of the features of the face in Guanzhong horse spoon face; the fourth part is the cultural connotation of the horse spoon face, on the basis of the interview records of the old folk artists, it collates and summarizes the five elements of Yin and Yang in the face composition of the horse spoon. Traditional values, traditional religious views, traditional literature, traditional drama. The fifth part is the application of the modern design of the horse scoop face, taking the decoration design and the landscape design as the example, has explained the modern design idea and the traditional horse spoon face element unifies the new design style; the sixth part is the conclusion, summarizes the full text. The research significance of this paper lies in two points: first, a relatively comprehensive summary of the artistic features of the face; second, the cultural connotation of the facial composition has been deeply explored. Compared with the previous achievements of the researchers, this paper does not involve much of the content of social fire, and focuses on the traditional cultural connotation reflected in the face of horse spoon, which are reflected in the above two points.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J528.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 翟蕾蕾;李濟通;;簡析陜西馬勺臉譜藝術(shù)的審美特征[J];現(xiàn)代裝飾(理論);2016年01期

2 孔德權(quán);;淺析寶雞社火馬勺臉譜的圖案造型特點[J];大眾文藝;2015年24期

3 朱函兵;;西秦社火臉譜的造型和色彩特征[J];大舞臺;2014年07期

4 楊夢冰;;淺析馬勺文化在現(xiàn)代設(shè)計中的衰落與蛻變[J];金田;2013年10期

5 趙麗;陳杰;;馬勺臉譜藝術(shù)研究[J];現(xiàn)代裝飾(理論);2012年03期

6 張欣剛;張星;;談馬勺文化在服裝設(shè)計中的運用[J];藝術(shù)教育;2011年11期

7 趙德利;;和諧的節(jié)慶狂歡——論關(guān)隴社火的文化特點[J];文藝爭鳴;2011年06期

8 陳麗伶;于輝;陳登凱;;陜西社火馬勺臉譜在現(xiàn)代設(shè)計中的應(yīng)用[J];西北工業(yè)大學(xué)學(xué)報(社會科學(xué)版);2011年01期

9 傅暢;王安霞;;陜西社火臉譜的藝術(shù)魅力[J];文教資料;2010年12期

10 賀鵬;詹秦川;;馬勺社火臉譜紋樣的符號學(xué)意義[J];美與時代(上半月);2010年01期

相關(guān)重要報紙文章 前1條

1 佟玉潔;;鳳翔馬勺社火臉譜中蚩尤形象的色彩文化[N];美術(shù)報;2007年

相關(guān)碩士學(xué)位論文 前5條

1 夏天;當(dāng)傳統(tǒng)邂逅現(xiàn)代—論動畫元素在馬勺臉譜中的應(yīng)用[D];西北大學(xué);2014年

2 溫強;花臉啞巴[D];陜西師范大學(xué);2014年

3 張美榮;西秦社火臉譜藝術(shù)特征及其文化內(nèi)涵初探[D];中國藝術(shù)研究院;2012年

4 段盈盈;社火臉譜裝飾造型研究[D];西安美術(shù)學(xué)院;2011年

5 王麗麗;社火臉譜藝術(shù)探析[D];遼寧師范大學(xué);2010年

，

本文編號：2071232