發(fā)布時間：2018-06-24 02:57

  本文選題：牡丹紋樣 + 傳統(tǒng)裝飾元素��； 參考：《湖北工業(yè)大學》2017年碩士論文

【摘要】：牡丹一直以來都被視為富貴、吉祥、高貴的象征,在中國古代的概念中,牡丹代表的就是華貴、堂皇,而其飽滿的色彩更是讓人們感受到一種絢爛璀璨。經(jīng)過數(shù)千年文化的傳承與沉淀,牡丹紋樣已經(jīng)發(fā)展成為我國文化體系內(nèi)的一個典型的精神符號,寓意吉祥與富貴,體現(xiàn)了人們向往平安、祈福納祥的美好追求,其中所涵的祥瑞文化已經(jīng)成為中華民族最精髓的文化內(nèi)涵之一,深受中國人民喜愛,并被廣泛運用到設計中。如今,現(xiàn)代設計的民族文化性要求越來越高。對于現(xiàn)代設計作品來說,既要保持其高質(zhì)量的同時,又要將設計內(nèi)涵中增加人文價值,使精神功能可以實現(xiàn)對現(xiàn)代藝術(shù)概念的發(fā)掘。傳統(tǒng)牡丹紋樣在現(xiàn)代設計方面的使用,豐富了原有的花團錦簇、大富大貴的寓意,現(xiàn)代美學將傳統(tǒng)裝飾元素進行簡化和重置,很多紋樣蘊含的傳統(tǒng)吉祥內(nèi)涵,與現(xiàn)代審美形式相結(jié)合之后,碰撞出新的裝飾效果和審美意境。本文希望通過牡丹紋樣在現(xiàn)代藝術(shù)作品設計過程中起到的作用,來分析傳統(tǒng)裝飾元素對現(xiàn)代藝術(shù)的擴充方式。本文結(jié)構(gòu)分為五個部分:第一章緒論根據(jù)課題來介紹基本的研究目的、研究背景、研究現(xiàn)狀等等;第二章介紹牡丹紋樣,概述牡丹紋樣最早起源、文化寓意、不同時期造型分析,梳理出各階段牡丹紋樣風格特色、元素應用,比例結(jié)構(gòu)等等,挖掘其裝飾藝術(shù)特征所在;第三章為研究了牡丹紋樣在現(xiàn)代設計中的應用,搜集牡丹紋樣在現(xiàn)代設計領(lǐng)域中的不同優(yōu)勢,尋找具有突破性空間的方式,探討牡丹紋樣在現(xiàn)代設計中的應用發(fā)展前景;第四章為畢業(yè)設計的創(chuàng)作,結(jié)合課題研究內(nèi)容,運用牡丹花元素,從題材來源、媒介選擇、設計理念的表達,創(chuàng)作出相對應的現(xiàn)代設計藝術(shù)品;第五章結(jié)語部分。根據(jù)牡丹紋樣的繼承和發(fā)展方向,將新的符合現(xiàn)代藝術(shù)設計的創(chuàng)新點重新梳理,將傳統(tǒng)裝飾紋樣和現(xiàn)代設計方法之間形成新的藝術(shù)關(guān)系。
[Abstract]:Peony has always been regarded as a symbol of wealth, auspiciousness and nobility. In the concept of ancient China, peony stands for grandeur and grandeur, and its full color makes people feel a kind of brilliant and bright. After thousands of years of cultural inheritance and precipitation, peony patterns have developed into a typical spiritual symbol in our cultural system, meaning auspicious and rich, embodying the people's pursuit of peace and blessing. Among them, Xiangrui culture has become one of the most essential cultural connotations of the Chinese nation, deeply loved by the Chinese people and widely used in the design. Nowadays, the national cultural requirement of modern design is higher and higher. For modern design works, it is necessary not only to maintain its high quality, but also to add humanistic value to the connotation of design, so that the spiritual function can realize the discovery of modern art concepts. The use of traditional peony patterns in modern design enriches the original meanings of flowers and wealth. Modern aesthetics simplifies and resets traditional decorative elements, and many patterns contain traditional auspicious connotations. With the combination of modern aesthetic forms, the collision of new decorative effects and aesthetic conception. This paper hopes to analyze the expansion of traditional decorative elements to modern art through the role of peony patterns in the design of modern art works. The structure of this paper is divided into five parts: the first chapter introduces the basic research purpose, the research background, the present situation and so on according to the topic; the second chapter introduces the peony pattern, summarizes the earliest origin of the peony pattern, the cultural moral, etc. Different period modeling analysis, combing out each stage peony pattern style characteristic, the element application, the proportion structure and so on, excavates its decorative art characteristic to be located; the third chapter has studied the peony pattern in the modern design application, Collect the different advantages of peony pattern in the field of modern design, find a breakthrough space, explore the application and development prospects of peony pattern in modern design. Chapter four is the creation of graduation design, combined with the research content of the subject. Using the peony flower element, from the subject matter source, the medium choice, the design idea expression, creates the corresponding modern design work of art; the fifth chapter conclusion part. According to the inheritance and development direction of the peony pattern, the new innovation points which accord with the modern art design are rearranged, and the new artistic relationship between the traditional decorative pattern and the modern design method is formed.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J522

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本文編號：2059690